Artificial Hells : Participatory Art and the Politics of Spectatorship

Bishop, Claire. Artificial Hells : Participatory Art and the Politics of Spectatorship. London, England: Verso, 2012.

On-site consultation

Abstract (English)

"Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as “social practice.” Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Paweł Althamer and Paul Chan." -- Publisher's website.

Types: Monographs
All Contributors: Bishop, Claire (Author)
Dossier: 700 - ART ET POLITIQUE / ART AND POLITICS
Collation: p. 382 : ill. ; 24 cm
ISBN: 139781844676903
Language of Publication: English
Publishers: London, England: Verso
Keywords: SOCIAL SPACE; ART AND POLITICS; COMMUNICATION; VIEWER ROLE
Copyright Statement: Claire Bishop
Related URLs:
Notes:

Onomastic index p. 373 - 382.
Don d'Anne Ramsden.

Deposited by: Intern Stagiaire
Date Deposited: 06 May 2016 21:10
Last Modified: 06 May 2016 21:10
URI: http://e-artexte.ca/id/eprint/27024
Edit this item (login required):
View Item