More Than Minimal : Feminism and Abstraction in the '70s : 19th Annual Patrons and Friends Exhibition

Stoops, Susan L. and Chadwick, Withney and Wagner, Anne M. and Linker, Kate and Schroder, Leah. More Than Minimal : Feminism and Abstraction in the '70s : 19th Annual Patrons and Friends Exhibition. Wattham, MA: Rose Art Museum, Brandeis University, 1996.

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Abstract (English)

Through the work of 11 women artists, this catalogue explores the convergence, in the early 1970s, of the American feminist movement and of a "shifting of sensibilities within the dominant abstract aesthetic". Four essayists analyse the impact of the feminist revision in visual arts practice and theory, the call into question of minimalist art and rhetoric, and the emergence of "gendered subjectivity". Includes an interview where Lippard comments on her activity as writer and activist, and a chronology of events that marked that period. Biographical notes. Circa 100 bibl. ref.

Types: Catalogues > Exhibition catalogues
All Contributors: Stoops, Susan L. (Editor); Stoops, Susan L. (Interviewer); Stoops, Susan L. (Author); Chadwick, Withney (Author); Lippard, Lucy R. (Interviewee); Wagner, Anne M. (Author); Linker, Kate (Author); Schroder, Leah (Author); Belz, Carl (Prefacer)
Dossier: 360 - ROSE ART MUSEUM, BRANDEIS UNIVERSITY (Wattham, MA)
Collation: 110 p. : 43 ill. (22 col.) ; 28 x 28 cm
Language of Publication: English
Publishers: Wattham, MA: Rose Art Museum, Brandeis University
Artists: Benglis, Lynda; Ferrara, Jackie; Graves, Nancy; Hesse, Eva; Mendieta, Ana; Miss, Mary; Morton, Ree; Stuart, Michelle; Rockburne, Dorothea; Wilke, Hannah; Winsor, Jackie
Art Organizations: Rose Art Museum, Brandeis University (Wattham, MA)
Event Statement: Exhibition dates: 21 Apr. - 30 June 196, Rose Art Museum, Brandeis University (Wattham).
Keywords: FEMINISM; ABSTRACTION; POSTMINIMALISM; GENDER; MINIMALISM; SCULPTURAL TECHNIQUE; WOMAN ARTIST; BODY; LIPPARD, LUCY
Deposited by: Users 1 not found.
Date Deposited: 10 Dec 1996
Last Modified: 25 Oct 2012 13:53
URI: http://e-artexte.ca/id/eprint/10563
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