Everything Remains Raw

Campbell, Mark V. and Edmonds, Pamela and Lee, Yaniya and Mings, Felicia and et alii. Everything Remains Raw. Fredericton, NB: Goose Lane Editions, 2018.

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Abstract (English)

"A photographic excavation of Toronto's hip hop archive, ...Everything Remains Raw draws on photographs of Kardinal Offishall, Michie Mee, Dream Warriors, Maestro, Drake, Director X, and others by Michael Chambers, Sheinina Raj, Demuth Flake, Craig Boyko, Nabil Shash, Patrick Nichols, and Stella Fakiyesi to offer a deep dive in hip hop's visual culture. An intentional intersection of the taste-making skills of the DJ and the nuanced particularism of the curator, the book and the accompanying exhibition juxtapose never-before-seen images with photojournalism, street posters, and zines to reframe and enhance popular understandings of this thing called hip hop." -- Publisher's website.

Types: Monographs ; Catalogues > Exhibition catalogues
All Contributors: Campbell, Mark V. (Author); Peres, Alicia (Editor); Scriver, Julie (Designer); Cousins, Alexandra (Designer); Campbell, Mark V. (Designer); Edmonds, Pamela (Author); Lee, Yaniya (Author); Mings, Felicia (Author); et alii
Dossier: 390 - McMICHAEL CANADIAN ART COLLECTION (Kleinburg, Ont.)
Collation: 119 pages : colour illustrations ; 27 cm
ISBN: 9781773100821
Language of Publication: English
Publishers: Fredericton, NB: Goose Lane Editions
Artists: Fakiyesi, Stella; Nichols, Patrick; Boyko, Craig; Raj, Sheinina; Shash, Nabil; Strickland, David; Valino, Mark; Balon, Erica; Elliott, Elicser; Chambers, Michael; Flake, Demuth
Event Title: ...Everything Remains Raw : Photographing Toronto's Hip-Hop Culture from Analogue to Digital
Type: Exhibition
Location: McMichael Canadian Art Collection (Kleinburg, Ontario)
Dates: 3 March - 21 october 2018
Copyright Statement: Goose Lane Editions; McMichael Canadian Art Collection; the artists

Bibliographical references throughout.

Deposited by: Collections
Date Deposited: 21 Sep 2020 18:49
Last Modified: 23 Mar 2021 13:59
URI: http://e-artexte.ca/id/eprint/32201
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