Tony Oursler

Oursler, Tony and Bellour, Raymond and Conrad, Tony and DeJong, Constance. Tony Oursler. Barcelone, Espagne: Ediciones Poligrafa, 2001.

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Abstract (English)

" During the course of the past thirty years, video art has blossomed well beyond the expectations of its early practioners and theorists. Born as a critique of television and a medium at odds with traditional pictorial forms, at its inception video was filled with an utopian promise that lead artists to belive in a true democratization of art. Today it has reached a pinnacle of technical sophistication and aesthetic importance that was only dreamed of in the 1960s when the accessibility of the Portapak camera seemed to allow limitless creative possibilities. Tony Oursler stands as a major figure within the evolution of the medium, poised at the crucial turning point when the television monitor could no longer contain video's still developing potential. With a keen understanding of its technical intricacies, as well as its limitations as a time-based form, Oursler began to paint in moving images a broad picture of how visual technologies influence -even modify- our social and psychological selves. " -- Publisher web site.

Types: Catalogues
All Contributors: Janus, Elizabeth (Editor); Moure, Gloria (Editor); Graham, Dan (Interviewer); Kelley, Mike (Interviewer); Oursler, Tony (Author); Bellour, Raymond (Author); Conrad, Tony (Author); DeJong, Constance (Author)
Dossier: 440 - OURSLER, TONY
Collation: 359 pages : colour illustrations ; 27 cm
ISBN: 8434309203
Language of Publication: English
Publishers: Barcelone, Espagne: Ediciones Poligrafa
Artists: Oursler, Tony
Keywords: VIDEO; MOVING IMAGE; FLOWERS; KNOWLEDGE; TECHNOLOGY
Copyright Statement: Ediciones Polígrafa; Instituto Valenciano de Arte Moderno; The authors
Notes:

Includes bibliographical references.
Dust jacket.
De la collection de Sylvie Bélanger.

Series Name: 20_21 Collection / directed by Gloria Moure
Deposited by: Intern Stagiaire
Date Deposited: 22 Mar 2022 16:24
Last Modified: 22 Mar 2022 16:24
URI: http://e-artexte.ca/id/eprint/33843
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