Cindy Sherman 1975-1993

Krauss, Rosalind and Bryson, Norman. Cindy Sherman 1975-1993. New York, NY: Rizzoli International Publications, 1993.

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Abstract (English)

" Examining Sherman's use of photographic techniques, from camera angles (the famed Centerfold series, for example) to specific styles of lighting, Krauss suggests that the meaning of Sherman's work can best be deriyed from her constructive methods and their aesthetic and philosophical ramifications and carefully builds to the notion of Sherman as an artist engaged in a dialogue most particularity with art itself. In a further essay, Norman Bryson, internationally known for his pioneering theories on the semiotics of looking, explores Sherman's most recent, horror-show images of mannequins (known as the Sex Picture) and identifies their place in her continued out-of-body investigations. Along with a bibliography and chronology, more than 200 illustrations (140 in color), including numerous unpublished works, represent Sherman's complete career to date. " -- Flap of the book.

Types: Catalogues
All Contributors: Krauss, Rosalind (Author); Bryson, Norman (Author)
Dossier: 420 - SHERMAN, CINDY
Collation: 240 pages : colour illustrations ; 32 cm
ISBN: 0847817563
Language of Publication: English
Publishers: New York, NY: Rizzoli International Publications
Artists: Sherman, Cindy
Keywords: PHOTOGRAPHY; FEMINISM; SEXUALITY; EVERYDAY LIFE; FAIRY TALE; PUPPETS
Copyright Statement: Cindy Sherman; Rosalind Krauss; Norman Bryson
Notes:

Includes biographical notes and bibliographical references.
Bibliography : pages 236-240.
Dust jacket.
De la collection de Sylvie Bélanger.

Deposited by: Intern Stagiaire
Date Deposited: 29 Mar 2022 15:25
Last Modified: 29 Mar 2022 15:25
URI: http://e-artexte.ca/id/eprint/33872
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