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Number of items: 60.

Lind, Maria and Barr, Alfred H. and Blom, Ina and Cooke, Lynne and Davies, Anthony and Freeman, Judi and Halley, Peter and Houston, Joe and Jameson, Fredric and Lippard, Lucy R. and Lütticken, Sven and Möntmann, Nina and Pérez-Barreiro, Gabriel and Quéloz, Catherine and Raunig, Gerald and Rogoff, Irit and Schapiro, Meyer and Varnedoe, Kirk and Zepke, Stephen and et alii. Abstraction. London, England: Whitechapel Art Gallery; Cambridge, MA: MIT Press, 2013.
DOSSIER: 381 - GRANDE-BRETAGNE - WHITECHAPEL ART GALLERY (Londres)
Hoffmann, Jens and Alberro, Alexander and Allen, Jennifer and Alpers, Svetlana and Barthel, Albrecht and Blazwick, Iwona and Buren, Daniel and Cooke, Lynne and Diawara, Manthia and Dillon, Brian and Fer, Briony and Filipovic, Elena and Guerra, Carles and Jones, Amelia and Jones, Caitlin and Jones, Caroline A. and Lefebvre, Henri and Molderings, Herbert and Obrist, Hans Ulrich and O'Doherty, Brian and Relyea, Lane and Temkin, Ann and Wood, Jon and Yablonsky, Linda and Zarrilli, Philip and et alii. The Studio. London, England: Whitechapel Art Gallery; Cambridge, MA: MIT Press, 2012.
DOSSIER: 381 - GRANDE-BRETAGNE - WHITECHAPEL ART GALLERY (Londres)
De Salvo, Donna and Burton, Johanna and Godfrey, Mark and Groys, Boris. Open Systems : Rethinking Art c. 1970. London England: Tate, 2005.
DOSSIER: 381 - GRANDE-BRETAGNE - TATE GALLERY (Londres)
Dault, Gary Michael and Gagnon, Monika Kin. Aiko Suzuki : Selected Works from 1973 to the Present. Toronto, Ont.: Gendai Gallery, 2003.
DOSSIER: 410 - SUZUKI, AIKO
Osborne, Peter and Duchamp, Marcel and Cage, John and Klein, Yves and Kaprow, Allan and Morris, Robert and Johns, Jasper and Maciunas, George and Beckett, Samuel and Ono, Yoko and Latham, John and Goodman, Nelson and Acconci, Vito and Piper, Adrian and Lewin, Curt and Kubler, George and Lewitt, Sol and Bochner, Mel and Burnham, Jack and Lippard, Lucy R. and Chandler, John and Atkinson, Terry and Kozlowski, Jaroslaw and Buchloh, Benjamin H. D. and Saussure, Ferdinand de and Wittgenstein, Ludwig and Kuhn, Thomas S. and Smithson, Robert and Barry, Robert and Huebler, Douglas and Kosuth, Joseph and Siegelaub, Seth and Weiner, Lawrence and Burn, Ian and Cutforth, Roger and Ramsden, Mel and Burgin, Victor and Drucker, Johanna and Debord, Guy and Goffman, Erving and Clark, Lygia and Metzger, Gustav and Ehrenzweig, Anton and Ukeles, Mierle Laderman and Graham, Dan and Wall, Jeff and Steveni, Barbara and Marx, Karl and Barthes, Roland and Costa, Eduardo and Escari, Raul and Jacoby, Roberto and Oiticica, Hélio and Marcuse, Herbert and Meireles, Cildo and Parker, Roszika and Kelly, Mary and Rosler, Martha and Alberro, Alexander and Adorno, Theodor W. and Horkheimer, Max and Malraux, André and Claura, Michel and Buren, Daniel and O'Doherty, Brian and Asher, Michael and Baudrillard, Jean and Foster, Hal and Newman, Michael and Art & Language. Conceptual Art. London, England: Phaidon Press, 2002.
DOSSIER: 700 - MOUVEMENT - ART CONCEPTUEL / MOVEMENT - CONCEPTUAL ART
Lantignac, Valérie and Fréchuret, Maurice and Dulile, Bernard and Guillemeteaud, François. Les années 70 : L'art en cause. Bordeaux, France: capc Musée d'art contemporain de Bordeaux; Paris, France: s.n., 2002.
DOSSIER: 381 - FRANCE - CAPC MUSÉE D'ART CONTEMPORAIN (Bordeaux)
Phelan, Peggy and de Beauvoir, Simone and Di Prima, Diane and Friedan, Betty and Solanas, Valerie and Johnston, Jill and Ono, Yoko and Linde, Ulf and Lippard, Lucy R. and Hesse, Eva and Ukeles, Mierle Laderman and Clark, Lygia and Millett, Kate and Koedt, Anne and Greer, Germaine and Nochlin, Linda and Cixous, Hélène and Export, Valie and Tucker, Marcia and Kingsley, April and Schapiro, Miriam and Mulvey, Laura and Alloway, Lawrence and Kozloff, Max and Krauss, Rosalind and Masheck, Joseph and Michelson, Annette and Chicago, Judy and Parker, Rozsika and Delmar, Rosalind and Hammer, Barbara and Sauzeau Boetti, Anne-Marie and Akerman, Chantal and Irigaray, Luce and Hiller, Susan and Cockcroft, Eva and Richardson, Su and Orenstein, Gloria Feman and Kingsley, April and Adams, Parveen and Lorde, Audre and Rich, Adrienne and Gilbert, Sandra M. and Hammond, Harmony and Lacy, Suzanne and Labowitz, Leslie and Ketcham, Diana and Goldin, Nan and Ringgold, Faith and Kruger, Barbara and Kristeva, Julia and Isaak, Jo Anna and Owens, Craig and Kelly, Mary and Linker, Kate and Calle, Sophie and Baudrillard, Jean and Lin, Maya and Spence, Jo and Haraway, Donna J. and Minh-ha, Trinh T. and Boyce, Sonia and Rankin, Aimee and Carr, C. and Fisher, Jean and Rainer, Yvonne and Vance, Carole S. and Jones, Kellie and Piper, Adrian and Avgikos, Jan and Lee, Rosa and Schor, Mira and Butler, Judith and Jones, Amelia and Boffin, Tessa and Green, Renée and Schorr, Collier and Koether, Jutta and Chadwick, Helen and Warner, Marina and Myles, Eileen and Frueh, Joanna and Kotz, Liz and Gallaccio, Anya and Kolbowski, Silvia and Tickner, Lisa and Apter, Emily and Nixon, Mignon and Rogers, Sarah J. and Hayles, N. Katherine and Williams, Gilda and Simon, Joan and Wearing, Gillian and Cottingham, Laura and Spector, Nancy and Plant, Sadie and Neshat, Shirin and Arning, Bill and Fusco, Coco and Redstockings and Radicalesbians and Orlan. Art and Feminism. New York, NY: Phaidon Press, 2001.
DOSSIER: 700 - FEMMES DANS LES ARTS - FÉMINISME / WOMEN IN THE ARTS - FEMINISM
Tiberghien, Gilles A.. Nature, art, paysage. Arles, France: Actes Sud; Versailles, France: s.n., 2001.
DOSSIER: 700 - ART ET NATURE / ART AND NATURE
Meyer, James and Andre, Carl and Baer, Jo and Battcock, Gregory and Beveridge, Karl and Bochner, Mel and Bourdon, David and Burn, Ian and Chave, Anna C. and Chicago, Judy and Coplans, John and Crimp, Douglas and Di Suvero, Mark and Flavin, Dan and Foster, Hal and Fried, Michael and Greenberg, Clement and Gregor, Harold and Halley, Peter and Judd, Donald and Kramer, Hilton and Krauss, Rosalind and Leider, Philip and Lewitt, Sol and Lippard, Lucy R. and Mangold, Robert and McCracken, John and McShine, Kynaston and Merleau-Ponty, Maurice and Meyer, Ursula and Michelson, Annette and Morris, Robert and Rainer, Yvonne and Rose, Barbara and Rosenblum, Robert and Serra, Richard and Smithson, Robert and Sontag, Susan and Stella, Frank and Tillim, Sidney and Wagstaff, Samuel J.. Minimalism. London, England: Phaidon Press, 2000.
DOSSIER: 700 - MOUVEMENT - MINIMALISME / MOVEMENT - MINIMALISM
Butler, Cornelia H. and Lee, Pamela M. and Morse, Rebecca. Afterimage: Drawing Through Process. Los Angeles, CA: The Museum of Contemporary Art; Cambridge, MA: s.n., 1999.
DOSSIER: 360 - MUSEUM OF CONTEMPORARY ART (Los Angeles, CA)
Krauss, Rosalind E.. Bachelors. Cambridge, MA: MIT Press, 1999.
DOSSIER: 700 - FEMMES DANS LES ARTS - FÉMINISME / WOMEN IN THE ARTS - FEMINISM
Guerrilla Girls. The Guerrilla Girls' Bedside Companion to the History of Western Art. New York, NY: Penguin Books, 1998.
DOSSIER: 420 - GUERRILLA GIRLS (Collective)
Esplund, Lance. Modern Painters : New York : 100 Gallery Guide 1998. London, England: Fine Art Journals, 1998.
DOSSIER: 000 - RÉFÉRENCE / REFERENCE
Cherix, Christophe and Jenny, Laurent and Meyer, James. Mel Bochner : Working Drawings and Other Visible Things on Paper Not Necessarily Meant to be Viewed as Art, New York 1966. Genève Suisse: Cabinet des estampes du Musée d'art et d'histoire; Cologne Allemagne: Verlag der Buchhandlung Walter König; Paris France: Picaron Editions, 1997.
DOSSIER: 420 - BOCHNER, MEL
Krauss, Rosalind and Michelson, Annette and Bois, Yve-Alain and Buchloh, Benjamin H. D. and Foster, Hal and Hollier, Denis and Kolbowski, Silvia and Clark, Lygia and Clark, T. J. and Molesworth, Helen and Nixon, Mignon and Diawara, Manthia and Mudimbe, V. Y. and Bhabha, Homi K. and Negt, Oskar and Kluge, Alexander and Armstrong, Carol and Koch, Gertrud and Bersani, Leo and Borch-Jacobson, Mikkel and Buck-Morss, Susan and Crary, Jonathan and Deleuze, Gilles and Eisenmann, Peter and Group Material. October : The Second Decade, 1986-1996. Cambridge, MA: MIT Press, 1997.
DOSSIER: 100 - THÉORIE / THEORY
Jenkner, Ingrid. Contingent : Small Sculpture by Eva Hesse, 1966-1968 / Recent Works by Elspeth Pratt & Martha Townsend, 1992-1995. Halifax, NS: The Art Gallery, Mount Saint Vincent University, 1996.
DOSSIER: 343 - MOUNT SAINT VINCENT UNIVERSITY ART GALLERY (MSVU ART GALLERY) (Halifax)
De Zegher, M. Catherine and Fisher, Jean and De Vylder, Paul and Pollock, Griselda and Ettinger, Bracha Lichtenberg and Lavin, Maud and Monahan, Laurie J. and Huhn, Rosi and Vergine, Lea and Rodenbeck, J.f. and Cottingham, Laura and Kwon, Miwon and Hooks, Bell and De Backer, Leen and De Cauter, Lieven and Philippi, Desa and Carels, Edwin and Van Alphen, Ernst and Salzstein, Sônia and Buchloh, Benjamin H.D. and Graw, Isabelle and Brouwer, Marianne and Newman, Michael and Buci-Glucksmann, Christine and Mastai, Judith and Guilbaut, Serge and Krauss, Rosalind E. and Carvajal, Rina and Rinder, Lawrence and Wilson, Judith and Domino, Christophe and Bois, Yve-Alain and Brett, Guy and Wilson, William S. and Sundell, Margaret and Filho, Paulo Venancio and Brayer, Marie-Ange and Veire, Frank Vande. Inside the Visible : An Elliptical Traverse of 20th Century Art in, of, and from the Feminine. Cambridge, MA: MIT Press; Boston, MA: s.n.; Kortrijk, Belgium: s.n., 1996.
DOSSIER: 700 - FEMMES DANS LES ARTS / WOMEN IN THE ARTS
Stoops, Susan L. and Chadwick, Withney and Wagner, Anne M. and Linker, Kate and Schroder, Leah. More Than Minimal : Feminism and Abstraction in the '70s : 19th Annual Patrons and Friends Exhibition. Wattham, MA: Rose Art Museum, Brandeis University, 1996.
DOSSIER: 360 - ROSE ART MUSEUM, BRANDEIS UNIVERSITY (Wattham, MA)
Foster, Hal. The Return of the Real : The Avant-Garde at the End of the Century. 3rd printing (1999). Cambridge, MA : MIT Press, 1996.
DOSSIER: 100 - THÉORIE / THEORY
Stiles, Kristine and Selz, Peter and Newman, Barnett and Rothko, Mark and Motherwell, Robert and Bastian, Heiner and Smith, David and Barr, Alfred H. and Tapié, Michel and Michaux, Henri and Fontana, Lucio and Vedova, Emilio and Burri, Alberto and Baumeister, Willi and Tàpies, Antoni and Kantor, Tadeusz and Kirkeby, Per and Kiefer, Anselm and Bill, Max and Lohse, Richard Paul and Manzoni, Piero and Klein, Yves and Biederman, Charles and Dekkers, Ad and Reinhardt, Ad and Kelly, Ellsworth and Truitt, Anne and Albers, Josef and Vasarely, Victor and Riley, Bridget and Stella, Frank and Judd, Donald and Andre, Carl and Flavin, Dan and Martin, Agnes and Marden, Brice and Buren, Daniel and Jensen, Alfred and Schapiro, Miriam and Meyer, Melissa and Jaudon, Valerie and Kozloff, Joyce and Halley, Peter and Léger, Fernand and Guttuso, Renato and Beckmann, Max and Tillich, Paul and Sartre, Jean-Paul and Malraux, André and Dubuffet, Jean and Niewenhuys, Constant and Appel, Karel and Sandberg, Willem and Freud, Lucian and Kitaj, R.b. and Hockney, David and Rivers, Larry and Pisteletto, Michelangelo and Pearlstein, Philip and Rainer, Arnulf and Guston, Philip and Baselitz, Georg and Abakanowicz, Magdalena and Rothenberg, Susan and Fischl, Eric and Schnabel, Julian and Weber, John Pitnam and Helms, Jesse and Serrano, Andres and Hamilton, Richard and Roth, Dieter and Fahlström, Öyvind and Restany, Pierre and Spoerri, Daniel and de Saint-Phalle, Niki and Pascali, Pino and Grigorescu, Ion and Cragg, Tony and Rauschenberg, Robert and Johns, Jasper and Brecht, George and Oldenburg, Claes and Warhol, Andy and Samaras, Lucas and Johnson, Ray and Ruscha, Edward and Chicago, Judy and Donaldson, Jeff and Haring, Keith and Scharf, Kenny and Wojnarowicz, David and Levine, Sherrie and Koons, Jeff and Schöffer, Nicolas and Metzger, Gustav and Tinguely, Jean and Piene, Otto and Mack, Heinz and Klüver, Billy and Pauline, Mark and Wodiczko, Krysztof and Paik, Nam June and Davis, Douglas and Schum, Gerry and Gillette, Frank and Kubota, Shigeko and Viola, Bill and d'Agostino, Peter and Hershman, Lynn and Rosler, Martha and Krueger, Myron W. and Weibel, Peter and Shaw, Jeffrey and Ascott, Roy and Paz, Octavio and Kiesler, Frederick and Nevelson, Louise and Kienholz, Edward and Noguchi, Isamu and Lin, Maya and De Maria, Walter and Smithson, Robert and Heizer, Michael and Oppenheim, Dennis and Holt, Nancy and Denes, Agnes and Sonfist, Alan and Rothenberg, Susan and Aycock, Alice and Long, Richard and Harrison, Helen Meyer and Harrison, Newton and Irwin, Robert and Turrell, James and Morris, Robert and Hesse, Eva and Serra, Richard and Nauman, Bruce and Ryman, Robert and Tuttle, Richard and Gilliam, Sam Jr. and Ukeles, Mierle Laderman and Hamilton, Ann and Clark, Kathryn and Thompson, Mark and Beuys, Joseph and Walther, Franz Erhard and Horn, Rebecca and Flanagan, Barry and Dibbets, Jan and Celant, Germano and Merz, Mario and Penone, Giuseppe and Gan, Pinchas Cohen and Yoshihara, Jiro and Mathieu, Georges and Debord, Guy and Cage, John and Kaprow, Allan and Schneemann, Carolee and Lebel, Jean-Jacques and Ortiz, Raphael Montañez and Vostell, Wolf and Maciunas, George and Higgins, Dick and Filliou, Robert and Ono, Yoko and Knízák, Milan and Berés, Jerzy and Nitsch, Hermann and Mühl, Otto and Brus, Günter and Export, Valie and Rosenbach, Ulricke and Acconci, Vito and Burden, Chris and Antin, Eleanor and Marioni, Tom and Lacy, Suzanne and Piper, Adrian and Sherman, Cindy and Finley, Karen and Duchamp, Marcel and Flynt, Henry and Lewitt, Sol and Bochner, Mel and Graham, Dan and Siegelaub, Seth and Barry, Robert and Weiner, Lawrence and Huebler, Douglas and Kosuth, Joseph and Popovic, Zoran and Burgin, Victor and Kelly, Mary and Brouwn, Stanley and Agnetti, Vincenzo and Latham, John and Broodthaers, Marcel and Haacke, Hans and Fischer, Hervé and Baldessari, John and Wols and Takis and Groupe de Recherche d'Art Visuel and Stelarc and Christo and Situationist International and AA Commune and Art and Language and Group Material and Ben (Ben Vautier). Theories and Documents of Contemporary Art : A Sourcebook of Artists' Writings. London, England: University of California Press, 1996.
DOSSIER: 000 - RÉFÉRENCE / REFERENCE
Damisch, Hubert. Du trait à la ligne. Paris, France: Centre Georges Pompidou, 1995.
DOSSIER: 381 - FRANCE - CENTRE GEORGES POMPIDOU : CENTRE DE CRÉATION INDUSTRIELLE (Paris)
Bernadac, Marie-Laure and Marcadé, Bernard and Acker, Kathy and McEvilley, Thomas and Lebel, Jean-Jacques and Ramirez, Julio Antonio and Taylor, Michael and Wilson, Sarah and Warner, Marina and Krauss, Rosalind and Hollier, Denis and Storr, Robert and Lascault, Gilbert and de Duve, Thierry and Pabst, Angelica and Curiger, Bice. Féminin/masculin : Le sexe de l'art. Paris, France: Centre Georges Pompidou; s.l.: Gallimard/Electa, 1995.
DOSSIER: 381 - FRANCE - CENTRE GEORGES POMPIDOU (Paris)
Blake, Nayland and Rinder, Lawrence and Scholder, Amy and Hammond, Harmony and Wolverton, Terry and Cameron, Dan and Hawkins, Richard and Cooper, Dennis and Watson, Simon and Gregg, Pam and Tyson, Nicole and Harris, Bertha and Samaras, Connie and Giorno, John and Johnston, Jill and Orloff, Alvin and Gomez, jewelle and Goldsby, Jackie and Chua, Lawrence and DiMassa, Diane and Solanas, Valerie and Jones, G.b. and Smith, Jack and Tropicana, Carmelita and Cooper, Dennis and Ingolia, Tyler and Acker, Kathy and Stadler, Matthew and Wojnarowicz, David. In a Different Light : Visual Culture, Sexual Identity, Queer Practice. San Francisco, CA: City Light Books; Berkeley, CA: s.n., 1995.
DOSSIER: 700 - ART ET HOMOSEXUALITÉ / ART AND HOMOSEXUALITY
Ben-Levi, Jack and Jones, Lesley C. and Taylor, Simon and Houser, Craig. Abject Art : Repulsion and Desire in American Art : Selections from the Permanent Collection. New York, NY: Whitney Museum of American Art, 1993.
DOSSIER: 360 - WHITNEY MUSEUM OF AMERICAN ART (New York, NY)
David, Catherine and Diserens, Corinne and Norden, Linda and Cooper, Helen A.. Eva Hesse. Paris, France: Éditions du Jeu de Paume, 1993.
DOSSIER: 420 - HESSE, EVA
Fréchuret, Maurice. Le mou et ses formes : Essai sur quelques catégories de la sculpture du XXe siècle. Paris, France: École nationale supérieure des Beaux-Arts, 1993.
DOSSIER: 800 - SCULPTURE
Krauss, Rosalind E.. The Optical Unconscious. Cambridge, MA: MIT Press, 1993.
DOSSIER: 480 - KRAUSS, ROSALIND
Waldman, Diane. Collage, Assemblage, and the Found Object. New York, NY: Harry N. Abrams, 1992.
DOSSIER: 800 - COLLAGE
Berger, Maurice and Chave, Anna C. and Kreutzer, Maria and Norden, Linda and Storr, Robert and Hesse, Eva. Eva Hesse : A Retrospective. New Haven, CT: Yale University Art Gallery; s.l.: Yale University Press, 1992.
DOSSIER: 420 - HESSE, EVA
Kozloff, Max. Eva Hesse : Paintings from 1960 to 1964. New York, NY: Robert Miller Gallery, 1992.
DOSSIER: 420 - HESSE, EVA
Gagnier, Richard. En hommage à un cadeau d'Eva Hesse à Sol Lewitt. Hull, Qc: Axe Néo-7, 1991.
DOSSIER: 330 - AXE NÉO-7 (Gatineau)
Armstrong, Richard and Hanhardt, John G. and Pincus-Witten, Robert. The New Sculpture, 1965-75 : Between Geometry and Gesture. New York, NY: Whitney Museum of American Art, 1990.
DOSSIER: 360 - WHITNEY MUSEUM OF AMERICAN ART (New York, NY)
Gintz, Claude and Buchloh, Benjamin H.D. and Harrison, Charles and Guercio, Gabriele and Siegelaub, Seth. L'art conceptuel, une perspective. Paris, France: ARC Musée d'Art Moderne de la Ville de Paris, 1989.
DOSSIER: 700 - MOUVEMENT - ART CONCEPTUEL / MOVEMENT - CONCEPTUAL ART
Rosen, Randy and Landau, Ellen G. and Tomkins, Calvin and Stein, Judith and Wooster, Ann-Sargent and McEvilley, Thomas and Tucker, Marcia and Olin, Ferris and Brawer, Catherine C.. Making Their Mark : Women Artists Move into the Mainstream, 1970-85. New York, NY: Abbeville Press, 1989.
DOSSIER: 700 - FEMMES DANS LES ARTS / WOMEN IN THE ARTS
Rozon, René and Lapointe, Linda. 6e Festival International du Film sur l'Art. Montréal, Qc: Festival International du Film sur l'Art, 1988.
DOSSIER: 500 - FESTIVAL INTERNATIONAL DU FILM SUR L'ART, FIFA (Montréal, Qc)
Kardon, Janet and Foster, Hal and Lippard, Lucy R. and Rose, Barbara and Sandler, Irving. 1967 : At the Crossroads. Philadelphia, PA: Institute of Contemporary Art, 1987.
DOSSIER: 360 - INSTITUTE OF CONTEMPORARY ART (Philadelphia, PA)
Giménez, Carmen and Armstrong, Richard and Paz, Marga and Lippard, Lucy R. and Kozloff, Max and Muller, Gregoire and Wasserman, Emily and Morris, Robert and Rose, Barbara and Burton, Scott and Smithson, Robert and Serra, Richard and Leider, Phillip and Pincus-Witten, Robert and Baker, Kenneth and Kertess, Klaus and Krauss, Rosalind and Borden, Lizzie and Lubell, Ellen and Gilbert-Rolfe, Jeremy and Collins, James and Hess, Thomas. Entre la Geometria y el Gesto : Escultura Norteamericana, 1965-1975. Madrid, Spain: Ministerio de Cultura, 1986.
DOSSIER: 600 - ÉTATS-UNIS / UNITED STATES
Turrell, Julia Brown and Linker, Kate and Kuspit, Donald and Foster, Hal and Onorato, Ronald J. and Celant, Germano and Oliva, Achille Bonito and Welchman, John C. and Lawson, Thomas and Koshalek, Richard and Geldin, Sherri. Individuals : A Selected History of Contemporary Art, 1945-1986. New York, NY: Abbeville Press, 1986.
DOSSIER: 360 - MUSEUM OF CONTEMPORARY ART (Los Angeles, CA)
Kline, Katy and Dreishpoon, Douglas. Natural Forms and Forces : Abstract Images in American Sculpture. Cambridge, MA: MIT Committee on the Visual Arts, 1986.
DOSSIER: 360 - M.I.T. LIST VISUAL ARTS CENTER (Cambridge, MA)
Bozo, Dominique and Rowell, Margit and Krauss, Rosalind and Buchloch, Benjamin H.D. and De Duve, Thierry and Rose, Barbara and Meyer, Franz and Criqui, Jean-Pierre and Poinsot, Jean-Marc. Qu'est-ce que la sculpture moderne? Paris, France: Musée national d'art moderne, Centre Georges Pompidou, 1986.
DOSSIER: 381 - FRANCE - CENTRE GEORGES POMPIDOU : MUSÉE NATIONAL D'ART MODERNE (Paris)
Delahoyd, Mary. A New Beginning, 1968-1978. Yonkers, NY: Hudson River Museum, 1985.
DOSSIER: 360 - HUDSON RIVER MUSEUM (Yonkers, NY)
Waldman, Diane. Transformations in Sculpture : Four Decades of American and European Art. New York, NY: The Solomon R. Guggenheim Foundation, 1985.
DOSSIER: 360 - GUGGENHEIM MUSEUM (New York, NY)
Lippard, Lucy R. and Castle, Frederick Ted and Granath, Olle and Ratcliff, Carter and Graham, Dan and MacDonald, Marie-Paule and Johnson, Ellen H. and Smithson, Robert and Friedman, B.h. and LeWitt, Sol and Laursen, Steingrim. Vanishing Points = Flyktpunkter. Stockholm, Sweden: Moderna Museet, 1984.
DOSSIER: 381 - SUÈDE - MODERNA MUSEET (Stockholm)
Blistène, Bernard and Lampert, Catherine and Pringle, Alexandra. Barry Flanagan: Sculptures. Paris, France: Centre Georges Pompidou, 1983.
DOSSIER: 440 - FLANAGAN, BARRY
Sims, Patterson. Minimalism to Expressionism : Painting and Sculpture since 1965 from the Permanent Collection. New York, NY: Whitney Museum of American Art, 1983.
DOSSIER: 360 - WHITNEY MUSEUM OF AMERICAN ART (New York, NY)
Celant, Germano. Arte Povera, Antiform : Sculptures, 1966-1969. Bordeaux, France: CAPC - Centre d'Arts plastiques Contemporains de Bordeaux, 1982.
DOSSIER: 381 - FRANCE - CAPC MUSÉE D'ART CONTEMPORAIN (Bordeaux)
Parker, Rozsika and Pollock, Griselda. Old Mistresses : Woman, Art and Ideology. London, England: Routledge & Kegan Paul, 1981.
DOSSIER: 700 - FEMMES DANS LES ARTS / WOMEN IN THE ARTS
Krauss, Rosalind. Grids : Format and Image in 20th Century Art. New York, NY: The Pace Gallery, 1980.
DOSSIER: 360 - PACE GALLERY, The (New York, NY)
Krauss, Rosalind and Serota, Nicholas. Eva Hesse : Sculpture, 1936-1970. London England: Trustees of the Whitechapel Art Gallery, 1979.
DOSSIER: 420 - HESSE, EVA
Pincus-Witten, Robert. Postminimalism. New York, NY: Out of London Press, 1979.
DOSSIER: 700 - MOUVEMENT - MINIMALISME / MOVEMENT - MINIMALISM
Greenberg, Clement and Steinberg, Leo and Glaser, Bruce and Judd, Donald and Rose, Barbara and Morris, Robert and Bochner, Mel and Pincus-Witten, Robert and Krauss, Rosalind. Regards sur l'art américain des années soixante. Paris, France: Éditions Territoires, 1979.
DOSSIER: 600 - ÉTATS-UNIS / UNITED STATES
Dippel, Rini and Van Beijeren, Geert. Door beeldhouwers gemaakt = Made by Sculptors. Amsterdam, Netherlands: Stedelijk Museum, 1978.
DOSSIER: 381 - PAYS-BAS - STEDELIJK MUSEUM (Amsterdam)
Lippard, Lucy. Strata : Nancy Graves, Eva Hesse, Michelle Stuart, Jackie Windsor. Vancouver, BC: Vancouver Art Gallery, 1977.
DOSSIER: 353 - VANCOUVER ART GALLERY (Vancouver)
Friedman, Martin and Pincus-Witten, Robert and Gay, Peter. Ten Years, Museum of Contemporary Art, Chicago : A View of a Decade, 1967-1977. Chicago, IL: Museum of Contemporary Art, 1977.
DOSSIER: 360 - MUSEUM OF CONTEMPORARY ART (Chicago, IL)
Rose, Bernice. Drawing Now. New York, NY: Museum of Modern Art, 1976.
DOSSIER: 360 - MUSEUM OF MODERN ART (New York, NY)
Oliva, Achille Bonito and Ferrari, Corinna. Europe/America : The Different Avant-Gardes. Milan, Italie: Deco Press, 1976.
DOSSIER: 480 - OLIVA, ACHILLE BONITO
Groh, Klaus. If I Had a Mind ... (Ich stelle mir vor ...) Concept-Art/Project-Art. Cologne, Germany: DuMont Aktuell, 1971.
DOSSIER: 700 - MOUVEMENT - ART CONCEPTUEL / MOVEMENT - CONCEPTUAL ART
Lippard, Lucy. 955,000. Vancouver, BC: Vancouver Art Gallery, 1970.
DOSSIER: 353 - VANCOUVER ART GALLERY (Vancouver)
Anon. Art Povera : Conceptual, Actual or Impossible Art? London England: Studio Vista, 1969.
DOSSIER: 700 - MOUVEMENT / MOVEMENT - ARTE POVERA
Szeemann, Harald and Andre, Carl and Bark, Jared and Anselmo, Giovanni and Artschwager, Richard and Bang, Thomas and Beuys, Joseph and Boetti, Alighiero and Bochner, Mel and Boezem, Marinus and Bollinger, Bill and Buthe, Michael and Calzolari, Pier Paolo and Cotton, Paul and Darboven, Hanne and Dibbets, Jan and Van Elk, Ger and Flanagan, Barry and Haacke, Hans and Hesse, Eva and Huebler, Douglas and Icaro, Paolo and Jacquet, Alain and Jenney, Neil and Kaltenbach, Stephen and Kaplan, Jo Ann and Kienholz, Edward and Klein, Yves and Kosuth, Joseph and Kounellis, Jannis and Kuehn, Gary, B. and LeWitt, Sol and Lohaus, Bernd and Long, Richard and Louw, Roelof and McLean, Bruce and De Maria, Walter and Medalla, David and Merz, Mario and Morris, Robert and Nauman, Bruce and Oldenburf, Claes and Oppenheim, Dennis and Pascali, Pino and Pechter, Paul and Pistoletto, Michelangelo and Prini, Emilio and Raetz, Markus and Ruppersberg, Allen and Ruthenbeck, Reiner and Ryman, Robert and Lane Sandback, Frederick and Saret, Alan and Schnyder, Jean-Frédéric and Serra, Richard and Smithson, Robert and Sonnier, Keith and Tuttle, Richard and Lincoln Viner, Frank and Walther, Frank Erhard and Wegman, William G. and Weiner, Lawrence and Wiley, William T. and Zorio, Gilberto and Burton, Scott and Muller, Grégoire and Trini, Tommaso and Panamarenko and Sarkis. Live in Your Head : When Attitudes Become Form : Works-Concepts-Processes-Situations-Information = Live in Your Head : Wenn Attitüden Form werden : Werke-Konzepte-Prozesse-Situationen-Information = Live in Your Head : Quand les attitudes deviennent forme : Oeuvres-concepts-processus-situations-information = Live in Your Head : Quando attitudini diventano forma : Opere-concetti-processi-situazioni-informazione. Berne, Suisse: Kunsthalle Bern, 1969.
DOSSIER: 381 - SUISSE - KUNSTHALLE BERN (Berne)