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Number of items: 45.

Jones, Amelia and Artaud, Antonin and Bataille, Georges and Benthall, Jonathan and Beuys, Joseph and Bonami, Francesco and Brus, Günter and Butler, Judith and Chadwick, Helen and Chandler, John and Cheng, Meiling and Clark, Lygia and Deleuze, Gilles and Francblin, Catherine and Fried, Michael and Freud, Sigmund and Fusco, Coco and Goldberg, RoseLee and Haraway, Donna and Higgins, Dick and Horn, Rebecca and Jedlinski, Jaromir and Jones, Leslie C. and Junker, Howard and Kaprow, Allan and Kelly, Mary and Klein, Yves and Knízák, Milan and Kozloff, Max and Krauss, Rosalind and Kristeva, Julia and Kusama, Yayoi and Kuspit, Donald and Kwon, Miwon and Lacan, Jacques and La Frenas, Rob and Lebeer, Irmeline and Licht, Ira and Lippard, Lucy R. and Maciunas, George and Manzoni, Piero and Marcuse, Herbert and McEvilley, Thomas and Merleau-Ponty, Maurice and Molesworth, Helen and Morgan, Stuart and Morris, Robert and Mühl, Otto and Nemser, Cindy and Nitsch, Hermann and O'Dell, Kathy and Orenstein, Gloria Feman and Phelan, Peggy and Pincus-Witten, Robert and Pluchart, François and Richard, Nelly and Rosenberg, Harold and Roth, Moira and Sarduy, Severo and Scarry, Elaine and Schneemann, Carolee and Schneider, Rebecca and Schwarzkogler, Rudof and Sedgwick, Eve Kosofsky and Sharp, Willoughby and Sontag, Susan and Stiles, Kristine and Sundell, Margaret and Tucker, Marcia and Ukeles, Mierle Laderman and Vergine, Lea and Virilio, Paul and Vostell, Wolf and Weibel, Peter and Wilke, Hannah and Yoshihara, Jiro and Art & Language and Gilbert & George and Stelarc. The Artist's Body. London, England: Phaidon Press, 2000.
DOSSIER: 800 - ART CORPOREL / BODY ART
Reiss, Julie H.. From Margin to Center : The Spaces of Installation Art. Cambridge, MA: MIT Press, 1999.
DOSSIER: 800 - INSTALLATION
Lischka, G.j. and Gerz, Jochen and Morris, Michael and Hamilton, Richard. Das sofortbild polaroid. Berne, Suisse: Aktionsgalerie, 1997.
DOSSIER: 800 - PHOTOGRAPHIE / PHOTOGRAPHY
Stiles, Kristine and Selz, Peter and Newman, Barnett and Rothko, Mark and Motherwell, Robert and Bastian, Heiner and Smith, David and Barr, Alfred H. and Tapié, Michel and Michaux, Henri and Fontana, Lucio and Vedova, Emilio and Burri, Alberto and Baumeister, Willi and Tàpies, Antoni and Kantor, Tadeusz and Kirkeby, Per and Kiefer, Anselm and Bill, Max and Lohse, Richard Paul and Manzoni, Piero and Klein, Yves and Biederman, Charles and Dekkers, Ad and Reinhardt, Ad and Kelly, Ellsworth and Truitt, Anne and Albers, Josef and Vasarely, Victor and Riley, Bridget and Stella, Frank and Judd, Donald and Andre, Carl and Flavin, Dan and Martin, Agnes and Marden, Brice and Buren, Daniel and Jensen, Alfred and Schapiro, Miriam and Meyer, Melissa and Jaudon, Valerie and Kozloff, Joyce and Halley, Peter and Léger, Fernand and Guttuso, Renato and Beckmann, Max and Tillich, Paul and Sartre, Jean-Paul and Malraux, André and Dubuffet, Jean and Niewenhuys, Constant and Appel, Karel and Sandberg, Willem and Freud, Lucian and Kitaj, R.b. and Hockney, David and Rivers, Larry and Pisteletto, Michelangelo and Pearlstein, Philip and Rainer, Arnulf and Guston, Philip and Baselitz, Georg and Abakanowicz, Magdalena and Rothenberg, Susan and Fischl, Eric and Schnabel, Julian and Weber, John Pitnam and Helms, Jesse and Serrano, Andres and Hamilton, Richard and Roth, Dieter and Fahlström, Öyvind and Restany, Pierre and Spoerri, Daniel and de Saint-Phalle, Niki and Pascali, Pino and Grigorescu, Ion and Cragg, Tony and Rauschenberg, Robert and Johns, Jasper and Brecht, George and Oldenburg, Claes and Warhol, Andy and Samaras, Lucas and Johnson, Ray and Ruscha, Edward and Chicago, Judy and Donaldson, Jeff and Haring, Keith and Scharf, Kenny and Wojnarowicz, David and Levine, Sherrie and Koons, Jeff and Schöffer, Nicolas and Metzger, Gustav and Tinguely, Jean and Piene, Otto and Mack, Heinz and Klüver, Billy and Pauline, Mark and Wodiczko, Krysztof and Paik, Nam June and Davis, Douglas and Schum, Gerry and Gillette, Frank and Kubota, Shigeko and Viola, Bill and d'Agostino, Peter and Hershman, Lynn and Rosler, Martha and Krueger, Myron W. and Weibel, Peter and Shaw, Jeffrey and Ascott, Roy and Paz, Octavio and Kiesler, Frederick and Nevelson, Louise and Kienholz, Edward and Noguchi, Isamu and Lin, Maya and De Maria, Walter and Smithson, Robert and Heizer, Michael and Oppenheim, Dennis and Holt, Nancy and Denes, Agnes and Sonfist, Alan and Rothenberg, Susan and Aycock, Alice and Long, Richard and Harrison, Helen Meyer and Harrison, Newton and Irwin, Robert and Turrell, James and Morris, Robert and Hesse, Eva and Serra, Richard and Nauman, Bruce and Ryman, Robert and Tuttle, Richard and Gilliam, Sam Jr. and Ukeles, Mierle Laderman and Hamilton, Ann and Clark, Kathryn and Thompson, Mark and Beuys, Joseph and Walther, Franz Erhard and Horn, Rebecca and Flanagan, Barry and Dibbets, Jan and Celant, Germano and Merz, Mario and Penone, Giuseppe and Gan, Pinchas Cohen and Yoshihara, Jiro and Mathieu, Georges and Debord, Guy and Cage, John and Kaprow, Allan and Schneemann, Carolee and Lebel, Jean-Jacques and Ortiz, Raphael Montañez and Vostell, Wolf and Maciunas, George and Higgins, Dick and Filliou, Robert and Ono, Yoko and Knízák, Milan and Berés, Jerzy and Nitsch, Hermann and Mühl, Otto and Brus, Günter and Export, Valie and Rosenbach, Ulricke and Acconci, Vito and Burden, Chris and Antin, Eleanor and Marioni, Tom and Lacy, Suzanne and Piper, Adrian and Sherman, Cindy and Finley, Karen and Duchamp, Marcel and Flynt, Henry and Lewitt, Sol and Bochner, Mel and Graham, Dan and Siegelaub, Seth and Barry, Robert and Weiner, Lawrence and Huebler, Douglas and Kosuth, Joseph and Popovic, Zoran and Burgin, Victor and Kelly, Mary and Brouwn, Stanley and Agnetti, Vincenzo and Latham, John and Broodthaers, Marcel and Haacke, Hans and Fischer, Hervé and Baldessari, John and Wols and Takis and Groupe de Recherche d'Art Visuel and Stelarc and Christo and Situationist International and AA Commune and Art and Language and Group Material and Ben (Ben Vautier). Theories and Documents of Contemporary Art : A Sourcebook of Artists' Writings. London, England: University of California Press, 1996.
DOSSIER: 000 - RÉFÉRENCE / REFERENCE
Drucker, Johanna. The Century of Artists' Books. New York, NY: Granary Books, 1995.
DOSSIER: 800 - LIVRE D'ARTISTE / ARTIST'S BOOK
Coke, Van Deren. Forecast : Shifts in Direction. Santa Fe, NM: Museum of Fine Arts, Museum of New Mexico, 1994.
DOSSIER: 360 - MUSEUM OF FINE ARTS, MUSEUM OF NEW MEXICO (Santa Fe, CA)
Ben-Levi, Jack and Jones, Lesley C. and Taylor, Simon and Houser, Craig. Abject Art : Repulsion and Desire in American Art : Selections from the Permanent Collection. New York, NY: Whitney Museum of American Art, 1993.
DOSSIER: 360 - WHITNEY MUSEUM OF AMERICAN ART (New York, NY)
Janis, Eugenia Parry. In Camera. Santa Fe, NM: Museum of Fine Arts, Museum of New Mexico, 1993.
DOSSIER: 360 - MUSEUM OF FINE ARTS, MUSEUM OF NEW MEXICO (Santa Fe, CA)
Lessard, Denis. Returning to Manipulated Images. Toronto, Ont.: Toronto Photographers Workshop, 1993.
DOSSIER: 390 - TORONTO PHOTOGRAPHERS WORKSHOP - GALLERY TPW (Toronto, Ont.)
Eaton, Timothy A. and Anderson-Spivy, Alexandra and Hine, Charles H. and Spector, Buzz and Wilson, Martha. Books as Art. Boca Raton, FL: Boca Raton Museum of Art, 1992.
DOSSIER: 800 - LIVRE D'ARTISTE / ARTIST'S BOOK
Waldman, Diane. Collage, Assemblage, and the Found Object. New York, NY: Harry N. Abrams, 1992.
DOSSIER: 800 - COLLAGE
Gruen, John. The Artist Observed : 28 Interviews with Contemporary Artists. Pennington, NJ: A Cappella Books, 1991.
DOSSIER: 700 - MILIEU DE L'ART - CONDITION DE L'ARTISTE / ART MILIEU - ARTIST'S CONDITION
Davis, Melody D.. The Male Nude in Contemporary Photography. Philadelphia, PA: Temple University Press, 1991.
DOSSIER: 800 - PHOTOGRAPHIE / PHOTOGRAPHY
Rauch, Joseph B.. Fictive Strategies : Actuality and Originality in Contemporary Photography. Princeton, NJ: The Squibb Gallery, 1989.
DOSSIER: 360 - SQUIBB GALLERY, The (Princeton, NJ)
Johnson, Brooks. Photography Speaks. New York, NY: Aperture Foundation; Norfolk, VA: s.n., 1989.
DOSSIER: 800 - PHOTOGRAPHIE / PHOTOGRAPHY
McEvilley, Thomas and Kuspit, Donald and Smith, Roberta. Lucas Samaras : Objects and Subjects, 1969-1986. New York, NY: Abbeville Press; Denver, CO: Denver Art Museum, 1988.
DOSSIER: 420 - SAMARAS, LUCAS
Kardon, Janet and Foster, Hal and Lippard, Lucy R. and Rose, Barbara and Sandler, Irving. 1967 : At the Crossroads. Philadelphia, PA: Institute of Contemporary Art, 1987.
DOSSIER: 360 - INSTITUTE OF CONTEMPORARY ART (Philadelphia, PA)
Hoy, Ann H.. Fabrications : Staged, Altered and Appropriated Photographs. New York, NY: Abbeville Press, 1987.
DOSSIER: 800 - PHOTOGRAPHIE / PHOTOGRAPHY
Dugan, Ellen. First Person Singular : Self-Portrait Photography, 1840-1987. Atlanta, GA: High Museum at Georgia Pacific Center, 1987.
DOSSIER: 360 - HIGH MUSEUM AT GEORGIA PACIFIC CENTER (Atlanta, GA)
Indiana, Gary. Lucas Samaras : Chairs and Drawings. New York, NY: The Pace Gallery, 1987.
DOSSIER: 420 - SAMARAS, LUCAS
Frank, Peter and McKenzie, Michael. New, Used and Improved : Art for the 80's. New York, NY: Abbeville Press, 1987.
DOSSIER: 600 - ÉTATS-UNIS / UNITED STATES
Grundberg, Andy and Gauss, Kathleen McCarthy. Photography and Art : Interactions since 1946. New York, NY: Abbeville Press; Fort Lauderdale, FL: s.n.; Los Angeles, CA: s.n., 1987.
DOSSIER: 800 - PHOTOGRAPHIE / PHOTOGRAPHY
Denson, Gerard Roger and Boettger, Suzaan. Poetic Injury : The Surrealist Legacy in Postmodern Photography. New York, NY: The Alternative Museum, 1987.
DOSSIER: 360 - ALTERNATIVE MUSEUM, The (New York, NY)
Chevrier, Jean-François and Butler, Susan and Mellor, David. Staging the Self : Self-Portrait Photography, 1840s - 1980s. Plymouth, England: Plymouth Arts Centre, 1987.
DOSSIER: 800 - PHOTOGRAPHIE / PHOTOGRAPHY
Turrell, Julia Brown and Linker, Kate and Kuspit, Donald and Foster, Hal and Onorato, Ronald J. and Celant, Germano and Oliva, Achille Bonito and Welchman, John C. and Lawson, Thomas and Koshalek, Richard and Geldin, Sherri. Individuals : A Selected History of Contemporary Art, 1945-1986. New York, NY: Abbeville Press, 1986.
DOSSIER: 360 - MUSEUM OF CONTEMPORARY ART (Los Angeles, CA)
Briers, David and Arefin, Tony and Paley, Maureen and Butler, Susan. Photography as Performance : Message through Object and Picture. London, England: Victoria Miro; Derry, Ireland: Orchard Gallery, 1986.
DOSSIER: 381 - GRANDE-BRETAGNE - PHOTOGRAPHERS' GALLERY, The (Londres)
Rickey, Carrie and Friis-Hansen, Dana. Nude, Naked, Stripped. Cambridge, MA: MIT Committee on the Visual Arts, 1985.
DOSSIER: 360 - M.I.T. LIST VISUAL ARTS CENTER (Cambridge, MA)
Billeter, Erika and Mayou, Roger Marcel. Self-Portrait in the Age of Photography : Photographers Reflecting their Own Image. Lausanne, Switzerland: Musée cantonal des beaux-arts, 1985.
DOSSIER: 800 - PHOTOGRAPHIE / PHOTOGRAPHY
Waldman, Diane. Transformations in Sculpture : Four Decades of American and European Art. New York, NY: The Solomon R. Guggenheim Foundation, 1985.
DOSSIER: 360 - GUGGENHEIM MUSEUM (New York, NY)
Haskell, Barbara and Hanhardt, John G.. Blam! : The Explosion of Pop, Mininalism, and Performance, 1958-1964. New York, NY: Whitney Museum of American Art; s.l.: W.W. Norton & Company, 1984.
DOSSIER: 360 - WHITNEY MUSEUM OF AMERICAN ART (New York, NY)
Richman, Gary. Offset : A Survey of 4. Cambridge, MA: New England Foundation for the Arts, 1984.
DOSSIER: 800 - LIVRE D'ARTISTE / ARTIST'S BOOK
Robins, Corinne. The Pluralist Era : American Art, 1968-1981. New York, NY: Harper & Row, 1984.
DOSSIER: 600 - ÉTATS-UNIS / UNITED STATES
Maubant, Jean-Louis and Cragg, Tony and Buren, Daniel and Besson, Christian. Le Nouveau Musée : Forage off shore dans la région lyonnaise. Limoges, France: NDLR; Villeurbanne, France: Éditions Charles Le Bouil, 1982.
DOSSIER: 381 - FRANCE - NOUVEAU MUSÉE (Lyon)
Rice, Shelley. Schemes : A Decade of Installation Drawings. New York, NY: Elise Meyer, 1981.
DOSSIER: 360 - ELISE MEYER Inc. (New York, NY)
Kardon, Janet and Neff, John Hallmark and Krauss, Rosalind and Lorber, Richard and deAk, Edit and Perreault, John and Fox, Howard N. and Foote, Nancy. Drawings : The Pluralist Decade. Philadelphia, PA: Institute of Contemporary Art, 1980.
DOSSIER: 360 - INSTITUTE OF CONTEMPORARY ART (Philadelphia, PA)
Krauss, Rosalind. Grids : Format and Image in 20th Century Art. New York, NY: The Pace Gallery, 1980.
DOSSIER: 360 - PACE GALLERY, The (New York, NY)
Becker, Wolfgang. Les nouveaux fauves / Die Neuen Wilden. Aachen, Allemagne: Neue Galerie-Sammlung Ludwig, 1980.
DOSSIER: 381 - ALLEMAGNE - LUDWIG FORUM FUR INTERNATIONALE KUNST (Aachen)
Anon. 1979 Biennial Exhibition. New York, NY: Whitney Museum of American Art, 1979.
DOSSIER: 360 - WHITNEY MUSEUM OF AMERICAN ART (New York, NY)
Geirland, Karel J. and Rocque, Georges. American Art in Belgium. Bruxelles, Belgique: Société des Expositions du Palais des beaux-arts de Bruxelles, 1977.
DOSSIER: 381 - BELGIQUE - PALAIS DES BEAUX-ARTS DE BRUXELLES (Bruxelles)
Hunter, Sam and McCandless Rooney, Judith and Dodge Peters, Susan and Zimmerer, Kathleen and Shapiro, Michael and Fichner-Rathus. The Dada/Surrealist Heritage. Williamstown, MA: Sterling and Francine Clark Art Institute, 1977.
DOSSIER: 360 - STERLING AND FRANCINE CLARK ART INSTITUTE (Williamstown, MA)
Friedman, Martin and Pincus-Witten, Robert and Gay, Peter. Ten Years, Museum of Contemporary Art, Chicago : A View of a Decade, 1967-1977. Chicago, IL: Museum of Contemporary Art, 1977.
DOSSIER: 360 - MUSEUM OF CONTEMPORARY ART (Chicago, IL)
Oliva, Achille Bonito and Ferrari, Corinna. Europe/America : The Different Avant-Gardes. Milan, Italie: Deco Press, 1976.
DOSSIER: 480 - OLIVA, ACHILLE BONITO
Joachimides, Christos M.. Eight Artists, Eight Attitudes, Eight Greeks. London, England: Institute of Contemporary Arts, 1975.
DOSSIER: 381 - GRANDE-BRETAGNE - INSTITUTE OF CONTEMPORARY ARTS (Londres)
Glimcher, Arnold B.. Lucas Samaras : Photo-Transformations. Long Beach, CA: The Art Galleries, California State University; New York, NY: s.n., 1975.
DOSSIER: 420 - SAMARAS, LUCAS
Greenwood, Michael. American Art of the Sixties in Toronto Private Collections. Downsview, Ont.: York University, 1969.
DOSSIER: 351 - AGYU : ART GALLERY OF YORK UNIVERSITY (Toronto)