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Cahan, Susan and Kocur, Zoya and Goodman, Steven and Rivin, Elyse and Green, Rayna and Francis, Raphaela and Bardeguez, Carmen and Leung, Simon and Sporn, Pam and Goldstein, Alyosha and Ahearn, John and Torres, Rigoberto and Antonow, Melissa and Aono, Kristine Yuki and Aparicio, Eduardo and Applebroog, Ida and Arai, Tomie and Azaceta, Luis Cruz and Calderon, Coqui and Chu, Ken and Conwill, Houston and Depace, Joseph and Majozo, Estella Conwill and Durham, Jimmie and Gómez-Peña, Guillermo and Guerrero-cruz, Dolores and Gutierrez, Marina and Hill, Richard and LaMarr, Jean and Layton, Elizabeth and Le, Dinh and Lin, Maya and López, Yolanda M. and Luna, James and Mesa-Bains, Amalia and Miller, Kay and Min, Yong Soon and O'Grady, Lorraine and Revelle, Barbara Jo and Rickard, Jolene and Ringgold, Faith and Sánchez, Juan and Serrano, Andres and Shoreman, Helen Zughaib and Simpson, Coreen and Sisco, Elizabeth and Hock, Louis and Avalos, David and Sligh, Clarissa and Summers, Diosa and Teraoka, Masami and Tisdale, Danny and Whitman, Richard Ray and Williams, Pat Ward and Wodiczko, Krzysztof and YA/YA, Inc. and Border Art Workshop/Taller de Arte Fronterizo and Epoxy Art Group and Gran Fury and Group Material and Guerrilla Girls. Contemporary Art and Multicultural Education. New York, NY: The New Museum of Contemporary Art; s.l.: Routledge, 1996.
DOSSIER: 700 - ENSEIGNEMENT DES ARTS / ARTS EDUCATION
Stiles, Kristine and Selz, Peter and Newman, Barnett and Rothko, Mark and Motherwell, Robert and Bastian, Heiner and Smith, David and Barr, Alfred H. and Tapié, Michel and Michaux, Henri and Fontana, Lucio and Vedova, Emilio and Burri, Alberto and Baumeister, Willi and Tàpies, Antoni and Kantor, Tadeusz and Kirkeby, Per and Kiefer, Anselm and Bill, Max and Lohse, Richard Paul and Manzoni, Piero and Klein, Yves and Biederman, Charles and Dekkers, Ad and Reinhardt, Ad and Kelly, Ellsworth and Truitt, Anne and Albers, Josef and Vasarely, Victor and Riley, Bridget and Stella, Frank and Judd, Donald and Andre, Carl and Flavin, Dan and Martin, Agnes and Marden, Brice and Buren, Daniel and Jensen, Alfred and Schapiro, Miriam and Meyer, Melissa and Jaudon, Valerie and Kozloff, Joyce and Halley, Peter and Léger, Fernand and Guttuso, Renato and Beckmann, Max and Tillich, Paul and Sartre, Jean-Paul and Malraux, André and Dubuffet, Jean and Niewenhuys, Constant and Appel, Karel and Sandberg, Willem and Freud, Lucian and Kitaj, R.b. and Hockney, David and Rivers, Larry and Pisteletto, Michelangelo and Pearlstein, Philip and Rainer, Arnulf and Guston, Philip and Baselitz, Georg and Abakanowicz, Magdalena and Rothenberg, Susan and Fischl, Eric and Schnabel, Julian and Weber, John Pitnam and Helms, Jesse and Serrano, Andres and Hamilton, Richard and Roth, Dieter and Fahlström, Öyvind and Restany, Pierre and Spoerri, Daniel and de Saint-Phalle, Niki and Pascali, Pino and Grigorescu, Ion and Cragg, Tony and Rauschenberg, Robert and Johns, Jasper and Brecht, George and Oldenburg, Claes and Warhol, Andy and Samaras, Lucas and Johnson, Ray and Ruscha, Edward and Chicago, Judy and Donaldson, Jeff and Haring, Keith and Scharf, Kenny and Wojnarowicz, David and Levine, Sherrie and Koons, Jeff and Schöffer, Nicolas and Metzger, Gustav and Tinguely, Jean and Piene, Otto and Mack, Heinz and Klüver, Billy and Pauline, Mark and Wodiczko, Krysztof and Paik, Nam June and Davis, Douglas and Schum, Gerry and Gillette, Frank and Kubota, Shigeko and Viola, Bill and d'Agostino, Peter and Hershman, Lynn and Rosler, Martha and Krueger, Myron W. and Weibel, Peter and Shaw, Jeffrey and Ascott, Roy and Paz, Octavio and Kiesler, Frederick and Nevelson, Louise and Kienholz, Edward and Noguchi, Isamu and Lin, Maya and De Maria, Walter and Smithson, Robert and Heizer, Michael and Oppenheim, Dennis and Holt, Nancy and Denes, Agnes and Sonfist, Alan and Rothenberg, Susan and Aycock, Alice and Long, Richard and Harrison, Helen Meyer and Harrison, Newton and Irwin, Robert and Turrell, James and Morris, Robert and Hesse, Eva and Serra, Richard and Nauman, Bruce and Ryman, Robert and Tuttle, Richard and Gilliam, Sam Jr. and Ukeles, Mierle Laderman and Hamilton, Ann and Clark, Kathryn and Thompson, Mark and Beuys, Joseph and Walther, Franz Erhard and Horn, Rebecca and Flanagan, Barry and Dibbets, Jan and Celant, Germano and Merz, Mario and Penone, Giuseppe and Gan, Pinchas Cohen and Yoshihara, Jiro and Mathieu, Georges and Debord, Guy and Cage, John and Kaprow, Allan and Schneemann, Carolee and Lebel, Jean-Jacques and Ortiz, Raphael Montañez and Vostell, Wolf and Maciunas, George and Higgins, Dick and Filliou, Robert and Ono, Yoko and Knízák, Milan and Berés, Jerzy and Nitsch, Hermann and Mühl, Otto and Brus, Günter and Export, Valie and Rosenbach, Ulricke and Acconci, Vito and Burden, Chris and Antin, Eleanor and Marioni, Tom and Lacy, Suzanne and Piper, Adrian and Sherman, Cindy and Finley, Karen and Duchamp, Marcel and Flynt, Henry and Lewitt, Sol and Bochner, Mel and Graham, Dan and Siegelaub, Seth and Barry, Robert and Weiner, Lawrence and Huebler, Douglas and Kosuth, Joseph and Popovic, Zoran and Burgin, Victor and Kelly, Mary and Brouwn, Stanley and Agnetti, Vincenzo and Latham, John and Broodthaers, Marcel and Haacke, Hans and Fischer, Hervé and Baldessari, John and Wols and Takis and Groupe de Recherche d'Art Visuel and Stelarc and Christo and Situationist International and AA Commune and Art and Language and Group Material and Ben (Ben Vautier). Theories and Documents of Contemporary Art : A Sourcebook of Artists' Writings. London, England: University of California Press, 1996.
DOSSIER: 000 - RÉFÉRENCE / REFERENCE
Burroughs, William. Apocalypse. Paris, France: Le dernier terrain vague, 1993.
DOSSIER: 420 - HARING, KEITH
Blinderman, Barry and Van de Guchte, Maarten and Leary, Timothy. Keith Haring : Future Primeval. Normal, IL: University Galleries of Illinois State University, 1990.
DOSSIER: 420 - HARING, KEITH
Haring, Keith. Keith Haring : Eight Ball. Kyoto, Japan: Kyoto Shoin International, 1989.
DOSSIER: 420 - HARING, KEITH
Anon. Keith Haring : Keith Haring vu par Tseng Kwong Chi. Bordeaux, France: capc Musée d'art contemporain de Bordeaux, 1986.
DOSSIER: 420 - HARING, KEITH
Haring, Keith and Geldzahler, Henry. Art in Transit : Subway Drawings by Keith Haring. New York, NY: Harmony Books, 1984.
DOSSIER: 420 - HARING, KEITH