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Stiles, Kristine and Selz, Peter and Newman, Barnett and Rothko, Mark and Motherwell, Robert and Bastian, Heiner and Smith, David and Barr, Alfred H. and Tapié, Michel and Michaux, Henri and Fontana, Lucio and Vedova, Emilio and Burri, Alberto and Baumeister, Willi and Tàpies, Antoni and Kantor, Tadeusz and Kirkeby, Per and Kiefer, Anselm and Bill, Max and Lohse, Richard Paul and Manzoni, Piero and Klein, Yves and Biederman, Charles and Dekkers, Ad and Reinhardt, Ad and Kelly, Ellsworth and Truitt, Anne and Albers, Josef and Vasarely, Victor and Riley, Bridget and Stella, Frank and Judd, Donald and Andre, Carl and Flavin, Dan and Martin, Agnes and Marden, Brice and Buren, Daniel and Jensen, Alfred and Schapiro, Miriam and Meyer, Melissa and Jaudon, Valerie and Kozloff, Joyce and Halley, Peter and Léger, Fernand and Guttuso, Renato and Beckmann, Max and Tillich, Paul and Sartre, Jean-Paul and Malraux, André and Dubuffet, Jean and Niewenhuys, Constant and Appel, Karel and Sandberg, Willem and Freud, Lucian and Kitaj, R.b. and Hockney, David and Rivers, Larry and Pisteletto, Michelangelo and Pearlstein, Philip and Rainer, Arnulf and Guston, Philip and Baselitz, Georg and Abakanowicz, Magdalena and Rothenberg, Susan and Fischl, Eric and Schnabel, Julian and Weber, John Pitnam and Helms, Jesse and Serrano, Andres and Hamilton, Richard and Roth, Dieter and Fahlström, Öyvind and Restany, Pierre and Spoerri, Daniel and de Saint-Phalle, Niki and Pascali, Pino and Grigorescu, Ion and Cragg, Tony and Rauschenberg, Robert and Johns, Jasper and Brecht, George and Oldenburg, Claes and Warhol, Andy and Samaras, Lucas and Johnson, Ray and Ruscha, Edward and Chicago, Judy and Donaldson, Jeff and Haring, Keith and Scharf, Kenny and Wojnarowicz, David and Levine, Sherrie and Koons, Jeff and Schöffer, Nicolas and Metzger, Gustav and Tinguely, Jean and Piene, Otto and Mack, Heinz and Klüver, Billy and Pauline, Mark and Wodiczko, Krysztof and Paik, Nam June and Davis, Douglas and Schum, Gerry and Gillette, Frank and Kubota, Shigeko and Viola, Bill and d'Agostino, Peter and Hershman, Lynn and Rosler, Martha and Krueger, Myron W. and Weibel, Peter and Shaw, Jeffrey and Ascott, Roy and Paz, Octavio and Kiesler, Frederick and Nevelson, Louise and Kienholz, Edward and Noguchi, Isamu and Lin, Maya and De Maria, Walter and Smithson, Robert and Heizer, Michael and Oppenheim, Dennis and Holt, Nancy and Denes, Agnes and Sonfist, Alan and Rothenberg, Susan and Aycock, Alice and Long, Richard and Harrison, Helen Meyer and Harrison, Newton and Irwin, Robert and Turrell, James and Morris, Robert and Hesse, Eva and Serra, Richard and Nauman, Bruce and Ryman, Robert and Tuttle, Richard and Gilliam, Sam Jr. and Ukeles, Mierle Laderman and Hamilton, Ann and Clark, Kathryn and Thompson, Mark and Beuys, Joseph and Walther, Franz Erhard and Horn, Rebecca and Flanagan, Barry and Dibbets, Jan and Celant, Germano and Merz, Mario and Penone, Giuseppe and Gan, Pinchas Cohen and Yoshihara, Jiro and Mathieu, Georges and Debord, Guy and Cage, John and Kaprow, Allan and Schneemann, Carolee and Lebel, Jean-Jacques and Ortiz, Raphael Montañez and Vostell, Wolf and Maciunas, George and Higgins, Dick and Filliou, Robert and Ono, Yoko and Knízák, Milan and Berés, Jerzy and Nitsch, Hermann and Mühl, Otto and Brus, Günter and Export, Valie and Rosenbach, Ulricke and Acconci, Vito and Burden, Chris and Antin, Eleanor and Marioni, Tom and Lacy, Suzanne and Piper, Adrian and Sherman, Cindy and Finley, Karen and Duchamp, Marcel and Flynt, Henry and Lewitt, Sol and Bochner, Mel and Graham, Dan and Siegelaub, Seth and Barry, Robert and Weiner, Lawrence and Huebler, Douglas and Kosuth, Joseph and Popovic, Zoran and Burgin, Victor and Kelly, Mary and Brouwn, Stanley and Agnetti, Vincenzo and Latham, John and Broodthaers, Marcel and Haacke, Hans and Fischer, Hervé and Baldessari, John and Wols and Takis and Groupe de Recherche d'Art Visuel and Stelarc and Christo and Situationist International and AA Commune and Art and Language and Group Material and Ben (Ben Vautier). Theories and Documents of Contemporary Art : A Sourcebook of Artists' Writings. London, England: University of California Press, 1996.
DOSSIER: 000 - RÉFÉRENCE / REFERENCE
Penone, Giuseppe and Merle, Michel and Destrez, Chantal. Un dialogue sous les Faux de Verzy. Annecy, France: DAO-La petite école, 1994.
DOSSIER: 440 - PENONE, GIUSEPPE
Penone, Giuseppe and Busine, Laurent. Giuseppe Penone : La structure du temps. s.l.: DAO-La petite école, 1993.
DOSSIER: 440 - PENONE, GIUSEPPE
Adams, Dennis and Applebroog, Ida and Boltanski, Christian and Pontbriand, Chantal and Charney, Melvin and Fleming, Martha and Lapointe, Lyne and Golub, Leon and Haacke, Hans and Hatoum, Mona and Jaar, Alfredo and Lewis, Mark and Magor, Liz and Meireles, Cildo and Muntadas, Antonio and Odenbach, Marcel and Paik, Nam June and Penone, Giuseppe and Piper, Adrian and Sonfist, Alan and Steinman, Barbara and Viola, Bill and Whittome, Irene F. and Wodiczko, Krzysztof and Gilbert & George and Gran Fury. Pour la suite du monde (cahier) : Propos et projets. Montréal, Qc: Musée d'art contemporain de Montréal, 1992.
DOSSIER: 330 - MUSÉE D'ART CONTEMPORAIN (Montréal)
Guyot, Gérard and Buren, Daniel and Joy, Jérôme and Ryan, David and Penone, Giuseppe and Poutays, Marie-Françoise and Vergier, Françoise. Cinq artistes, quatre châteaux et une abbaye en Gironde : Émotions en Aquitaine VI. Cadillac, France: Centre d'art contemporain; s.l.: Aquitaine, France : L'Association des Amis des monuments historiques et des sites en Aquitaine, 1985.
DOSSIER: 381 - FRANCE - CENTRE D'ART CONTEMPORAIN (Cadillac)
Penone, Giuseppe and Blistene, Bernard. Incredulo senza scusa di ordini regole misure e armonie. Cadillac France: Centre d'art contemporain de Cadillac, 1985.
DOSSIER: 381 - FRANCE - CENTRE D'ART CONTEMPORAIN (Cadillac)
Corà, Bruno and Acconci, Vito and Ackling, Roger and Defraoui, Sylvie and Defraoui, Chérif and Horn, Rebecca and Mattner, Jakob and Oppenheim, Meret and Penone, Giuseppe and Perrin, Carmen and Poirier, Anne and Poirier, Patrick and Steir, Pat and Zacharopoulos, Denys. Promenades. Genève, Suisse: Centre d'art contemporain, 1985.
DOSSIER: 381 - SUISSE - CENTRE D'ART CONTEMPORAIN (Genève)
Petersen, Ad and Anderson, Laurie and Andre, Carl and De Wilde, Edy and Van Tuyl, Gijs and Beeren, Wim and Von Graevenitz, Antje and Blok, Cor and Anderson, Laurie and Andre, Carl and Baselitz, Georg and Boltanski, Christian and Broodthaers, Marcel and Chia, Sandro and Cunningham, Merce and Dekkers, Ad and Dibbets, Jan and Dubuffet, Jean and Eno, Brian and Forti, Simone and Graham, Dan and Gudmundsson, Sigurdur and Haacke, Hans and Hamilton, Richard and Heyboer, Anton and Hoover, Nan and Jenney, Neil and Jonas, Joan and Kienholz, Edward and LeWitt, Sol and Manzoni, Piero and Marden, Brice and Martin, Agnes and Merz, Mario and Morellet, François and Morris, Robert and Paik, Nam June and Palestine, Charlemagne and Paolini, Giulio and Penone, Giuseppe and Rosenbach, Ulrike and Ryman, Robert and Schnabel, Julian and Smith, Barbara and Tudor, David and Tuttle, Richard and Uecker, Günther and Uitti, Frances-Marie and Abramovic, Marina and Visser, Carel and Volten, André and Weiner, Lawrence and Armando and Christo and Gilbert & George and Lucassen and Lucebert and Musica Electronica Viva MEV and Ulay. '60-'80 Attitudes/Concept/Images : A Selection from Twenty Years of Visual Arts = '60-'80 Attitudes/Concepts/Images : Een Keuze uit twintig Jaar beeldende Kunst. Amsterdam, Netherlands: Stedelijk Museum, 1982.
DOSSIER: 381 - PAYS-BAS - STEDELIJK MUSEUM (Amsterdam)
Ammann, Jean-Christophe and Penone, Giuseppe. Giuseppe Penone : Bäume, Augen, Haare, Wände, Tongefäss. Lucerne, Switzerland: Kunstmuseum Luzern, 1977.
DOSSIER: 440 - PENONE, GIUSEPPE
Anon. Identité/Identifications. Bordeaux, France: CAPC - Centre d'Arts Plastiques Contemporains de Bordeaux, 1976.
DOSSIER: 381 - FRANCE - CAPC MUSÉE D'ART CONTEMPORAIN (Bordeaux)
Gilles, Jean-Yves and Tavé, Marcel and Tortosa, Guy and Penone, Giuseppe and Plensa, Jaume and Samakh, Erik. Jardin Ti-Jean: pour un jardin contemporain. Piton Saint-Leu: FRAC Réunion.
DOSSIER: 381 - FRANCE - FRAC - divers