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Number of items: 14.

Viguier, Alain and Aav. Logique du cadre : précédents et conséquences de la néo avant-garde : essai. Verneuil sur Avre France: Hôtel des Bains éditions, 2005.
DOSSIER: 700 - AVANT-GARDE
Krauss, Rosalind E.. Bachelors. Cambridge, MA: MIT Press, 1999.
DOSSIER: 700 - FEMMES DANS LES ARTS - FÉMINISME / WOMEN IN THE ARTS - FEMINISM
O'Brian, John and Gu, Xiong. Gu Xiong : The River. Victoria, BC: Art Gallery of Greater Victoria, 1999.
DOSSIER: 410 - XIONG, GU
Lapointe, Gilles and Michaud, Ginette and Gagnon, François-Marc and Bourassa, Lucie and Smart, Patricia and Biron, Michel and Bourassa, André G. and Allaire, Serge and Arbour, Rose Marie and Deschamps, Brigitte and Olscamp, Marcel and Tremblay, Johanne. Études françaises : L'automatisme en mouvement. Montréal, Qc: Les Presses de l'Université de Montréal, 1998.
DOSSIER: 500 - REFUS GLOBAL (Montréal, Qc)
Krauss, Rosalind and Michelson, Annette and Bois, Yve-Alain and Buchloh, Benjamin H. D. and Foster, Hal and Hollier, Denis and Kolbowski, Silvia and Clark, Lygia and Clark, T. J. and Molesworth, Helen and Nixon, Mignon and Diawara, Manthia and Mudimbe, V. Y. and Bhabha, Homi K. and Negt, Oskar and Kluge, Alexander and Armstrong, Carol and Koch, Gertrud and Bersani, Leo and Borch-Jacobson, Mikkel and Buck-Morss, Susan and Crary, Jonathan and Deleuze, Gilles and Eisenmann, Peter and Group Material. October : The Second Decade, 1986-1996. Cambridge, MA: MIT Press, 1997.
DOSSIER: 200 - PÉRIODIQUES / PERIODICALS
Altshuler, Bruce. The Avant-Garde in Exhibition : New Art in the 20th Century. New York, NY: Harry N. Abrams, 1994.
DOSSIER: 700 - AVANT-GARDE
Augaitis, Daina and Lander, Dan and Moser, Mary Anne and Berland, Jody and Bull, Hank and Ready, Patrick and Kittler, Friedrich and Westerkamp, Hildegard and Kahn, Douglas and Migone, Christof and Grundmann, Heidi and Racine, Rober and Whitehead, Gregory and Levine, Paula and Dyson, Frances and Westbury, Tim and Sawchuk, Kim and Fusco, Coco and Gómez-Peña, Guillermo and Laing, Carol and Wong, Paul and Kriesche, Richard and Kogawa, Tetsuo and Kozinuk, Rob and D'Arcy, Margaretta. Radio Rethink : Art, Sound and Transmission : Selected Survey of Radio Art in Canada, 1967-1992. Banff, Alta: Walter Phillips Gallery, 1994.
DOSSIER: 352 - WALTER PHILLIPS GALLERY, BANFF CENTRE FOR THE ARTS (Banff)
Droit, Roger-Pol and Droit, Roger-Pol and Lichtenstein, Jacqueline and Debré, Olivier and Makarius, Michel and Dagen, Philippe and Flem, Lydia and Green, André and Murat, Michel and Haïm, Philippe and Brusse, Mark and Clair, Jean and Mandelbrojt, Jacques and Roubaud, Jacques and Damisch, Hubert and Simon, Yves and Escoubas, Éliane and Clément, Catherine and Bourgeois, Bernard and Badiou, Alain and Saporta, Karine and Major, René and Lacoue-Labarthe, Philippe and Déotte, Jean-Louis and Ménard, Michèle and Hers, François and Coutance, Guy and Fumaroli, Marc and Michaud, Yves. L'Art est-il une connaissance? : Quatrième Forum Le Monde Le Mans. Paris, France: Le Monde Éditions, 1993.
DOSSIER: 700 - MILIEU DE L'ART - LA CULTURE EN QUESTION / ART MILIEU - CULTURE IN QUESTION
Eaton, Timothy A. and Anderson-Spivy, Alexandra and Hine, Charles H. and Spector, Buzz and Wilson, Martha. Books as Art. Boca Raton, FL: Boca Raton Museum of Art, 1992.
DOSSIER: 800 - LIVRE D'ARTISTE / ARTIST'S BOOK
Chion, Michel. Vous avez dit acousmatique ? Ohain, Belgique: Musiques et Recherches, 1991.
DOSSIER: 800 - ART SONORE/SOUND ART
Compagnon, Antoine. Les cinq paradoxes de la modernité. Paris, France: Seuil, 1990.
DOSSIER: 700 - MODERNISME ET POSTMODERNISME / MODERNISM AND POSTMODERNISM
Bronson, A A and Gale, Peggy and Pontbriand, Chantal and Goldberg, RoseLee and Higgins, Dick and Barber, Bruce and Bicocchi, Maria Gloria and Salvadori, Fulvio and Coutts-Smith, Kenneth and Lister, Ardele and Jones, Bill and Nabakowski, Gislind and Lewis, Glenn and Frank, Peter and Tisdall, Caroline and COUM Transmissions. Performance by Artists. Toronto, Ont.: Art Metropole, 1979.
DOSSIER: 800 - PERFORMANCE
Bronson, A A and Gale, Peggy and Pontbriand, Chantal and Goldberg, RoseLee and Higgins, Dick and Barber, Bruce and Bicocchi, Maria Gloria and Salvadori, Fulvio and Coutts-Smith, Kenneth and Lister, Ardele and Jones, Bill and Nabakowski, Gislind and Lewis, Glenn and Frank, Peter and Tisdall, Caroline and COUM Transmissions. Performance by Artists. Toronto, Ont.: Art Metropole, 1979.
DOSSIER: 800 - PERFORMANCE
Selz, Peter and Taylor, Joshua C. and Cézanne, Paul and Van Gogh, Vincent and Gauguin, Paul and Aurier, G.-Albert and Denis, Maurice and Hodler, Ferdinand and Ensor, James and Munch, Edvard and Redon, Odilon and Van de Velde, Henry and Rousseau, Henri and Matisse, Henri and Vlaminck, Maurice and Nolde, Emil and Kandinsky, Wassily and Kokoschka, Oskar and Kirchner, Ernst Ludwig and Marc, Franz and Klee, Paul and Beckmann, Max and Salmon, André and Gleizes, Albert and Metzinger, Jean and Apollinaire, Guillaume and Kahnweiler, Daniel-Henry and Braque, Georges and Gris, Juan and Léger, Fernand and Marinetti, F.t. and Boccioni, Umberto and Carra, Carlo and Delaunay, Robert and Wright, Stanton MacDonald and Mondrian, Piet and Van Doesburg, Theo and Gabo, Naum and Malevich, Kasimir and Brancusi, Constantin and Huelsenbeck, Richard and Schwitters, Kurt and Tzara, Tristan and Arp, Jean and Duchamp, Marcel and Hoch, Hannah and De Chirico, Giorgio and Breton, André and Dali, Salvador and Masson, André and Trotsky, Leon and Davis, Stuart and Cahill, Holger and Hitler, Adolf and Ernst, Max and Miro, Joan and Chagall, Marc and Picasso, Pablo and Motherwell, Robert and Rosenberg, Harold and Kemenov, Vladimir and Dondero, George A. and Argan, Guilio Carol and Henri, Robert and Hartley, Marsden and Marin, John and Gorky, Arshile and Hofmann, Hans and Gottlieb, Adolph and Rothko, Mark and Pollock, Jackson and Newman, Barnett and Ferber, Herbert and De Kooning, Willem and Baizerman, Saul and Roszak, Theodore and Rosenberg, Harold and De Kooning, Elaine and Finkelstein, Louis and Ferren, John and Still, Clyfford and Stankiewicz, Richard and Smith, David and Greenberg, Clement and Geist, Sidney and Kramer, Hilton and Oldenburg, Claes and Rickey, George and Moore, Henry and Giacometti, Alberto and Tapié, Michel and Hajdu, Etienne and Uhlmann, Hans and Dubuffet, Jean and Paolozzi, Eduardo and Bacon, Francis and Boriani, Davide and King, Phillip and Matta and Constant. Theories of Modern Art : A Source Book by Artists and Critics. Los Angeles, CA: University of California Press, 1968.
DOSSIER: 100 - THÉORIE / THEORY