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Number of items: 19.

Balcells, María José and Palomar, Pepa. Luc Courchesne : The Visitor : Living by Numbers. Barcelona, Spain: Fundació La Caixa, 2002.
DOSSIER: 410 - COURCHESNE, LUC
Eltractor. Eltractor : Elradio. Québec, Qc: Ohm éditions; s.l.: Avatar, 2001.
DOSSIER: 410 - ELTRACTOR (Collectif)
Verna, Gaëtane and Paillé, Louise and Grande, John K. and Schilling, Mark and Gingras, Nicole and Sooknanan, Renuka and Vennettilli, Éric. In Situ. Lennoxville, Qc: Galerie d'art de l'Université Bishop's/Art Gallery of Bishop's University, 2001.
DOSSIER: 330 - GALERIE D'ART FOREMAN DE L'UNIVERSITÉ BISHOP'S (Lennoxville)
Anon.. Ohmix. Québec, Qc: Ohm éditions; s.l.: Avatar, 2001.
DOSSIER: 390 - ASSOCIATION DE CRÉATIONS ET DE DIFFUSION SONORES AVATAR, L' (Québec, Qc)
Roberge, Danielle and Desgent, Jean-Marc. Luc Béland en collaboration avec Jean-Marc Desgent : Su vasta scala (L'échelle de Jacob). Montréal, Qc: Éditions Graff, 1998.
DOSSIER: 410 - BÉLAND, LUC
Clair, Jean and Lévi-Strauss, Claude and Fumaroli, Marc and Bettini, Maurizio and Fabbri, Paolo and Metken, Günter and Comar, Philippe and Brisebois, Marcel and Ottinger, Didier and Pichler, Cathrin and Lugli, Adalgisa and Brusatin, Manlio. Identity and Alterity, Figures of the Body, 1895-1995 : La Biennale di Venezia : 46 esposizione internazionale d'arte. Venice, Italy: Edizioni La Biennale di Venezia, 1995.
DOSSIER: 500 - BIENNALE DI VENEZIA (Venise, Italie)
La Chance, Michaël and Tremblay, Raynald. Raynald Tremblay : Le bris de la parole poétique : Tentative d'une métaphysique d'artiste (Nietzsche et Wagner). Alma, Qc: Langage Plus, 1994.
DOSSIER: 410 - TREMBLAY, RAYNALD
Drucker, Johanna. Theorizing Modernism : Visual Art and the Critical Tradition. New York, NY: Columbia University Press, 1994.
DOSSIER: 700 - MODERNISME ET POSTMODERNISME / MODERNISM AND POSTMODERNISM
Dagognet, François. In Favour of Today's Art : From the Object of Art to the Art of the Object. Paris, France: Dis Voir, 1993.
DOSSIER: 800 - DESIGN
Dagognet, François. Pour l'art d'aujourd'hui : De l'objet de l'art à l'art de l'objet. Paris, France: Dis Voir, 1992.
DOSSIER: 800 - DESIGN
Harrison, Charles. Essays on Art & Language. Oxford, England: Basil Blackwell, 1991.
DOSSIER: 440 - ART & LANGUAGE (Collectif)
Gerdes, Ludger. Ludger Gerdes. Castres, France: Centre d'Art Contemporain de Castres, 1991.
DOSSIER: 440 - GERDES, LUDGER
Maltais, Marcella. Marcella Maltais : Notes d'atelier. Beauport, Qc: Éditions du Beffroi, 1991.
DOSSIER: 410 - MALTAIS, MARCELLA
Compagnon, Antoine. Les cinq paradoxes de la modernité. Paris, France: Seuil, 1990.
DOSSIER: 700 - MODERNISME ET POSTMODERNISME / MODERNISM AND POSTMODERNISM
Anon. Le déjà-là la création artistique. Rennes, France: Centre d'Histoire de l'Art Contemporain, 1989.
DOSSIER: 381 - FRANCE - CENTRE D'HISTOIRE DE L'ART CONTEMPORAIN (Rennes)
Greenberg, Clement. Art et culture : Essais critiques. Paris, France: Macula, 1988.
DOSSIER: 480 - GREENBERG, CLEMENT
Hartal, Paul. The Brush and the Compass : The Interface Dynamics of Art and Science. Lanham, MD: University Press of America, 1988.
DOSSIER: 410 - HARTAL, PAUL
Daval, Jean-Luc and Daval, Diane. Histoire de la peinture abstraite. Paris, France: Éditions Hazan, 1988.
DOSSIER: 800 - PEINTURE / PAINTING
Selz, Peter and Taylor, Joshua C. and Cézanne, Paul and Van Gogh, Vincent and Gauguin, Paul and Aurier, G.-Albert and Denis, Maurice and Hodler, Ferdinand and Ensor, James and Munch, Edvard and Redon, Odilon and Van de Velde, Henry and Rousseau, Henri and Matisse, Henri and Vlaminck, Maurice and Nolde, Emil and Kandinsky, Wassily and Kokoschka, Oskar and Kirchner, Ernst Ludwig and Marc, Franz and Klee, Paul and Beckmann, Max and Salmon, André and Gleizes, Albert and Metzinger, Jean and Apollinaire, Guillaume and Kahnweiler, Daniel-Henry and Braque, Georges and Gris, Juan and Léger, Fernand and Marinetti, F.t. and Boccioni, Umberto and Carra, Carlo and Delaunay, Robert and Wright, Stanton MacDonald and Mondrian, Piet and Van Doesburg, Theo and Gabo, Naum and Malevich, Kasimir and Brancusi, Constantin and Huelsenbeck, Richard and Schwitters, Kurt and Tzara, Tristan and Arp, Jean and Duchamp, Marcel and Hoch, Hannah and De Chirico, Giorgio and Breton, André and Dali, Salvador and Masson, André and Trotsky, Leon and Davis, Stuart and Cahill, Holger and Hitler, Adolf and Ernst, Max and Miro, Joan and Chagall, Marc and Picasso, Pablo and Motherwell, Robert and Rosenberg, Harold and Kemenov, Vladimir and Dondero, George A. and Argan, Guilio Carol and Henri, Robert and Hartley, Marsden and Marin, John and Gorky, Arshile and Hofmann, Hans and Gottlieb, Adolph and Rothko, Mark and Pollock, Jackson and Newman, Barnett and Ferber, Herbert and De Kooning, Willem and Baizerman, Saul and Roszak, Theodore and Rosenberg, Harold and De Kooning, Elaine and Finkelstein, Louis and Ferren, John and Still, Clyfford and Stankiewicz, Richard and Smith, David and Greenberg, Clement and Geist, Sidney and Kramer, Hilton and Oldenburg, Claes and Rickey, George and Moore, Henry and Giacometti, Alberto and Tapié, Michel and Hajdu, Etienne and Uhlmann, Hans and Dubuffet, Jean and Paolozzi, Eduardo and Bacon, Francis and Boriani, Davide and King, Phillip and Matta and Constant. Theories of Modern Art : A Source Book by Artists and Critics. Los Angeles, CA: University of California Press, 1968.
DOSSIER: 100 - THÉORIE / THEORY