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Number of items: 6.

O'Neill, Paul. The Culture of Curating and the Curating of Culture(s). Cambridge, MA: MIT Press, 2012.
DOSSIER: 800 - CRITIQUE D'ART & COMMISSARIAT / ART CRITICISM & CURATING
Andreasen, Søren and Bang Larsen, Lars and Ault, Julie and Basualdo, Carlos and Beech, Dave and Hutchinson, Marc and Calderoni, Irene and Das Gupta, Anshuman and Watson, Grant and Deliss, Clémentine and Diaz, Eva and Doherty, Claire and Gillick, Liam and Hoffmann, Jens and Obrist, Hans Ulrich and Pierce, Sarah and Sheikh, Simon and Staniszewski, Mary Anne and Wilson, Andrew and Wilson, Mick and Nickas, Robert. Curating Subjects. 2nd ed. London, UK: Open Editions; Amsterdam, Netherlands: de Appel Arts Centre, 2011.
DOSSIER: 800 - CRITIQUE D'ART & COMMISSARIAT / ART CRITICISM & CURATING
Anon. Then + Then Again : Practices within an Artist-run Culture, 1969-2006 : A Clive Robertson Retrospective = Encore et encore : la pratique dans la culture des centres d'artistes, 1969-2006 : une rétrospective de Clive Robertson. Ottawa, Ont: SAW Gallery, 2007.
DOSSIER: 410 - ROBERTSON, CLIVE
Burton, Andrew and Hiller, Susan and Christov-Bakargiev, Carolyn and Gillick, Liam and Bauer, Ute Meta and Nash, Mark and Nordgren, Sune and Millar, Jeremy and Gleadowe, Teresa and Spalding, Francis. The Producers : Contemporary Curators in Conversation (4). Gateshead, England: BALTIC; Newcastle upon Tyne, England: s.n., 2002.
DOSSIER: 381 - GRANDE BRETAGNE - BALTIC (Gateshead)
Hiller, Susan and Milner, John and Renton, Andrew and Craddock, Sacha and Lewis, Vicki and Burton, Andrew and Watkins, Jonathan and Godfrey-Isaacs, Laura and Deacon, Richard and Putnam, James and London, Barbara. The Producers : Contemporary Curators in Conversation (5). Gateshead, England: BALTIC; Newcastle upon Tyne, England: s.n., 2002.
DOSSIER: 381 - GRANDE BRETAGNE - BALTIC (Gateshead)
Carruthers, Meredith and Wesley, Susannah and Kathrein, Miriam and Leisure Projects (Collectif). It Seems Much More Natural for Artists to Become Curators Rather Than Curators Becoming Artists. A Curator Who Ventures Into Making Art Is Automatically Suspect, Whereas For Artists, Curating Is Appropriated as Another Tool in Their Bag of Tricks. Vienna, Austria: Weisse Haus.
DOSSIER: 410 - LEISURE PROJECTS (Collectif)