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Number of items: 6.

Baudson, Michel and De Duve, Thierry and Canon, Xavier and Marcadé, Bernard and Gielen, Denis and Wauters, Anne and Duhamel, Joseph and Verheggen, Jean-Pierre and Bosquillon, Marcelline and Viscardy, Pascale. Magritte en compagnie : Du bon usage de l'irrévérence. Bruxelles, Belgique: Labor; s.l.: Ministère de la Communauté française de Belgique, 1997.
DOSSIER: 600 - BELGIQUE / BELGIUM
Hoet, Jan and Zacharopoulos, Denys and De Baere, Bart and Tazzi, Pier Luigi and Herstatt, Claudia and Oates, Joyce Carol and Roubaud, Jacques and Castoriadis, Cornélius and Müller, Heiner and Robbrecht, Paul and Daem, Hilde and Bartz, Edek and Flos, Birgit and Fabritius, Jürgen and Radevagen, Til and Steigmeier, Klaus and Hubert, Pierr-Alain and Hummel, Franz and Ohrt, Roberto and Seytarth, Ludwig and Baikas, Nicos and Bourgeois, Louise and Durham, Jimmie and Fainaru, Belu-Simion and Fend, Peter and Horn, Rebecca and Kabakov, Ilya and Ruk, Mariusz and Pitz, Hermann and Racine, Rober and Visch, Henk. Documenta 9, Kassel, 1992. Stuttgart, Germany: Edition Cantz; New York, NY: s.n., 1992.
DOSSIER: 500 - DOCUMENTA (Kassel, Allemagne)
Varnedoe, Kirk and Gopnik, Adam. High & Low : Modern Art and Popular Culture. New York, NY: Museum of Modern Art, 1990.
DOSSIER: 360 - MUSEUM OF MODERN ART (New York, NY)
Anon. Le 2e Festival international du film sur l'art. Montréal, Qc: Musée d'art contemporain de Montréal, 1982.
DOSSIER: 500 - FESTIVAL INTERNATIONAL DU FILM SUR L'ART, FIFA (Montréal, Qc)
Selz, Peter and Taylor, Joshua C. and Cézanne, Paul and Van Gogh, Vincent and Gauguin, Paul and Aurier, G.-Albert and Denis, Maurice and Hodler, Ferdinand and Ensor, James and Munch, Edvard and Redon, Odilon and Van de Velde, Henry and Rousseau, Henri and Matisse, Henri and Vlaminck, Maurice and Nolde, Emil and Kandinsky, Wassily and Kokoschka, Oskar and Kirchner, Ernst Ludwig and Marc, Franz and Klee, Paul and Beckmann, Max and Salmon, André and Gleizes, Albert and Metzinger, Jean and Apollinaire, Guillaume and Kahnweiler, Daniel-Henry and Braque, Georges and Gris, Juan and Léger, Fernand and Marinetti, F.t. and Boccioni, Umberto and Carra, Carlo and Delaunay, Robert and Wright, Stanton MacDonald and Mondrian, Piet and Van Doesburg, Theo and Gabo, Naum and Malevich, Kasimir and Brancusi, Constantin and Huelsenbeck, Richard and Schwitters, Kurt and Tzara, Tristan and Arp, Jean and Duchamp, Marcel and Hoch, Hannah and De Chirico, Giorgio and Breton, André and Dali, Salvador and Masson, André and Trotsky, Leon and Davis, Stuart and Cahill, Holger and Hitler, Adolf and Ernst, Max and Miro, Joan and Chagall, Marc and Picasso, Pablo and Motherwell, Robert and Rosenberg, Harold and Kemenov, Vladimir and Dondero, George A. and Argan, Guilio Carol and Henri, Robert and Hartley, Marsden and Marin, John and Gorky, Arshile and Hofmann, Hans and Gottlieb, Adolph and Rothko, Mark and Pollock, Jackson and Newman, Barnett and Ferber, Herbert and De Kooning, Willem and Baizerman, Saul and Roszak, Theodore and Rosenberg, Harold and De Kooning, Elaine and Finkelstein, Louis and Ferren, John and Still, Clyfford and Stankiewicz, Richard and Smith, David and Greenberg, Clement and Geist, Sidney and Kramer, Hilton and Oldenburg, Claes and Rickey, George and Moore, Henry and Giacometti, Alberto and Tapié, Michel and Hajdu, Etienne and Uhlmann, Hans and Dubuffet, Jean and Paolozzi, Eduardo and Bacon, Francis and Boriani, Davide and King, Phillip and Matta and Constant. Theories of Modern Art : A Source Book by Artists and Critics. Los Angeles, CA: University of California Press, 1968.
DOSSIER: 100 - THÉORIE / THEORY
Artstudio.: 18. s.l.: s.n.