Marcel Broodthaers

Goldwater, Marge and Compton, Michael and Crimp, Douglas and Jenkins, Bruce and Mosebach, Martin. Marcel Broodthaers. Minneapolis, MN: Walker Art Center; New York, NY: Rizzoli, 1989.

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Abstract (English)

In a biographical account, Compton traces the influences of Surrealism, Marxism and Pop Art on Broodthaers' work. Crimp writes that by acknowledging the status of art as a commodity and the museum as art's institutional frame, Broodthaers demonstrates how museums reinforce bourgeois ideologies. Jenkins discusses the artist's films. Circa 200 bibl. ref.

Types: Catalogues > Exhibition catalogues
All Contributors: Goldwater, Marge (Curator); Goldwater, Marge (Author); Compton, Michael (Curator); Compton, Michael (Author); Crimp, Douglas (Author); Jenkins, Bruce (Author); Mosebach, Martin (Author)
Dossier: 440 - BROODTHAERS, MARCEL
Collation: 226 p. : 193 ill. (66 col.) ; 26 x 26 cm
ISBN: 0847810518
Language of Publication: English
Publishers: Minneapolis, MN: Walker Art Center; New York, NY: Rizzoli
Artists: Broodthaers, Marcel
Critics / Curators / Historians: Goldwater, Marge; Compton, Michael
Event Statement: Exhibition organized by the Walker Art Center in association with the Palais des Beaux-Arts (Bruxelles). - Itinerary: Apr. 1989 - June 1990, Walker Art Center (Minneapolis) ; Los Angeles Museum of Contemporary Art ; Museum of Art, Carnegie Institute (Pittsburgh) ; Palais des Beaux-Arts (Brussels).
Deposited by: e-Artexte administrator
Date Deposited: 25 Oct 1990
Last Modified: 25 Oct 2012 13:35
URI: http://e-artexte.ca/id/eprint/3485
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