e-Artexte Digital Repository Policies
e-artexte provides online access to full-text publications about contemporary art in Canada (from 1965 to the present day), free of charge, to anyone, anywhere.
As a digital repository, e-artexte is not a publisher. Rather, it gives publishers and authors in the visual arts milieu the option to self-archive their own published works, making their contributions accessible worldwide through the internet.
In addition to full-text works in digital format (data), e-artexte provides electronic records (metadata) that describe individual items in the repository. These records may also refer to physical copies of the same titles in Artexte’s holdings, as e-artexte is also used to manage our collection of books, art magazines and other materials.
In the spirit of Open-Access, e-artexte provides unrestricted access to the works in its digital collection.
Artexte respects the Canadian Copyright Act (R.S.C. 1985, c. C-42) and this is reflected in our e-artexte Digital Repository Policies.
Depositors maintain copyright over the digital publications they deposit with us, and are able to assign a Creative Commons license to each work they submit. In doing so, they specify how their document can be re-used by the public.
Artexte is committed to the understanding and advancement of the visual arts through reliable information sources such as e-artexte. Our primary goal is the study and development of material that documents the field of contemporary art. As such, e-artexte helps us to reach this goal through two key objectives: to support the experimental, innovative and critical nature of contemporary visual art; and to foster it in a multidisciplinary discourse through alliances and partnerships.-top-
Anyone may access the metadata (the electronic records that describe full-text items) found in e-artexte. This metadata may be re-used in any medium without prior permission for not-for-profit purposes provided e-artexte is credited as the source, or if a link to the original e-artexte record is given.
Anyone wishing to use the metadata in a commercial context (or to transform or to create derivative works)must contact the content creator for permission – whether this be Artexte, the depositor, or third parties.
Anyone may access the data (the full-text documents) found in e-artexte. As indicated earlier, a Creative Commons license is attached to each document deposited into e-artexte. Licenses are assigned by the depositor, at the time of the submission. These licenses provide details and provisions regarding the re-use of the corresponding documents.
Unless otherwise indicated by the depositor, data in e-artexte may be re-used (reproduced, copied, displayed or performed and/or given to third parties) provided that:
Data must not be harvested by robots except transiently for full-text indexing or citation analysis.-top-
In order to become depositors to e-artexte, interested parties must first become members.
Depositors to e-artexte are divided up into two general categories: institutional publishers and individual authors.
Institutional publishers include museums, artist-run centres, art galleries, academic publishers and other cultural organizations that have a mandate to study, interpret, and/or advance the understanding of the Canadian visual arts sector.
Individual authors include professional art critics, curators, historians, artists and theorists.
In order to submit material to e-artexte, depositors must contact Artexte to begin the registration process.
First time depositors to e-artexte are asked to complete a registration form and submit it to Artexte before depositing their first digital document.
Institutional depositors must pay an annual fee to contribute their documents to the repository. This fee is based on their annual operational budget as follows:
Insitutional depositors who do not renew their annual registration may not contribute new documents to e-artexte, although their previously submitted documents will remain in the repository.
Individual depositors (professional art critics, curators, historians, artists and theorists) will not be required to pay any fee to deposit their documents.
In keeping with the collection practices of Artexte, e-artexte specializes in publications that address the visual arts , from 1965 to today, with an emphasis on the art of Quebec and Canada. e-artexte favours art critical writing (including contemporary, art historical and/or theoretical works) over items of either a promotional or commercial nature.
Some examples of materials collected in e-artexte include:
Depositors have the option to submit only a selection of essays or chapters from a publication; although complete submissions are preferred.
Also in keeping with Artexte’s collection practices, e-artexte does not accept (or no longer collects) the following types of materials:
Ephemera:Certain paper-based, ephemeral materials (including exhibition announcements, advertisements, press releases, call for submissions, job postings, etc.) are collected by Artexte, but digital copies of these materials are not accepted into e-artexte. The physical documents are housed in the organizational files that Artexte maintains for art publishers, and are available for public consultation.
Depositors are encouraged to contact Artexte if they have questions about any items they wish to submit to e-artexte that are not addressed within this section.
e-artexte is able to support a number of different digital formats for texts, images, videos and audio works; although some formats are preferred over others.
Preferred digital formats include:
Documents may also be submitted in the following formats:
For inquiries about other formats please contact the e-artexte administrator.
File size limits: In general, submitted files should not exceed 300 MB.
File naming conventions: Depositors are asked to adhere to the following conventions when submitting their documents to e-artexte:
Do not use:
As a tool for self-archiving, depositors will be able to submit their documents directly into e-artexte. This process involves a few steps:
Once the digital document is uploaded, it will be available to the public.
Please note that:
Depositors should feel free to contact Artexte if they have any questions about the submission process.
This agreement acknowledges the rights of depositors to e-artexte. It lays out the terms and conditions for submitting digital documents to e-artexte, and grants Artexte certain rights and permissions regarding the management of these documents in the repository.
Depositors must agree to the terms of the Depositor’s Agreement at the time they submit their publications in the repository.
A copy of the Depositor's Agreement is provided here for your consultation : ConsentForm.pdf
Artexte is responsible for the management of the data and metadata in e-artexte, and reserves the right to withdraw any material from the repository at its discretion.
A depositor may request to have their submission removed from e-artexte under exceptional circumstances. The depositor must send a written request to Artexte and include the reasons for the document’s removal. The request will be reviewed by an Artexte committee whose decision to withdraw or maintain an item in e-artexte is binding.-top-
Artexte will endeavour to maintain and preserve deposited material for the future.
The views contained in the material deposited in e-artexte are those of the author(s) and are not those of Artexte.
1. The term “visual arts” is used by contemporary art publishers (whose titles are found in Artexte’s collection) to refer to a range of disciplines and practices such as collage, conceptual-based art, drawing, fibre art, installation, mail art, new media, painting, performance, photography, print media, sculpture, sound-based art and video.