Jean-Marie Delavalle : The Mirror, Method and Meaning in Monochrome

Campbell, James D.. Jean-Marie Delavalle : The Mirror, Method and Meaning in Monochrome. Toronto, Ont.: Christopher Cutts Gallery, 1993.

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Abstract (English)

Campbell concentrates on Delavalle's recent works involving monochrome surfaces, situated at the intersection of painting and sculpture. The author refers to Lacan's notion of the "mirror-stage" and discusses the work conceived as a "physiognomic field." 12 bibl. ref.

Résumé

Campbell s'attache aux travaux récents de Delavalle dotés de surfaces monochromes et situés à l'intersection de la peinture et de la sculpture. L'auteur fait référence à la notion lacanienne du "stade du miroir" et discute d'une conception de l'oeuvre en tant que "champ physiognomique". 12 réf. bibl.

Types: Catalogues > Exhibition catalogues
All Contributors: Campbell, James D. (Author)
Dossier: 410 - DELAVALLE, JEAN-MARIE
Collation: 47 p. : 14 ill. (9 col.) ; 23 x 18 cm
ISBN: 0969654804
Language of Publication: English; French
Publishers: Toronto, Ont.: Christopher Cutts Gallery
Artists: Delavalle, Jean-Marie
Event Statement: Exhibition probably presented in 1993, Christopher Cutts Gallery (Toronto).
Keywords: MIROIR; MIRROR; MINIMALISM; MINIMALISME; MONOCHROMIE; MONOCHROME
Deposited by: e-Artexte administrator
Date Deposited: 11 Nov 1993
Last Modified: 13 Apr 2012 15:23
URI: http://e-artexte.ca/id/eprint/5910
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