Mina Totino

Burnham, Clint and Radul, Judy and Watson, Scott. Mina Totino. Vancouver, BC: Morris and Helen Belkin Art Gallery, University of British Columbia, 1997.

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Abstract (English)

The essays in this catalogue focus on Totino's concern with the sublime as a category of aesthetic experience and as an object of contemporary theory. By situating Totino's paintings within the modernist frameworks of abstraction, Minimalism and Conceptualism, as well as the postmodern critique of representation, the authors show how the repression of the feminine within the history of Western painting is countered by the artist's "interruptive logic" and concern with ornamentation. 51 bibl. ref.

Types: Catalogues > Exhibition catalogues
All Contributors: Burnham, Clint (Author); Radul, Judy (Author); Watson, Scott (Curator); Watson, Scott (Author)
Dossier: 410 - TOTINO, MINA
Collation: 74 p. : 44 ill. col. ; 25 x 18 cm
ISBN: 0888653182
Language of Publication: English
Publishers: Vancouver, BC: Morris and Helen Belkin Art Gallery, University of British Columbia
Artists: Totino, Mina
Critics / Curators / Historians: Watson, Scott
Event Statement: Exhibition dates: 10 Jan. - 1 Mar. 1997, Morris and Helen Belkin Art Gallery (Vancouver).
Keywords: PAINTING; POSTMODERNISM; FEMINISM; MODERNISM; AESTHETIC; CONCEPTUALISM; SUBLIME; KANT,IMMANUEL
Deposited by: Users 1 not found.
Date Deposited: 11 Feb 1997
Last Modified: 13 Apr 2012 16:56
URI: http://e-artexte.ca/id/eprint/11053
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