The Blue Hour : Joi T. Arcand, Kapwani Kiwanga, Colin Miner, Grace Ndiritu, Kara Uzelman

Contemporary Art Gallery (Vancouver). The Blue Hour : Joi T. Arcand, Kapwani Kiwanga, Colin Miner, Grace Ndiritu, Kara Uzelman. Vancouver, BC: Contemporary Art Gallery, 2018.

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Abstract (English)

" Here, the photograph becomes a tool with speculative potential, rather than one with simply the power to memorialize. The Blue Hour extends from this premise to rethink our assumptions about the photograph’s relationship to time. Making reference to the brief period of twilight at dawn and dusk when temporal linearity appears to momentarily hover in a state of suspension, the exhibition presents works by five Canadian and international artists – Joi T. Arcand, Kapwani Kiwanga, Colin Miner, Grace Ndiritu, and Kara Uzelman – that collectively act as a proposition to consider the futurity of the photographic image. " -- Publisher's website.

Types: Catalogues > Exhibition catalogues ; Brochures, booklets, leaflets, pamphlets
All Contributors: Contemporary Art Gallery (Vancouver)
Dossier: 353 - CONTEMPORARY ART GALLERY (Vancouver)
Collation: [15] p. : col. ill. ; 29 cm
ISBN: 9781897302927
Language of Publication: English
Publishers: Vancouver, BC: Contemporary Art Gallery
Artists: Arcand, Joi T.; Kiwanga, Kapwani; Miner, Colin; Ndiritu, Grace; Uzelman, Kara; Wood, John; Harrison, Paul; Timmings, Mark; Morris, Stephen
Art Organizations: Exhibition Centres > Canada > British Colombia > Contemporary Art Gallery (Vancouver)
Event Title: The Blue Hour : Joi T. Arcand, Kapwani Kiwanga, Colin Miner, Grace Ndiritu, Kara Uzelman
Type: Exhibition
Location: Contemporary Art Gallery (Vancouver, BC)
Dates: 6 Apr. - 24 June 2018
Keywords: DRAWING; SCULPTURE; PHOTOGRAPHY
Copyright Statement: Contemporary Art Gallery, Vancouver
Related URLs:
Notes:

Catalogue of various events of the Contemporary Art Gallery.
Includes an events calendar.

Deposited by: Contractuel Artexte
Date Deposited: 08 Sep 2018 17:18
Last Modified: 08 Sep 2018 17:18
URI: http://e-artexte.ca/id/eprint/29688
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