Three Women Curators // first peoples person's point of view

Claxton, Dana; Niro, Shelly; Sunrise, Shawna Shandiin. Three Women Curators // first peoples person's point of view. Toronto, Ont.: Vtape, 2002.

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Abstract (English)

"There are storytellers and there are story sharers. This program is about the women who choose to share. [...] Within the last four years I've seen a tremendous amount of new works being created by Aboriginal women. This shift may be a reflection of the world around us. Some say a shift forward, I say a shift backwards. Traditionally Aboriginal cultures were guided by the knowledge of its women. imagineNATIVE is honoured that three highly respected women have agreed to share their thoughts around programming this year's festival. We asked each to keep a journal to document their ideas and processes as they arrived at their selections. This catalogue is a summary of their journals." -- p. 2.

Types:	Catalogues > Event catalogues
All Contributors:	Lickers, Cynthia (Prefacer); Claxton, Dana (Author); Niro, Shelly (Author); Sunrise, Shawna Shandiin (Author); imagineNATIVE Film and Media Arts Festival
Dossier:	390 - VTAPE (Toronto, Ont.)
Language of Publication:	English
Publishers:	Toronto, Ont.: Vtape
Artists:	Adair, John; Benally, Susie; Claxton, Dana; Loft, Steve; Morse, Nora Noranjo; Mose, Don; Raven Heart Collective; Sunrise, Shawna S.; Tsinhnahjinnie, Hulleah; Worth, Sol; [et alii]
Critics / Curators / Historians:	Claxton, Dana; Niro, Shelly; Sunrise, Shawna Shandiin
Art Organizations:	Misc. Organizations > Vtape (Toronto, Ont.)
Event Title:	Three Women Curators
Type:	Exhibition
Dates:	2002
Keywords:	ABORIGINAL ART; MEDIA ART; VIDEO; WOMEN ARTISTS
Copyright Statement:	Vtape; imagineNATIVE Media Arts Festival
Related URLs:	http://www.vtape.org/ http://www.imaginenative.org/
Notes:	The word "peoples" on the original title is strikethrough. Includes program notes p. 16, 18-20, 39.
Deposited by:	Contractuel Artexte
Date Deposited:	26 Jan 2019 17:07
Last Modified:	26 Jan 2019 17:07
URI:	http://e-artexte.ca/id/eprint/30187

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