Residue : Tracing the Lore

Lowry, Glen. Residue : Tracing the Lore. Toronto, Ont.: Open Studio, 2016.

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Abstract (English)

"The process of the making the imprint is intimate and fleeting: a tile is chosen, then strapped on to the body. When the strap is loosened and the tile removed revealing the image, the body immediately readjusts and the skin begins to regain its original shape. The imprints are ephemeral and in flux, lasting mere minutes. They are documented before the pattern loses its crispness. The resulting photographs focus closely on the embossed skin and its imperfections: hair, pores and moles intermingling ornamental fragments.

The works in Residue reflect multiple transferences of imagery, from drawing to object to print to photograph. A series of relief tiles are translated from sketches into 3D-printed tiles that are then blind embossed into skin. The resulting impression is documented through photography, and digitally printed onto paper. Through exploration of these processes, Residue: Tracing The Lore is an investigation into the language of printmaking’s material possibilities, as well as its function as a means for the transference of ideas and images." -- Publisher's website.

Types: Catalogues > Exhibition catalogues
All Contributors: Lowry, Glen (Author)
Dossier: 351 - OPEN STUDIO (Toronto)
Collation: 6 pages : colour illustrations ; 35 cm x 22 cm folded 22 cm x 12 cm
Language of Publication: English
Publishers: Toronto, Ont.: Open Studio
Artists: Achjadi, Diyan; Tang, Brendan
Event Title: Residue: Tracing the Lore
Type: Exhibition
Location: Open Studio (Toronto, Ontario)
Dates: 16 September - 15 October 2016
Keywords: SKIN; TRADITION; PRINTMAKING; FAMILY
Copyright Statement: Open Studio; the artists; the author
Related URLs:
Deposited by: Artexte Stagiaire
Date Deposited: 18 Mar 2021 14:44
Last Modified: 18 Mar 2021 14:44
URI: http://e-artexte.ca/id/eprint/32485
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