Marcel Broodthaers

Goldwater, Marge; Compton, Michael; Crimp, Douglas; Jenkins, Bruce; Mosebach, Martin. Marcel Broodthaers. Minneapolis, MN: Walker Art Center; New York, NY: Rizzoli, 1989.

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Abstract (English)

In a biographical account, Compton traces the influences of Surrealism, Marxism and Pop Art on Broodthaers' work. Crimp writes that by acknowledging the status of art as a commodity and the museum as art's institutional frame, Broodthaers demonstrates how museums reinforce bourgeois ideologies. Jenkins discusses the artist's films. Circa 200 bibl. ref.

Types:	Catalogues > Exhibition catalogues
All Contributors:	Goldwater, Marge (Curator); Goldwater, Marge (Author); Compton, Michael (Curator); Compton, Michael (Author); Crimp, Douglas (Author); Jenkins, Bruce (Author); Mosebach, Martin (Author)
Dossier:	440 - BROODTHAERS, MARCEL
Collation:	226 p. : 193 ill. (66 col.) ; 26 x 26 cm
ISBN:	0847810518
Language of Publication:	English
Publishers:	Minneapolis, MN: Walker Art Center; New York, NY: Rizzoli
Artists:	Broodthaers, Marcel
Critics / Curators / Historians:	Goldwater, Marge; Compton, Michael
Event Statement:	Exhibition organized by the Walker Art Center in association with the Palais des Beaux-Arts (Bruxelles). - Itinerary: Apr. 1989 - June 1990, Walker Art Center (Minneapolis) ; Los Angeles Museum of Contemporary Art ; Museum of Art, Carnegie Institute (Pittsburgh) ; Palais des Beaux-Arts (Brussels).
Deposited by:	Users 1 not found.
Date Deposited:	25 Oct 1990
Last Modified:	25 Oct 2012 13:35
URI:	http://e-artexte.ca/id/eprint/3485

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