Jean-Marie Delavalle : The Mirror, Method and Meaning in Monochrome

Campbell, James D.. Jean-Marie Delavalle : The Mirror, Method and Meaning in Monochrome. Toronto, Ont.: Christopher Cutts Gallery, 1993.

	On-site consultation

Abstract (English)

Campbell concentrates on Delavalle's recent works involving monochrome surfaces, situated at the intersection of painting and sculpture. The author refers to Lacan's notion of the "mirror-stage" and discusses the work conceived as a "physiognomic field." 12 bibl. ref.

Résumé

Campbell s'attache aux travaux récents de Delavalle dotés de surfaces monochromes et situés à l'intersection de la peinture et de la sculpture. L'auteur fait référence à la notion lacanienne du "stade du miroir" et discute d'une conception de l'oeuvre en tant que "champ physiognomique". 12 réf. bibl.

Types:	Catalogues > Exhibition catalogues
All Contributors:	Campbell, James D. (Author)
Dossier:	410 - DELAVALLE, JEAN-MARIE
Collation:	47 p. : 14 ill. (9 col.) ; 23 x 18 cm
ISBN:	0969654804
Language of Publication:	English; French
Publishers:	Toronto, Ont.: Christopher Cutts Gallery
Artists:	Delavalle, Jean-Marie
Event Statement:	Exhibition probably presented in 1993, Christopher Cutts Gallery (Toronto).
Keywords:	MIROIR; MIRROR; MINIMALISM; MINIMALISME; MONOCHROMIE; MONOCHROME
Deposited by:	Users 1 not found.
Date Deposited:	11 Nov 1993
Last Modified:	13 Apr 2012 15:23
URI:	http://e-artexte.ca/id/eprint/5910

Edit this item (login required):