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Zacharopoulos, Denys. De la main à la tête, l'objet théorique / Douze oeuvres dans l'espace = From the Hand to the Head, the Theorical Object / Twelve Artworks into Space. Gand, Belgique: Éditions La Chambre, 1993.
DOSSIER: 381 - FRANCE - DOMAINE DE KERGUÉHENNEC (Locmine)
Buchloh, Benjamin H.D.. Essais historiques I : Art moderne. Villeurbanne, France: Art édition, 1992.
DOSSIER: 480 - BUCHLOH, BENJAMIN H.D.
Block, René and Block, Ursula and Glasmeier, Michael and Adorno, Theodor W. and Moholy Nagy, Laszlo and Dubuffet, Jean and Zeller, Hans Rudolf and Knizak, Milan and Seiffert, Christiane. Broken Music : Artists' Recordworks. Berlin, Allemagne: Berliner Künstlerprogramm des DAAD; s.l.: gelbe Musik Berlin, 1989.
DOSSIER: 800 - MUSIQUE / MUSIC
Anon.. Calendrier des expositions itinérantes, programme international, printemps 1985 = Travelling Exhibitions Calendar, International Programme, Spring 1985. Ottawa, Ont.: National Museums of Canada/Musées nationaux du Canada, 1985.
DOSSIER: 311 - CANADA - MUSÉES NATIONAUX / NATIONAL MUSEUMS (Ottawa)
Burnham, Jack. Beyond Modern Sculpture : The Effects of Science and Technology on the Sculpture of this Century. 6th. New York, Ny: George Braziller, 1982.
DOSSIER: 800 - SCULPTURE
Krauss, Rosalind E.. Passages in Modern Sculpture. Cambridge, MA: MIT Press, 1981.
DOSSIER: 800 - SCULPTURE
Selz, Peter and Taylor, Joshua C. and Cézanne, Paul and Van Gogh, Vincent and Gauguin, Paul and Aurier, G.-Albert and Denis, Maurice and Hodler, Ferdinand and Ensor, James and Munch, Edvard and Redon, Odilon and Van de Velde, Henry and Rousseau, Henri and Matisse, Henri and Vlaminck, Maurice and Nolde, Emil and Kandinsky, Wassily and Kokoschka, Oskar and Kirchner, Ernst Ludwig and Marc, Franz and Klee, Paul and Beckmann, Max and Salmon, André and Gleizes, Albert and Metzinger, Jean and Apollinaire, Guillaume and Kahnweiler, Daniel-Henry and Braque, Georges and Gris, Juan and Léger, Fernand and Marinetti, F.t. and Boccioni, Umberto and Carra, Carlo and Delaunay, Robert and Wright, Stanton MacDonald and Mondrian, Piet and Van Doesburg, Theo and Gabo, Naum and Malevich, Kasimir and Brancusi, Constantin and Huelsenbeck, Richard and Schwitters, Kurt and Tzara, Tristan and Arp, Jean and Duchamp, Marcel and Hoch, Hannah and De Chirico, Giorgio and Breton, André and Dali, Salvador and Masson, André and Trotsky, Leon and Davis, Stuart and Cahill, Holger and Hitler, Adolf and Ernst, Max and Miro, Joan and Chagall, Marc and Picasso, Pablo and Motherwell, Robert and Rosenberg, Harold and Kemenov, Vladimir and Dondero, George A. and Argan, Guilio Carol and Henri, Robert and Hartley, Marsden and Marin, John and Gorky, Arshile and Hofmann, Hans and Gottlieb, Adolph and Rothko, Mark and Pollock, Jackson and Newman, Barnett and Ferber, Herbert and De Kooning, Willem and Baizerman, Saul and Roszak, Theodore and Rosenberg, Harold and De Kooning, Elaine and Finkelstein, Louis and Ferren, John and Still, Clyfford and Stankiewicz, Richard and Smith, David and Greenberg, Clement and Geist, Sidney and Kramer, Hilton and Oldenburg, Claes and Rickey, George and Moore, Henry and Giacometti, Alberto and Tapié, Michel and Hajdu, Etienne and Uhlmann, Hans and Dubuffet, Jean and Paolozzi, Eduardo and Bacon, Francis and Boriani, Davide and King, Phillip and Matta and Constant. Theories of Modern Art : A Source Book by Artists and Critics. Los Angeles, CA: University of California Press, 1968.
DOSSIER: 100 - THÉORIE / THEORY