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Number of items: 18.

Johnstone, Christopher. Fifty 20th Century Artists in the Scottish National Gallery of Modern Art. [Edinburgh, Scotland?]: National Galleries of Scotland.
DOSSIER: 381 - GRANDE-BRETAGNE - SCOTTISH NATIONAL GALLERY OF MODERN ART (Édimbourg)
Thom, Ian M. and Laurence, Robin and Tousley, Nancy. Ann Kipling. Vancouver, BC: Vancouver Art Gallery, 1995.
DOSSIER: 410 - KIPLING, ANN
Herzog, Hans-Michael and Schneider, Norbert and Sachsse, Rolf and Borchardt, Rudolf. Blumenstücke Kunststücke. Bielefeld, Allemagne: Edition Stemmle, 1995.
DOSSIER: 381 - ALLEMAGNE - KUNSTHALLE BIELEFELD (Bielefeld)
Bernadac, Marie-Laure and Marcadé, Bernard and Acker, Kathy and McEvilley, Thomas and Lebel, Jean-Jacques and Ramirez, Julio Antonio and Taylor, Michael and Wilson, Sarah and Warner, Marina and Krauss, Rosalind and Hollier, Denis and Storr, Robert and Lascault, Gilbert and de Duve, Thierry and Pabst, Angelica and Curiger, Bice. Féminin/masculin : Le sexe de l'art. Paris, France: Centre Georges Pompidou; s.l.: Gallimard/Electa, 1995.
DOSSIER: 381 - FRANCE - CENTRE GEORGES POMPIDOU (Paris)
Sers, Philippe and Le Bot, Marc and Meschonnic, Henri and Curnier, Jean Paul. Le dialogue avec l'oeuvre : Art et critique. Bruxelles, Belgique: La Lettre Volée, 1995.
DOSSIER: 800 - CRITIQUE D'ART & COMMISSARIAT / ART CRITICISM & CURATING
Domecq, Jean-Philippe. Artistes sans art? Paris, France: Éditions Esprit, 1994.
DOSSIER: 100 - THÉORIE / THEORY
Klee, Paul. K & K : Klee e Kandinskij. Milan, Italie: Galleria Blu, 1994.
DOSSIER: 381 - ITALIE - GALLERIA BLU (Milan)
Barou, Jean-Pierre. L'oeil pense : Essai sur les arts primitifs contemporains. Paris, France: Éditions Balland, 1993.
DOSSIER: 700 - ART PRIMITIF / PRIMITIVE ART
Anon.. Parallel Visions : Modern Artists and Outsider Art. Los Angeles, CA: Los Angeles County Museum of Art, 1992.
DOSSIER: 360 - LOS ANGELES COUNTY MUSEUM OF ART (LACMA, Los Angeles, CA)
Greenberg, Clement. Art et culture : Essais critiques. Paris, France: Macula, 1988.
DOSSIER: 480 - GREENBERG, CLEMENT
Daval, Jean-Luc and Daval, Diane. Histoire de la peinture abstraite. Paris, France: Éditions Hazan, 1988.
DOSSIER: 800 - PEINTURE / PAINTING
Lyotard, Jean-François. Que peindre? : Adams Arakawa Buren : I, II - Oeuvres. Paris, France: Éditions de La Différence, 1987.
DOSSIER: 480 - LYOTARD, JEAN-FRANÇOIS
Dagenais, Yves and Lamarre, Bernard and Jarislowsky, Stephen A. and Charette, Fortier, Hawey & Cie and Touche Ross & Cie. Musée des beaux-arts de Montréal : Rapport annuel 1985-1986 = Montreal Museum of Fine Arts : Annual Report 1985-1986. Montréal, Qc: Musée des beaux-arts de Montréal/The Montreal Museum of Fine Arts, 1986.
DOSSIER: 330 - MUSÉE DES BEAUX-ARTS DE MONTRÉAL / THE MONTREAL MUSEUM OF FINE ARTS (Montréal)
Gagnon, Paulette and Landry, Pierre and Bélisle, Josée and Blouin, René and Bouchard, Lucette and Gilbert, Sylvie and Godmer, Gilles and Grant Marchand, Sandra and Lemire, Suzanne and Lévy, Charles and Lussier, Réal. Les vingt ans du Musée à travers sa collection. Montréal, Qc: Musée d'art contemporain de Montréal, 1985.
DOSSIER: 330 - MUSÉE D'ART CONTEMPORAIN (Montréal)
Bonfand, Alain and Labrot, Gérard and Marion, Jean-Luc. Trois essais sur la perspective. Paris, France: Éditions de la Différence; Angoulême, France: s.n., 1985.
DOSSIER: 100 - THÉORIE / THEORY
Krauss, Rosalind. Grids : Format and Image in 20th Century Art. New York, NY: The Pace Gallery, 1980.
DOSSIER: 360 - PACE GALLERY, The (New York, NY)
Leo, Peter. Museum Bochum Kunstsammlung 1960-1970. Bochum, Allemagne: Museum Bochum, 1970.
DOSSIER: 381 - ALLEMAGNE - MUSEUM BOCHUM, KUNSTSAMMLUNG (Bochum)
Selz, Peter and Taylor, Joshua C. and Cézanne, Paul and Van Gogh, Vincent and Gauguin, Paul and Aurier, G.-Albert and Denis, Maurice and Hodler, Ferdinand and Ensor, James and Munch, Edvard and Redon, Odilon and Van de Velde, Henry and Rousseau, Henri and Matisse, Henri and Vlaminck, Maurice and Nolde, Emil and Kandinsky, Wassily and Kokoschka, Oskar and Kirchner, Ernst Ludwig and Marc, Franz and Klee, Paul and Beckmann, Max and Salmon, André and Gleizes, Albert and Metzinger, Jean and Apollinaire, Guillaume and Kahnweiler, Daniel-Henry and Braque, Georges and Gris, Juan and Léger, Fernand and Marinetti, F.t. and Boccioni, Umberto and Carra, Carlo and Delaunay, Robert and Wright, Stanton MacDonald and Mondrian, Piet and Van Doesburg, Theo and Gabo, Naum and Malevich, Kasimir and Brancusi, Constantin and Huelsenbeck, Richard and Schwitters, Kurt and Tzara, Tristan and Arp, Jean and Duchamp, Marcel and Hoch, Hannah and De Chirico, Giorgio and Breton, André and Dali, Salvador and Masson, André and Trotsky, Leon and Davis, Stuart and Cahill, Holger and Hitler, Adolf and Ernst, Max and Miro, Joan and Chagall, Marc and Picasso, Pablo and Motherwell, Robert and Rosenberg, Harold and Kemenov, Vladimir and Dondero, George A. and Argan, Guilio Carol and Henri, Robert and Hartley, Marsden and Marin, John and Gorky, Arshile and Hofmann, Hans and Gottlieb, Adolph and Rothko, Mark and Pollock, Jackson and Newman, Barnett and Ferber, Herbert and De Kooning, Willem and Baizerman, Saul and Roszak, Theodore and Rosenberg, Harold and De Kooning, Elaine and Finkelstein, Louis and Ferren, John and Still, Clyfford and Stankiewicz, Richard and Smith, David and Greenberg, Clement and Geist, Sidney and Kramer, Hilton and Oldenburg, Claes and Rickey, George and Moore, Henry and Giacometti, Alberto and Tapié, Michel and Hajdu, Etienne and Uhlmann, Hans and Dubuffet, Jean and Paolozzi, Eduardo and Bacon, Francis and Boriani, Davide and King, Phillip and Matta and Constant. Theories of Modern Art : A Source Book by Artists and Critics. Los Angeles, CA: University of California Press, 1968.
DOSSIER: 100 - THÉORIE / THEORY