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Number of items: 17.

Uzel, Jean-Philippe. Michel de Broin : Matière dangereuse. Montréal, Qc: Centre des arts actuels Skol, 1999.
DOSSIER: 410 - DE BROIN, MICHEL
Heinich, Nathalie and Kaenel, Philippe and Sonolet, Daglind and Segré, Monique and Péquignot, Bruno and Keller, Jean-Pierre and Gaav, Ludmila and Darré, Yann and Wolf, Laurent and Ducret, André and Hennion, Antoine and Van der Gucht, Daniel and Gonzalez Martinez, Esther. "Sociologie de l'art." Sociologie de l'art: 7. (1994).
McEvilley, Thomas. The Exile's Return : Toward a Redefinition of Paintings for the Post-Modern Era. Cambridge, MA: Cambridge University Press, 1993.
DOSSIER: 800 - PEINTURE / PAINTING
Anon.. Foire du 4 : Biennale du 4 en Limousin 1993, Pays-Paysage, Uzerche. Uzerche, France: Pays-Paysage, 1993.
DOSSIER: 500 - BIENNALE DU LIVRE D'ARTISTE (Uzerche, Corrèze, France)
Barou, Jean-Pierre. L'oeil pense : Essai sur les arts primitifs contemporains. Paris, France: Éditions Balland, 1993.
DOSSIER: 700 - ART PRIMITIF / PRIMITIVE ART
Couture, Francine and Couture, Francine and Arbour, Rose Marie and Carani, Marie and Hébert, Marie-Sylvie and Lemerise, Suzanne. Les arts visuels au Québec dans les années soixante : La reconnaissance de la modernité. Montréal, Qc: VLB Éditeur, 1993.
DOSSIER: 600 - QUÉBEC (Province de) / QUEBEC (Province of)
Buchloh, Benjamin H.D.. Essais historiques I : Art moderne. Villeurbanne, France: Art édition, 1992.
DOSSIER: 480 - BUCHLOH, BENJAMIN H.D.
Royoux, Jean-Christophe and Albéra, François and Blistène, Bernard and Bourel, Michel and Chevrier, Jean-François and Marcadé, Jean-Claude and Martin, Jean-Hubert and Riout, Denys. Qu'est-ce que l'art au 20ème siècle? Jouy-en-Josas, France: Fondation Cartier pour l'art contemporain; Paris, France: s.n., 1992.
DOSSIER: 100 - THÉORIE / THEORY
Vallier, Dora and Sers, Philippe and Marcadé, Jean-Claude and Conio, Gérard and Soucy, Pierre-Yves. L'art abstrait : L'au-delà de la figuration. Bruxelles, Belgique: La Lettre volée, 1991.
DOSSIER: 100 - THÉORIE / THEORY
Compagnon, Antoine. Les cinq paradoxes de la modernité. Paris, France: Seuil, 1990.
DOSSIER: 700 - MODERNISME ET POSTMODERNISME / MODERNISM AND POSTMODERNISM
Viatte, Germain and Damisch, Hubert and Siméoni, Charles-Eric and Lista, Giovanni and Clair, Jean and De Haas, Patrick and Alvarez de Toledo, Sandra and Derouet, Christian and Marcadé, Jean-Claude and Passuth, Krizstina and Bernadac, Marie-Laure and Vovelle, José and Wilson, Sarah and Michelson, Annette and Blistène, Bernard and Fleischer, Alain. Peinture - cinéma - peinture. Paris, France: Éditions Hazan; Marseille, France: La Direction des Musées de Marseille, 1989.
DOSSIER: 800 - PEINTURE / PAINTING
Kosuth, Joseph and Huys, Marcel and Köb, Edelbert. Wittgenstein : The Play of the Unsayable = Wittgenstein : Het Spel van het Naamloze. Vienna, Austria: Wiener Secession, 1989.
DOSSIER: 381 - BELGIQUE - PALAIS DES BEAUX-ARTS DE BRUXELLES (Bruxelles)
Brougher, Kerry. The Image of Abstraction. Los Angeles, CA: The Museum of Contemporary Art, 1988.
DOSSIER: 360 - MUSEUM OF CONTEMPORARY ART (Los Angeles, CA)
Herzogenrath, Wulf and Herzogenrath, Wulf and Young, La Monte and Zazeela, Marian and Kounelis, Jannis and Ruhrberg, Karl and Haftmann, Werner and Henck, Herbert and Roeder, Margarete and Sandner, Wolfgang and Engelhard, Günter and Friedel, Helmut. Raum Zeit Stille. Cologne, Allemagne: Kölnischer Kunstverein, 1985.
DOSSIER: 381 - ALLEMAGNE - KOLNISCHER KUNSTVEREIN (Cologne)
Gagnon, Paulette. Constructivisme et avant-garde russe. Montréal, Qc: Musée d'art contemporain de Montréal, 1982.
DOSSIER: 330 - MUSÉE D'ART CONTEMPORAIN (Montréal)
Selz, Peter and Taylor, Joshua C. and Cézanne, Paul and Van Gogh, Vincent and Gauguin, Paul and Aurier, G.-Albert and Denis, Maurice and Hodler, Ferdinand and Ensor, James and Munch, Edvard and Redon, Odilon and Van de Velde, Henry and Rousseau, Henri and Matisse, Henri and Vlaminck, Maurice and Nolde, Emil and Kandinsky, Wassily and Kokoschka, Oskar and Kirchner, Ernst Ludwig and Marc, Franz and Klee, Paul and Beckmann, Max and Salmon, André and Gleizes, Albert and Metzinger, Jean and Apollinaire, Guillaume and Kahnweiler, Daniel-Henry and Braque, Georges and Gris, Juan and Léger, Fernand and Marinetti, F.t. and Boccioni, Umberto and Carra, Carlo and Delaunay, Robert and Wright, Stanton MacDonald and Mondrian, Piet and Van Doesburg, Theo and Gabo, Naum and Malevich, Kasimir and Brancusi, Constantin and Huelsenbeck, Richard and Schwitters, Kurt and Tzara, Tristan and Arp, Jean and Duchamp, Marcel and Hoch, Hannah and De Chirico, Giorgio and Breton, André and Dali, Salvador and Masson, André and Trotsky, Leon and Davis, Stuart and Cahill, Holger and Hitler, Adolf and Ernst, Max and Miro, Joan and Chagall, Marc and Picasso, Pablo and Motherwell, Robert and Rosenberg, Harold and Kemenov, Vladimir and Dondero, George A. and Argan, Guilio Carol and Henri, Robert and Hartley, Marsden and Marin, John and Gorky, Arshile and Hofmann, Hans and Gottlieb, Adolph and Rothko, Mark and Pollock, Jackson and Newman, Barnett and Ferber, Herbert and De Kooning, Willem and Baizerman, Saul and Roszak, Theodore and Rosenberg, Harold and De Kooning, Elaine and Finkelstein, Louis and Ferren, John and Still, Clyfford and Stankiewicz, Richard and Smith, David and Greenberg, Clement and Geist, Sidney and Kramer, Hilton and Oldenburg, Claes and Rickey, George and Moore, Henry and Giacometti, Alberto and Tapié, Michel and Hajdu, Etienne and Uhlmann, Hans and Dubuffet, Jean and Paolozzi, Eduardo and Bacon, Francis and Boriani, Davide and King, Phillip and Matta and Constant. Theories of Modern Art : A Source Book by Artists and Critics. Los Angeles, CA: University of California Press, 1968.
DOSSIER: 100 - THÉORIE / THEORY
Artstudio.: 16. s.l.: s.n.