Visual Evidence

Jenkner, Ingrid. Visual Evidence. Regina, Sask.: Dunlop Art Gallery, 1993.

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Abstract (English)

Jenkner investigates the conception of art as visual evidence in the discourse on truth and the gallery as a site of epistemological enquiry (examining such topics as the credibility of photographic evidence and the "objectivity" of police photographs) and proposes "critical fictions" that attempt to expose their own illusionism. Biographical notes on 14 artists. 8 bibl. ref.

Types: Catalogues > Exhibition catalogues
All Contributors: Jenkner, Ingrid (Author)
Dossier: 355 - DUNLOP ART GALLERY (Regina)
Collation: 38 p. : 28 ill. ; 28 x 24 cm
ISBN: 0920085687
Language of Publication: English
Publishers: Regina, Sask.: Dunlop Art Gallery
Artists: Ayearst, Sheila; Carr-Harris, Ian; Clay, Allyson; Davis, Christine; Denniston, Stan; Gurney, Janice; Jodoin, Andre; Bill, Jones; Morris, Regan; Paquet, Claire; Paquet, Suzanne; Poitras, Edward; Traer, Patrick; Van Halm, Renee
Art Organizations: Dunlop Art Gallery (Regina)
Event Statement: Exhibition dates: 16 Oct. - 28 Nov. 1993, Dunlop Art Gallery (Regina).
Keywords: EVIDENCE; DOCUMENTARY PHOTOGRAPHY; FICTION; EPISTEMOLOGY
Deposited by: e-Artexte administrator
Date Deposited: 25 Jan 1994
Last Modified: 25 Oct 2012 13:41
URI: http://e-artexte.ca/id/eprint/6060
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