Christian Eckart : Disturbing Abstraction

Cheetham, Mark A.; Harvey, Elizabeth D.; Patton, Andy; Mennekes, Friedhelm; Eckart, Christian. Christian Eckart : Disturbing Abstraction. London, Ont.: ArtLab, The University of Western Ontario, 1996.

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Abstract (English)

Four essayists approach Calgary-born Eckart's series of works through a range of themes related to the making and critical reception of this leading young abstract artist's constructed "paintings": place, the sublime, the traditions of painting, abstraction, and monochrome; the icon; corporeality; the mystical. Includes an essay where Eckart comments on "zero-projects" as virtual depictions of God. Biographical notes on artist and authors. Bibl. 2 p.

Types:	Catalogues > Exhibition catalogues
All Contributors:	Cheetham, Mark A. (Curator); Cheetham, Mark A. (Author); Harvey, Elizabeth D. (Author); Patton, Andy (Author); Mennekes, Friedhelm (Author); Eckart, Christian (Artist); Eckart, Christian (Author)
Dossier:	420 - ECKART, CHRISTIAN
Collation:	60 p. : 18 ill. col. ; 28 x 22 cm
ISBN:	077141921X
Language of Publication:	English
Publishers:	London, Ont.: ArtLab, The University of Western Ontario
Artists:	Eckart, Christian
Critics / Curators / Historians:	Cheetham, Mark A.
Event Statement:	Itinerary: 14 Nov. 1996 - 14 June 1998, ArtLab (London, Ont.) ; Art Gallery of North York (Toronto) ; Nickle Arts Museum (Calgary) ; MacKenzie Art Gallery (Regina) ; Art Gallery of Windsor ; Edmonton Art Gallery.
Keywords:	ABSTRACTION; PAINTING; ICON; BODY; SUBLIME; CHEETHAM, MARK A.; HARVEY, ELIZABETH D.; MENNEKES, FRIEDHELM
Deposited by:	Users 1 not found.
Date Deposited:	04 Jan 1997
Last Modified:	25 Oct 2012 13:53
URI:	http://e-artexte.ca/id/eprint/10765

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