Postproduction : Culture as Screenplay : How Art Reprograms the World

Bourriaud, Nicolas. Postproduction : Culture as Screenplay : How Art Reprograms the World. New York, NY: Lukas & Sternberg, 2002.

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Abstract (English)

Bourriaud deploys the technical term of postproduction to refer to contemporary art practices that create artworks based on preexisting works. Surveying contemporary art in the 1990s and focusing on a select group of artists, Bourriaud evinces a culture of use that positions artworks as temporary loci in a network of elements. He concludes by arguing that it is the viewer’s task to bring these relations to light. 29 bibl. ref.

Types:	Anthologies, essays, collections
All Contributors:	Bourriaud, Nicolas (Author)
Dossier:	100 - THÉORIE / THEORY
Collation:	96 p. ; 11 x 17 cm
ISBN:	0971119309
Language of Publication:	English
Publishers:	New York, NY: Lukas & Sternberg
Artists:	Cattelan, Maurizio; Gillick, Liam; Gonzalez-Foerster, Dominique; Huyghe, Pierre; Joseph, Pierre; Parreno, Philippe; Tiravanija, Rirkrit; Armleder, John; Bulloch, Angela; Dejanov, Plamen; Du, Wang; Duchamp, Marcel; Fleury, Sylvie; General Idea (Collective); Gonzalez-Torres, Felix; Gordon, Douglas; Grigely, Joseph; Hains, Raymond; Heger, Swetlana; Kelly, Mike; Koons, Jeff; Kusolwong, Surasi; Lavier, Bertrand; Pardo, Jorge; Pflumm, Daniel; Rhoades, Jason
Keywords:	APPROPRIATION; POSTMODERNISM; TECHNOLOGY; THEORY; CONTEMPORARY ART; AUTHORSHIP; CINEMA; COLLABORATION; CONCEPTUAL ART; DESIRE; FRAMING; MASS MEDIA; MINIMALISM; NARRATIVE; POP ART; READYMADE; SPACE; CAPITALISM; COMMERCE; CONSUMPTION; DATABASE; DÉTOURNEMENT; DJ; ECONOMICS; INTERNET; LABOUR; MATERIALITY; NETWORK; OPENNESS; ORIGINALITY; PRODUCTION; PROGRESS; REAL, THE; RECEPTION; RELATIONAL AESTHETICS; REMIX; BARA, GUILLAUME; DELEUZE, GILLES; GREENBERG, CLEMENT
Notes:	Translation from French, see doc. no. 20934.
Deposited by:	Users 1 not found.
Date Deposited:	03 Mar 2004
Last Modified:	06 Nov 2013 21:07
URI:	http://e-artexte.ca/id/eprint/14872

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