Between You and Me

Deadman, Patricia; Prince, Debra. Between You and Me. London, Ont.: Museum London, 2002.

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Abstract (English)

This exhibition of First Nations artists addresses issues like reclamation, displacement and community. The 10 artists contribute descriptive and poetic texts on their work, while Deadman claims their practices create a new artistic language defined by native values, traditions and histories. Recounting her personal history, Prince describes the institutionalised and internalised racism and sexism she has confronted as an Aboriginal woman, as well as her experiences pursuing a career in the arts. List of works; exhibition floor plan Biographical notes. 24 bibl. ref.

Types:	Catalogues > Exhibition catalogues
All Contributors:	Deadman, Patricia (Curator); Deadman, Patricia (Artist); Deadman, Patricia (Author); Prince, Debra (Author); Meehan, Brian (Prefacer)
Dossier:	351 - MUSEUM LONDON (London)
Collation:	66 p. : 31 ill. (29 col.) ; 23 x 21 cm
ISBN:	1895800730
Language of Publication:	English
Publishers:	London, Ont.: Museum London
Artists:	Claus, Hannah; Clermont, Lori; Fontaine, Tim; Henry, Heather; Littlechild, George; Mcleod, Neal; Fair Skinned Indian Productions (Collective); Monkman, Kent; Nicolson, Marianne; Roussin, Thomas; Deadman, Patricia
Critics / Curators / Historians:	Deadman, Patricia
Art Organizations:	Exhibition Centres > Canada > Ontario > Museum London (London)
Event Statement:	Exhibition dates: 15 June - 18 Aug. 2002, Museum London.
Keywords:	NATIVE ART; FIRST NATIONS CULTURE; BEADWORK; BODY; FIBRE ART; HISTORY; INSTALLATION; MEMORY; MODERNISM; PAINTING; PHOTOGRAPHY; PORTRAIT; PROJECTION; RACISM; SEXUALITY; TRADITION; VIDEO; ABUSE; ASSIMILATION; CANADIAN ART MILIEU; CHRISTIANITY; COLONIALISM; COMMUNITY; CULTURAL DIFFERENCE; CYANOTYPE; DIGITAL IMAGE; EDUCATION; EXPERIENCE; FAMILY; HYBRIDITY; IDENTITY; IMAGE AND TEXT; KNOWLEDGE; LOSS; MARGINALITY; PROPERTY; TRANSFORMATION; TRUTH
Deposited by:	Users 1 not found.
Date Deposited:	26 Aug 2003
Last Modified:	13 Apr 2012 21:53
URI:	http://e-artexte.ca/id/eprint/15921

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