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Osborne, Peter and Duchamp, Marcel and Cage, John and Klein, Yves and Kaprow, Allan and Morris, Robert and Johns, Jasper and Maciunas, George and Beckett, Samuel and Ono, Yoko and Latham, John and Goodman, Nelson and Acconci, Vito and Piper, Adrian and Lewin, Curt and Kubler, George and Lewitt, Sol and Bochner, Mel and Burnham, Jack and Lippard, Lucy R. and Chandler, John and Atkinson, Terry and Kozlowski, Jaroslaw and Buchloh, Benjamin H. D. and Saussure, Ferdinand de and Wittgenstein, Ludwig and Kuhn, Thomas S. and Smithson, Robert and Barry, Robert and Huebler, Douglas and Kosuth, Joseph and Siegelaub, Seth and Weiner, Lawrence and Burn, Ian and Cutforth, Roger and Ramsden, Mel and Burgin, Victor and Drucker, Johanna and Debord, Guy and Goffman, Erving and Clark, Lygia and Metzger, Gustav and Ehrenzweig, Anton and Ukeles, Mierle Laderman and Graham, Dan and Wall, Jeff and Steveni, Barbara and Marx, Karl and Barthes, Roland and Costa, Eduardo and Escari, Raul and Jacoby, Roberto and Oiticica, Hélio and Marcuse, Herbert and Meireles, Cildo and Parker, Roszika and Kelly, Mary and Rosler, Martha and Alberro, Alexander and Adorno, Theodor W. and Horkheimer, Max and Malraux, André and Claura, Michel and Buren, Daniel and O'Doherty, Brian and Asher, Michael and Baudrillard, Jean and Foster, Hal and Newman, Michael and Art & Language. Conceptual Art. London, England: Phaidon Press, 2002.
DOSSIER: 700 - MOUVEMENT - ART CONCEPTUEL / MOVEMENT - CONCEPTUAL ART
Alberro, Alexander and Stimson, Blake and Atkinson, Terry and Baldwin, Michael and Barry, Robert and Battcock, Gregory and Bochner, Mel and Bode, Sigmund and Broodthaers, Marcel and Buchloh, Benjamin H. D. and Buren, Daniel and Burgin, Victor and Burn, Ian and Burnham, Jack and Camnitzer, Luis and Chandler, John and Charlesworth, Sarah and Claura, Michel and Clay, Jean and Corris, Michael and Costa, Eduardo and Crow, Thomas and Darboven, Hanne and Escari, Raúl and Gilardi, Piero and Graham, Dan and Gramuglio, María Teresa and Haacke, Hans and Harrison, Charles and Jacoby, Roberto and Kelly, Mary and Kosuth, Joseph and Kozloff, Max and Kozlov, Christine and Lewitt, Sol and Lippard, Lucy R. and Lozano, Lee and McShine, Kynaston and Meireles, Cildo and Mosset, Olivier and Murphy, John and O'Doherty, Brian and Oiticica, Hélio and Parmentier, Michel and Piper, Adrian and Rainer, Yvonne and Ramírez, Mari Carmen and Rosa, Nicolás and Rosenberg, Harold and Rosler, Martha and Sekula, Allan and Smith, Terry and Smithson, Robert and Spear, Athena Tacha and Toroni, Niele and Ukeles, Mierle Laderman and Wall, Jeff and Wedewer, Rolf and Wilson, Ian and Art and Language. Conceptual Art : A Critical Anthology. Cambridge, MA: MIT Press, 1999.
DOSSIER: 700 - MOUVEMENT - ART CONCEPTUEL / MOVEMENT - CONCEPTUAL ART
Wallis, Brian and Alloway, Lawrence and Andre, Carl and Atkinson, Terry and Aycock, Alice and Baker, George and Baldessari, John and Baldwin, Michael and Ballard, J.g. and Bann, Stephen and Barrell, John and Baudrillard, Jean and Beardsley, John and Beaumont, Betty and Benjamin, Walter and Bloom, Doris and Brett, Guy and Brown, Julia and Burke, Edmund and Burnham, Jack and Carson, Rachel and Chin, Mel and Coplans, John and Debord, Guy and Demarco, Richard and De Maria, Walter and Denes, Agnes and Dibbets, Jan and Dion, Mark and Endo, Toshikatsu and Feigenbaum, Harriet and Fehr, Michael and Fend, Peter and Finlay, Ian Hamilton and Foucault, Michel and Freud, Sigmund and Fried, Michael and Friedman, Kenneth and Fulton, Hamish and Furlong, William and Geva, Avital and Golan, Smadar and Goldsworthy, Andy and Gould, Stephen Jay and Harkavy, Donna and Harrison, Helen Mayer and Harrison, Newton and Heiss, Alanna and Hickey, Dave and Holt, Nancy and Huebler, Douglas and Hutchinson, Peter and Jackson, John Brinckerhoff and Johanson, Patricia and Kentridge, William and Kerouac, Jack and Krauss, Rosalind and Kurtz, Bruce and Linker, Kate and Lippard, Lucy R. and Long, Richard and Lord, Chip and McEvilley, Thomas and Masheck, Joseph and Morris, Robert and Müller, Christian Philipp and Nanjo, Fumio and Ngo, Viet and Noguchi, Isamu and Oldenburg, Claes and Owens, Craig and Price, Uvedale and Rosenberg, Harold and Sauzeau-Boetti, Anne-Marie and Schama, Simon and Schum, Gerry and Serra, Richard and Sharp, Willoughby and Sherk, Bonnie and Shiraga, Fujiko and Simpson, Buster and Smithson, Robert and Sonfist, Alan and Soper, Kate and Spero, Nancy and Thoreau, Henry David and Tillim, Sidney and Tomkins, Jane and Tortosa, Guy and Turrell, James and Ukeles, Mierle Laderman and Waldman, Diane and Zaya, Octavio and Christo and Jeanne-Claude and Platform. Land And Environmental Art. London, England: Phaidon Press, 1998.
DOSSIER: 700 - MOUVEMENT / MOVEMENT - LAND ART
Collapse : The View from Here.: 2. Vancouver, BC: Vancouver Art Forum Society
Atkinson, Terry and Corris, Michael and Cubitt, Sean and Doy, Gen and Evans, Jessica and Lupton, Catherine and Orton, Fred and Roberts, John and Steele, Jeffrey and Wood, Paul and Inter Alia (Dave Beech and Mark Hutchinson). Art Has No History! : The Making and Unmaking of Modern Art. London, England: Verso, 1994.
DOSSIER: 700 - MODERNISME ET POSTMODERNISME / MODERNISM AND POSTMODERNISM
De Wyzewa, Téodor and Signac, Paul and Gauguin, Paul and Freud, Sigmund and Weininger, Otto and Cézanne, Paul and Denis, Maurice and Meier-Graefe, Julius and de Chirico, Giorgio and Endell, August and Derain, André and Kirchner, Ernst Ludwig and Worringer, Wilhelm and Matisse, Henri and Fry, Roger and Kandinsky, Wassily and Marc, Franz and Macke, August and Nolde, Emil and Kokoschka, Oskar and Shevchenko, Alexander and Croce, Benedetto and Bell, Clive and Bahr, Hermann and Simmel, Georg and Weber, Max and Lenin, Vladimir Ilyich and Bergson, Henri and Blok, Alexander and Marinetti, Filippo Tommaso and Boccioni, Umberto and Delaunay, Robert and Lewis, Percy Wyndham and Marc, Franz and Léger, Fernand and Gaudier-Brzeska, Henri and Kraus, Karl and Malevich, Kasimir and Metzinger, Jean and Appolinaire, Guillaume and Rivière, Jacques and Gleizes, Albert and Metzinger, Jean and Léger, Fernand and Rozanova, Olga and Kahnweiler, Daniel-Henri and Braque, Georges and Spengler, Oswald and Carrà, Carlo and Rosenberg, Léonce and Jeanneret, Charles Edouard (Le Corbusier) and Ozenfant, Amédée and Derain, André and Lewis, Percy Wyndham and Gris, Juan and Ball, Hugo and Duchamp, Marcel and Tzara, Tristan and Hülsenbeck, Richard and Hausmann, Raoul and Blok, Alexander and Gropius, Walter and Beckmann, Max and Peichstein, Max and Grosz, George and Picabia, Francis and Ray, Man and Shklovsky, Viktor and van Doesburg, Theo and Mondrian, Piet and Gabo, Naum and Pevsner, Anton and Lissitsky, El and Tatlin, Vladimir and Popova, Lyubov and Punin, Nikolai and Rodchenko, Alexander and Stepanova, Varvara and Gan, Alexei and Lissitsky, El and Ehrenberg, Ilya and Brik, Osip and Klee, Paul and Crane, Hart and Hofmann, Hans and Strzeminski, Wladyslaw and Gabo, Naum and Hepworth, Barbara and Lassaw, Ibram and Nicholson, Ben and Siqueiros, David A. and Dix, Otto and Grosz, George and Rosenberg, Alfred and Lukacs, Georg and Rivera, Diego and Sironi, Mario and Zhdanov, Andrei and Davis, Stuart and Weinstock, Clarence and Wood, Grant and Klingender, Francis and Hitler, Adolf and Trotsky, Leon and Aragon, Louis and Breton, André and Herzfelde, Wieland and Brik, Osip and Tretyakov, Sergei and Kracauer, Siegfried and Volosinov, V.n. and Bataille, Georges and Dali, Salvador and Brecht, Bertolt and Léger, Fernand and Malevich, Kasimir and Read, Herbert and Schapiro, Meyer and Mukarovsky, Jan and Adorno, Theodor and Bloch, Ernst and Rosenberg, Harold and Pollock, Jackson and Gottlieb, Harold and Rothko, Mark and Newman, Barnett and Still, Clyfford and Sartre, Jean-Paul and Dubuffet, Jean and Artaud, Antonin and Beckett, Samuel and Duthuit, Georges and Lacan, Jacques and Atlan, Jean-Michel and Ponge, Francis and Camus, Albert and Tapié, Michel and Baselitz, George and Bacon, Francis and De Vlaminck, Maurice and Horkheimer, Max and Motherwell, Robert and Picasso, Pablo and Fontana, Lucio and Kemenov, Vladimir and Jorn, Asger and Fougeron, André and Dondero, George and Schlesinger, Arthur M. Jr. and Barr, Alfred H. Jr. and Shahn, Ben and Moore, Henry and Barthes, Roland and Debord, Guy and Alloway, Lawrence and Kaprow, Alan and Manzoni, Piero and Restany, Pierre and Williams, Raymond and Cage, John and Johns, Jasper and Hamilton, Richard and Oldenburg, Claes and Warhol, Andy and Lichtenstein, Roy and Kubler, George and McLuhan, Marshall and Smith, Tony and Robbe-Grillet, Alain and Smith, David and Merleau-Ponty, Maurice and Grennberg, Clement and Adorno, Theodor and Fried, Michel and Olitski, Jules and Cavell, Stanley and Tucker, William and Scott, Yim and Wollheim, Richard and Klein, Yves and Stella, Frank and Reinhardt, Ad and Judd, Donald and Morris, Robert and LeWitt, Sol and Barry, Robert and Kosuth, Joseph and Buren, Daniel and Mosset, Olivier and Parmentier, Michel and Toroni, Niele and Atkinson, Terry and Baldwin, Michael and Burn, Ian and Ramsden, Mel and Weiner, Lawrence and Burgin, Victor and Murphy, John A. and Celant, Germano and Lippard, Lucy and Beuys, Joseph and Haacke, Hans and Burn, Ian and Derrida, Jacques and Foucault, Michel and Althusser, Louis and Kuhn, Thomas and Smithson, Robert and Steinberg, Leo and Krauss, Rosalind and Baudrillard, Jean and Kristeva, Julia and Mulvey, Laura and Jameson, Fredric and Williams, Raymond and Bell, Daniel and Lyotard, Jean-François and Habermas, Jurgen and Judd, Donald and Richter, Gerhard and Owens, Craig and Foster, Hal and Levine, Sherrie and Kruger, Barbara and Halley, Peter and Steinbach, Haim and Koons, Jeff and Taaffe, Philip and Bickerton, Ashley and Said, Edward and Kelly, Mary and Wodiczko, Krzysztof and Rose, Jacqueline and Mitchell, W.j.t. and Schier, Flint and Spivak, Gayatri Chakravorti and Serra, Richard and Novembergruppe and Novembergruppe Opposition and De Stijl and UNOVIS and KOMFUT and Abstraction-Création and American Abstract Artists and AKhRR and Red Group and ARBKD and Central Committee for All-Union Communist Party and John Reed Club of New York and October and Constant and Art Workers' Coalition and Art & Language. Art in Theory 1900-1990 : An Anthology of Changing Ideas. Cambridge, MA: Blackwell Publishers, 1992.
DOSSIER: 100 - THÉORIE / THEORY
Schlatter, Christian and Atkinson, Terry and Baldwin, Michael and Buren, Daniel and Ramsden, Mel and Kosuth, Joseph and Harrison, Charles and Morgan, Robert C. and Art & Language. Art conceptuel formes conceptuelles / Conceptual Art Conceptual Forms. Paris, France: Galerie 1900-2000, 1990.
DOSSIER: 700 - MOUVEMENT - ART CONCEPTUEL / MOVEMENT - CONCEPTUAL ART
Bate, David and Atkinson, Terry and Jeffries, Bill. Don Gill : Perils of Leisure / Terry Atkinson : Tourism I & II. Vancouver, BC: Contemporary Art Gallery, 1990.
DOSSIER: 353 - CONTEMPORARY ART GALLERY (Vancouver)
Atkinson, Terry and Wall, Jeff and Wallace, Ian and Weiner, Lawrence and Mastai, Judith and Holmes, Willard. An Evening Forum at the Vancouver Art Gallery with Terry Atkinson, Jeff Wall, Ian Wallace and Lawrence Weiner, February 1990. Vancouver, BC: Vancouver Art Gallery, 1990.
DOSSIER: 353 - VANCOUVER ART GALLERY (Vancouver)
Atkinson, Terry. Terry Atkinson : Re-Writing and Re-Reading, "Tourism I and II". Vancouver, BC: Contemporary Art Gallery, 1990.
DOSSIER: 440 - ATKINSON, TERRY
O'Brian, John and Morrison, Ann K. and Howard, David and Teitelbaum, Matthew and Atkinson, Terry. The Flat Side of the Landscape : The Emma Lake Artists' Workshops. Saskatoon, Sask.: Mendel Art Gallery, 1989.
DOSSIER: 355 - MENDEL ART GALLERY (Saskatoon)
Harrison, Charles and Karshan, Donald and Atkinson, Terry and Baldwin, Michael and Dipper, Andrew and Burgin, Victor and Arnatt, Keith. The British Avant Garde. New York, NY: New York Cultural Center; London, England: s.n., 1971.
DOSSIER: 360 - NEW YORK CULTURAL CENTER, The (New York, NY)