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Bateson, Gregory and Bateson, Mary Catherine and Bourdieu, Pierre and Burnham, Jack and Cox, Geoff and Crutchfield, James P. and Groys, Boris and Halsall, Francis and Haque, Usman and Hayles, Katherine N. and Jones, Caroline A. and Jones, Stephen and Katti, Christian. Systems. Cambridge, MA: MIT Press; London, England: Whitechapel Art Gallery, 2015.
DOSSIER: 700 - ART ET TECHNOLOGIE / ART AND TECHNOLOGY
Osborne, Peter and Duchamp, Marcel and Cage, John and Klein, Yves and Kaprow, Allan and Morris, Robert and Johns, Jasper and Maciunas, George and Beckett, Samuel and Ono, Yoko and Latham, John and Goodman, Nelson and Acconci, Vito and Piper, Adrian and Lewin, Curt and Kubler, George and Lewitt, Sol and Bochner, Mel and Burnham, Jack and Lippard, Lucy R. and Chandler, John and Atkinson, Terry and Kozlowski, Jaroslaw and Buchloh, Benjamin H. D. and Saussure, Ferdinand de and Wittgenstein, Ludwig and Kuhn, Thomas S. and Smithson, Robert and Barry, Robert and Huebler, Douglas and Kosuth, Joseph and Siegelaub, Seth and Weiner, Lawrence and Burn, Ian and Cutforth, Roger and Ramsden, Mel and Burgin, Victor and Drucker, Johanna and Debord, Guy and Goffman, Erving and Clark, Lygia and Metzger, Gustav and Ehrenzweig, Anton and Ukeles, Mierle Laderman and Graham, Dan and Wall, Jeff and Steveni, Barbara and Marx, Karl and Barthes, Roland and Costa, Eduardo and Escari, Raul and Jacoby, Roberto and Oiticica, Hélio and Marcuse, Herbert and Meireles, Cildo and Parker, Roszika and Kelly, Mary and Rosler, Martha and Alberro, Alexander and Adorno, Theodor W. and Horkheimer, Max and Malraux, André and Claura, Michel and Buren, Daniel and O'Doherty, Brian and Asher, Michael and Baudrillard, Jean and Foster, Hal and Newman, Michael and Art & Language. Conceptual Art. London, England: Phaidon Press, 2002.
DOSSIER: 700 - MOUVEMENT - ART CONCEPTUEL / MOVEMENT - CONCEPTUAL ART
Alberro, Alexander and Stimson, Blake and Atkinson, Terry and Baldwin, Michael and Barry, Robert and Battcock, Gregory and Bochner, Mel and Bode, Sigmund and Broodthaers, Marcel and Buchloh, Benjamin H. D. and Buren, Daniel and Burgin, Victor and Burn, Ian and Burnham, Jack and Camnitzer, Luis and Chandler, John and Charlesworth, Sarah and Claura, Michel and Clay, Jean and Corris, Michael and Costa, Eduardo and Crow, Thomas and Darboven, Hanne and Escari, Raúl and Gilardi, Piero and Graham, Dan and Gramuglio, María Teresa and Haacke, Hans and Harrison, Charles and Jacoby, Roberto and Kelly, Mary and Kosuth, Joseph and Kozloff, Max and Kozlov, Christine and Lewitt, Sol and Lippard, Lucy R. and Lozano, Lee and McShine, Kynaston and Meireles, Cildo and Mosset, Olivier and Murphy, John and O'Doherty, Brian and Oiticica, Hélio and Parmentier, Michel and Piper, Adrian and Rainer, Yvonne and Ramírez, Mari Carmen and Rosa, Nicolás and Rosenberg, Harold and Rosler, Martha and Sekula, Allan and Smith, Terry and Smithson, Robert and Spear, Athena Tacha and Toroni, Niele and Ukeles, Mierle Laderman and Wall, Jeff and Wedewer, Rolf and Wilson, Ian and Art and Language. Conceptual Art : A Critical Anthology. Cambridge, MA: MIT Press, 1999.
DOSSIER: 700 - MOUVEMENT - ART CONCEPTUEL / MOVEMENT - CONCEPTUAL ART
Wallis, Brian and Alloway, Lawrence and Andre, Carl and Atkinson, Terry and Aycock, Alice and Baker, George and Baldessari, John and Baldwin, Michael and Ballard, J.g. and Bann, Stephen and Barrell, John and Baudrillard, Jean and Beardsley, John and Beaumont, Betty and Benjamin, Walter and Bloom, Doris and Brett, Guy and Brown, Julia and Burke, Edmund and Burnham, Jack and Carson, Rachel and Chin, Mel and Coplans, John and Debord, Guy and Demarco, Richard and De Maria, Walter and Denes, Agnes and Dibbets, Jan and Dion, Mark and Endo, Toshikatsu and Feigenbaum, Harriet and Fehr, Michael and Fend, Peter and Finlay, Ian Hamilton and Foucault, Michel and Freud, Sigmund and Fried, Michael and Friedman, Kenneth and Fulton, Hamish and Furlong, William and Geva, Avital and Golan, Smadar and Goldsworthy, Andy and Gould, Stephen Jay and Harkavy, Donna and Harrison, Helen Mayer and Harrison, Newton and Heiss, Alanna and Hickey, Dave and Holt, Nancy and Huebler, Douglas and Hutchinson, Peter and Jackson, John Brinckerhoff and Johanson, Patricia and Kentridge, William and Kerouac, Jack and Krauss, Rosalind and Kurtz, Bruce and Linker, Kate and Lippard, Lucy R. and Long, Richard and Lord, Chip and McEvilley, Thomas and Masheck, Joseph and Morris, Robert and Müller, Christian Philipp and Nanjo, Fumio and Ngo, Viet and Noguchi, Isamu and Oldenburg, Claes and Owens, Craig and Price, Uvedale and Rosenberg, Harold and Sauzeau-Boetti, Anne-Marie and Schama, Simon and Schum, Gerry and Serra, Richard and Sharp, Willoughby and Sherk, Bonnie and Shiraga, Fujiko and Simpson, Buster and Smithson, Robert and Sonfist, Alan and Soper, Kate and Spero, Nancy and Thoreau, Henry David and Tillim, Sidney and Tomkins, Jane and Tortosa, Guy and Turrell, James and Ukeles, Mierle Laderman and Waldman, Diane and Zaya, Octavio and Christo and Jeanne-Claude and Platform. Land And Environmental Art. London, England: Phaidon Press, 1998.
DOSSIER: 700 - MOUVEMENT / MOVEMENT - LAND ART
Burnham, Jack. Beyond Modern Sculpture : The Effects of Science and Technology on the Sculpture of this Century. 6th. New York, Ny: George Braziller, 1982.
DOSSIER: 800 - SCULPTURE
Burnham, Jack. Joseph Beuys : Graphic Works. Munich, Germany: Goethe Institut; Montréal, Qc: Musée d'art contemporain de Montréal, 1980.
DOSSIER: 440 - BEUYS, JOSEPH
Woodward, Katleen and Dupuy, Jean-Pierre and Von Foerster, Heinz and Maruyama, Magoroh and Leed, Eric and Negt, Oskar and Zipes, Jack and Feenberg, Andrew and Hall, David and Baudrillard, Jean and Huyssen, Andreas and Dufrenne, Mikel and Charles, Daniel and Burnham, Jack. The Myths of Information : Technology and Postindustrial Culture. Madison, WI: Coda Press, 1980.
DOSSIER: 700 - ART ET TECHNOLOGIE / ART AND TECHNOLOGY
Levine, Les and Burnham, Jack. Les Levine : Diamond Mind. Antwerp, Belgium: Internationaal Cultureel Centrum, 1978.
DOSSIER: 420 - LEVINE, LES
Burnham, Jack. Sylvia Sleigh. s.l., IN: [Indiana State University]; s.l.: [Northwestern University], 1977.
DOSSIER: 420 - SLEIGH, SYLVIA
Haacke, Hans and Burnham, Jack and Becker, Howard S. and Walton, John. Hans Haacke : Framing and Being Framed, 7 Works, 1970-75. Halifax, NS: The Nova Scotia College of Art and Design; New York, NY: s.n., 1975.
DOSSIER: 420 - HAACKE, HANS
Burnham, Jack. Great Western Salt Works : Essays on the Meaning of Post-Formalist Art. New York, NY: George Braziller, 1974.
DOSSIER: 100 - THÉORIE / THEORY
Battcock, Gregory and Ashton, Dore and Benthall, Jonathan and Bernstein, Cheryl and Burnham, Jack and Kosuth, Joseph and Lippard, Lucy and Meyer, Ursula and Perreault, John and Rose, Arthur and Rosenberg, Harold and Siegelaub, Seth and Weiner, Lawrence and Buren, Daniel and Bochner, Mel and LeWitt, Sol and Hughes, Robert and Levine, Les. Idea Art : A Critical Anthology. New York, NY: E.P. Dutton, 1973.
DOSSIER: 700 - MOUVEMENT - ART CONCEPTUEL / MOVEMENT - CONCEPTUAL ART
Burnham, Jack. The Structure of Art. New York, NY: George Braziller, 1973.
DOSSIER: 100 - THÉORIE / THEORY
Haacke, Hans and Fry, Edward F.. Hans Haacke : Werkmonographie. Cologne, Allemagne: Dumont Schauberg, 1972.
DOSSIER: 420 - HAACKE, HANS
Katz, Karl and Burnham, Jack and Nelson, Theodor H. and Mahoney, James A.. Software : Information Technology : Its New Meaning for Art. New York, NY: The Jewish Museum; Washington, DC: s.n., 1970.
DOSSIER: 700 - ART ET TECHNOLOGIE / ART AND TECHNOLOGY
Burnham, Jack. Joseph Beuys : Oeuvres graphiques. s.l.: Institut Goethe.
DOSSIER: 440 - BEUYS, JOSEPH