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Number of items: 14.

Genda, Dagmara. Tricia Middleton: Joy is just melancholy with a really strong sense of purpose. Regina, Sask.: Dunlop Art Gallery, 2015.
DOSSIER: 410 - MIDDLETON, TRICIA
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Jenkner, Ingrid and Rice, Kevin. Kim Morgan : Range Light, Borden-Carleton, PEI, 2010. Halifax, NS: Mount Saint Vincent University Art Gallery; Charlottetown, PEI: Confederation Centre Art Gallery and Museum, 2011.
DOSSIER: 410 - MORGAN, KIM
Arriola, Magali and Ballard, J.g. and Baudrillard, Jean and Boym, Svetlana and Bruno, Giuliana and Charlesworth, Jj and Clausen, Barbara and Crary, Jonathan and Derrida, Jacques and Heiser, Jörg and Herbert, Martin and Huyssen, Andreas and Keiller, Patrick and Leader, Darian and Lewis, Mark and Lingwood, James and McDonough, Tom and Millar, Jeremy and Olalquiaga, Celeste and Power, Nina and Rugoff, Ralph and Shaw, Lytle and Sinclair, Iain and Smithson, Robert and Solnit, Rebecca and Stewart, Susan and Vidler, Anthony and Virilio, Paul and Williams, Gilda and Dillon, Brian. Ruins. London, England: Whitechapel Art Gallery; Cambridge, MA: MIT Press, 2011.
DOSSIER: 381 - GRANDE-BRETAGNE - WHITECHAPEL ART GALLERY (Londres)
Marchand, Sandra Grant. Tricia Middleton : Dark Souls. Montréal, Qc: Musée d art contemporain de Montréal, 2009.
DOSSIER: 410 - MIDDLETON, TRICIA
Jubelin, Brice. "Déchet et ontologie = Waste and Ontology." Esse: 64. Automne 2008. (2008).
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Dal Bo, Dana and Soubiran, An and Christopher, Lori and MacDonald, Logan and Pien, Ed and Poolman, David and Prent , Mark and Mcleod, Chris and Zits, Johannes. Petite enveloppe urbaine no 14 : Locus horribilis. Montréal, Qc: Centre de recherche urbaine de Montréal, 2007.
DOSSIER: 390 - CENTRE DE RECHERCHE URBAINE DE MONTRÉAL (CRUM, Montréal, Qc)
Depocas, Alain and Ippolito, Jon and Jones, Caitlin and Hanhardt, John G. and Sterling, Bruce and Rinehart, Richard and Ludwig, Tiffany and Mulready, Thomas and Williams, Alena and Dietz, Steve and Stringari, Carol and Gartenberg, Jon and Spector, Nancy and Rothenberg, Jeff and Rosen, Andrea. L'approche des médias variables : La permanence par le changement = The Variable Media Approach : Permanence Through Change. Montréal, Qc: Fondation Daniel Langlois pour l'art, la science et la technologie; New York, NY: s.n., 2003.
DOSSIER: 390 - FONDATION DANIEL LANGLOIS (Montréal, Qc)
Ghaznavi, Corinna. Stephen White : Anchor Series. Toronto, Ont.: Open Studio, 2003.
DOSSIER: 410 - WHITE, STEVEN
Marzolf, Helen. The Claustrophobic Forest. Saskatoon, Sask.: Kenderdine Art Gallery, University of Saskatchewan, 2002.
DOSSIER: 355 - KENDERDINE ART GALLERY (Saskatoon)
Hansen, Jim and Kemp, Gabrielle. Ned Pratt : The Garbage Project, 2002. St. John's, Nfld: Art Gallery of Newfoundland and Labrador, 2002.
DOSSIER: 410 - PRATT, NED
Oko, Andrew. Exploring the Collection : Prevalent Concerns. Kamloops, BC: Kamloops Art Gallery, 2001.
DOSSIER: 353 - KAMLOOPS ART GALLERY (Kamloops)
Hurtig, Annette and Watson, Scott. Stephen Andrews : Likeness. Vancouver, BC: Morris and Helen Belkin Art Gallery, University of British Columbia; Windsor, Ont.: s.n., 2001.
DOSSIER: 410 - ANDREWS, STEPHEN
Watson, Scott. Attila Richard Lukacs : Recent Works. Vancouver, BC: Diane Farris Gallery, 1988.
DOSSIER: 410 - LUKACS, ATTILA RICHARD
Mosser, Monique. Morbid Symptoms : Arcadia and the French Revolution. Princeton, NJ: Princeton Architectural Press, 1986.
DOSSIER: 410 - JAMES, GEOFFREY