The Producers : Contemporary Curators in Conversation

Lingwood, James; Nordgren, Sune; Phillpot, Clive; Higgs, Matthew; Hiller, Susan; Milner, John. The Producers : Contemporary Curators in Conversation. Gateshead, England: BALTIC; Newcastle upon Tyne, England: s.n., 2000.

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Abstract (English)

This book comprises two transcripts of public discussions on the role of the curator that were organised by S. Hiller. In the first, Lingwood and Nordgren talk about their curatorial work for different organisations and the artists with which they have relationships, while touching on subject of the curator as artist. The second features Phillpot and Higgs and focuses mainly on the work with artists’ books for which they are known, as well as exhibitions of conceptual art. Biographical notes.

Types:	Conference, colloquium, symposium publications ; Proceedings, transcripts
All Contributors:	Lingwood, James (Author); Nordgren, Sune (Author); Phillpot, Clive (Author); Higgs, Matthew (Artist); Higgs, Matthew (Author); Hiller, Susan (Author); Milner, John (Author)
Dossier:	381 - GRANDE BRETAGNE - BALTIC (Gateshead)
Collation:	98 p. ; 20 x 13 cm. - (B.READ ; 2)
ISBN:	1903655013|0701700998
Language of Publication:	English
Publishers:	Gateshead, England: BALTIC; Newcastle upon Tyne, England: s.n.
Artists:	Art And Language (Uk); Balkenhol, Stephan; Barney, Matthew; Billingham, Richard; Boltanski, Christian; Bourgeois, Louise; Cardiff, Janet; Creed, Martin; Deller, Jeremy; Endo, Toshikatsu; Gordon, Douglas; Gormley, Antony; Higgs, Matthew; Kabakov, Emilia; Kabakov, Ilya; Kane, Alan; Kapoor, Anish; Long, Richard; Medalla, David; Orozco, Gabriel; Spero, Nancy; Whiteread, Rachel
Art Organizations:	Exhibition Centres > Europe > United Kingdom - Baltic (Gateshead)
Event Statement:	Event dates: 30 Mar. 2000, 8 June 2000, Fine Art Lecture Theatre, University of Newcastle (Newcastle upon Tyne).
Keywords:	CURATORIAL PRACTICE; ARCHITECTURE; ART AND POLITICS; ARTIST'S BOOK; AUTHORSHIP; COLLABORATION; CONCEPTUAL ART; FOLK ART; MONUMENTALITY; PROCESS; SITE SPECIFICITY; BRITISH ART; CONTEMPORARY ART; EPHEMERALITY; EXHIBITION PRACTICE; INSTITUTION; MONEY; PATRONAGE; POPULAR CULTURE; POWER; RESPONSIBILITY; ZINE; BRANCUSI, CONSTANTIN; BRITISH MUSEUM (London); CHISENHALE GALLERY (London); CLARK, MICHAEL; MoMA, MUSEUM OF MODERN ART (New York); SYDNEY BIENNALE 2000
Deposited by:	Users 1 not found.
Date Deposited:	09 Feb 2004
Last Modified:	12 Nov 2013 14:15
URI:	http://e-artexte.ca/id/eprint/16626

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