Endgame : Reference and Simulation in Recent Painting and Sculpture

Crow, Thomas and Bois, Yve-Alain and Sussman, Elisabeth and Joselit, David and Foster, Hal and Riley, Bob. Endgame : Reference and Simulation in Recent Painting and Sculpture. Boston, MA: Institute of Contemporary Art, 1986.

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Abstract (English)

This anthology comprises six essays on the theme of reference and simulation in painting and sculpture for an exhibition of 12 American and Canadian painters, sculptors, and performance artists. While Crow traces how the satire of the 1970s has become the art of the 1980s, Bois writes on mourning as a dominant subject of 20th century painting. Sussman meditates on the death and rebirth of abstraction in painting. 77 bibl. ref.

Types: Catalogues > Exhibition catalogues
All Contributors: Crow, Thomas (Author); Bois, Yve-Alain (Author); Sussman, Elisabeth (Author); Joselit, David (Author); Foster, Hal (Author); Riley, Bob (Author); Ross, David A. (Prefacer)
Dossier: 360 - INSTITUTE OF CONTEMPORARY ART (Boston, MA)
Collation: 115 p. : 64 ill. (10 col.) ; 27 x 18 cm
ISBN: 0262521180
Language of Publication: English
Publishers: Boston, MA: Institute of Contemporary Art
Artists: Bleckner, Ross; Halley, Peter; Levine, Sherrie; Taaffe, Philip; General Idea (Collective); Kessler, Jon; Koons, Jeff; Otterson, Joel; Steinbach, Haim; Baim, Richard; Bender, Gretchen; Hoberman, Perry
Art Organizations: Institute Of Contemporary Art (Boston, MA)
Event Statement: Exhibition dates: 25 Sept. - 30 Nov. 1986, Institute of Contemporary Art (Boston).
Keywords: ABSTRACTION; MOURNING
Deposited by: Users 1 not found.
Date Deposited: 17 Aug 1994
Last Modified: 06 Nov 2013 22:31
URI: http://e-artexte.ca/id/eprint/7265
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