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Fraser, Andrea and Linker, Kate and Krauss, Rosalind and Crimp, Douglas and Hainley, Bruce and Baker, George and Deutsche, Rosalyn and Molesworth, Helen and Melville, Stephen. Louise Lawler. Cambridge, MA: MIT Press, 2013.
Kubler, George and Starling, Simon and Didi-Huberman, Georges and Nagel, Alexander and Wood, Christopher and Filipovic, Elena and Groom, Amelia and Batchen, Geoffrey and Dōgen, Zenji and Chan, Paul and Birnbaum, Daniel and Rosenberg, Daniel and Bal, Mieke and Siffre, Michel and Woodcock, George and Foer, Joshua and Galison, Peter and Gormley, Antony and Newman, Michael and Calvino, Italo and Agamben, Giorgio and Latimer, Quinn and Thompson, Nato and Abramovic, Marina and Heathfield, Adrian and Bergson, Henri and Deleuze, Gilles and Buckingham, Matthew and Koester, Joachim and Nancy, Jean-Luc and Massey, Doreen and Barker, Timothy and Archey, Karen and Spector, Nancy and Monk, Philip and Belting, Hans and Krauss, Rosalind and Bois, Yves-Alain and Borges, Jorge Luis and Groys, Boris and Serres, Michel and Latour, Bruno and Berardi, Franco 'Bifo' and Steyerl, Hito and Grosz, Elizabeth and Apter, Emily and Cuevas-Hewitt, Marco and Ufan, Lee and Dillon, Brian and Johannessen, Toril and Kent, Rachel and Paglen, Trevor and von Schlegel, Mark and Stevenson, Michael and Verwoert, Jan. Time. London, England: Whitechapel Gallery; Cambridge, MA: MIT Press, 2013.
Smith, Terry and Enwezor, Okwui and Condee, Nancy and Negri, Antonio and Kapur, Geeta and Krauss, Rosalind and Groys, Boris and Amor, Monica and Rolnik, Suely and Hay, Jonathan and [et alii]. Antinomies of Art and Culture : Modernity, Postmodernity, Contemporaneity. Durham, NC: Duke University Press, 2008.
Phelan, Peggy and de Beauvoir, Simone and Di Prima, Diane and Friedan, Betty and Solanas, Valerie and Johnston, Jill and Ono, Yoko and Linde, Ulf and Lippard, Lucy R. and Hesse, Eva and Ukeles, Mierle Laderman and Clark, Lygia and Millett, Kate and Koedt, Anne and Greer, Germaine and Nochlin, Linda and Cixous, Hélène and Export, Valie and Tucker, Marcia and Kingsley, April and Schapiro, Miriam and Mulvey, Laura and Alloway, Lawrence and Kozloff, Max and Krauss, Rosalind and Masheck, Joseph and Michelson, Annette and Chicago, Judy and Parker, Rozsika and Delmar, Rosalind and Hammer, Barbara and Sauzeau Boetti, Anne-Marie and Akerman, Chantal and Irigaray, Luce and Hiller, Susan and Cockcroft, Eva and Richardson, Su and Orenstein, Gloria Feman and Kingsley, April and Adams, Parveen and Lorde, Audre and Rich, Adrienne and Gilbert, Sandra M. and Hammond, Harmony and Lacy, Suzanne and Labowitz, Leslie and Ketcham, Diana and Goldin, Nan and Ringgold, Faith and Kruger, Barbara and Kristeva, Julia and Isaak, Jo Anna and Owens, Craig and Kelly, Mary and Linker, Kate and Calle, Sophie and Baudrillard, Jean and Lin, Maya and Spence, Jo and Haraway, Donna J. and Minh-ha, Trinh T. and Boyce, Sonia and Rankin, Aimee and Carr, C. and Fisher, Jean and Rainer, Yvonne and Vance, Carole S. and Jones, Kellie and Piper, Adrian and Avgikos, Jan and Lee, Rosa and Schor, Mira and Butler, Judith and Jones, Amelia and Boffin, Tessa and Green, Renée and Schorr, Collier and Koether, Jutta and Chadwick, Helen and Warner, Marina and Myles, Eileen and Frueh, Joanna and Kotz, Liz and Gallaccio, Anya and Kolbowski, Silvia and Tickner, Lisa and Apter, Emily and Nixon, Mignon and Rogers, Sarah J. and Hayles, N. Katherine and Williams, Gilda and Simon, Joan and Wearing, Gillian and Cottingham, Laura and Spector, Nancy and Plant, Sadie and Neshat, Shirin and Arning, Bill and Fusco, Coco and Redstockings and Radicalesbians and Orlan. Art and Feminism. New York, NY: Phaidon Press, 2001.
Brock, Bazon and Szeemann, Harald and Ventimiglia, Dario and Trini, Tommaso and Stahel, Urs and Howard, Richard and Greene, Alison de Lima and Kabakov, Ilya and Kabakov, Emilia and Lüscher, Ingeborg and Parent, Béatrice and Bourgeois, Caroline and Serra, Richard and Krauss, Rosalind and Dehò, Valerio and Ciment, Michel and Tuttle, Richard and Païni, Dominique and Hibon, Danièle and Ronte, Dieter and Bird, Jon and Oliva, Achille Bonito and Burden, Chris and Kohl, Astrid and Schröder, Johannes Lothar and Abriouxî, Yves and Graeve, Inka and Kellein, Thomas and Dean, Max and Martinez, Rosa and Vettese, Angela and Hill, Gary and Ammann, Jean-Christophe and Kravagna, Christian and Martinez, Rosa and Blazwick, Iwona and Olmo, Santiago B. and Kurjakovic, Daniel and Wilson, Michael and Höller, Christian and Medina, Cuauhtémoc and Rondeau, James and Zhakharov, Vadim and Cattelan, Maurizio and Enwezor, Okwui and Tarantino, Michael and Sederholm, Helena and Kunde, Harald and Bringas, Tamara Díaz and Tiong, Ang and Bruch, Martin and Baumgartner, Marcel and Akinsha, Konstantin and Dematté, Monica and Harakka, Timo and Codognato, Mario and Beech, Dave and Jones, Ronald and Allen, Jennifer and Risaliti, Sergio and Jusidman, Yishai and Calzolari, Sibilla and Hirvi, Maria and Valldosera, Eulalia and Cazali, Rosina and Bismuth, Pierre and Neto, Ernesto and Jewesbury, Daniel and Pasini, Francesca and Rosenthal, Norman and Burrows, David and Arrhenius, Sara and McCormick, Carlo and Dematté, Monica and De Cecco, Emanuela and Baker, Alex and Pimental, Taiyana and Cooke, Lynne and Ambach, Marcus and Sonnenschein, Eliezer and Robinson, D. and Figueroa, Eugenio Valdes and Piñera, Virgilio and Langelarr, Marije and Juillerat, Vincent and Anderson, Jeffery and Stjernstedt, Mats and Kellner, Clive and Cherubini, Laura and Maraniello, Gianfranco and Hirvi, Maria and Härm, Anders and Brett, Guy and Bush, Kate and Searle, Adrian and Kent, Sarah and Beausse, Pascal and Bezzola, Tobia and Colombo, Paolo and Ostojic, Tanja and Haapala, Leevi and Cazali, Rosina and Murinik, Tracy and Jaukkuri, Maaretta and Lapa, Pedro and Auerbach, Ruth and Chen, Zhen and Schmitz, Michael and Comi, Enrico R. and Lum, Ken and Tazzi, Pier Luigi and Cavallucci, Fabio and Herrmann, Matthias and Arestizabal, Irma and Barrett-Lennard, John and Schweeger, Elisabeth and Pirotte, Philippe and Celant, Germano and Muniz, Vick and Baerwaldt, Wayne and Kölle, Brigitte and Arévalo, Antonio and De Downey, Marilys Belt and Makovic, Zvonko and Rusnáková, Katarina and Abildgaard, Dorthe and Selim, Ahmed Fouad and Cukovic, Petar and Pavicevic, Milija and Troncy, Eric and Dimeska, Viktorija Vaseva and Gallagher, Ann and Tsikouta, Lina and Fabényi, Julia and Volk, Gregory and Murphy, Patrick T. and Zalmona, Yigal and Amidon, Catherine and Osaka, Eriko and Narkevicius, Deimantas and Dahlström, Björn and Nilsson, Håkan and Prasal-Wishiewska, Aneta and Lapa, Pedro and Balassanian, Edward and Xydakis, Nikos and Chong, Doryun and Demakova, Helena and Mashadi, Ahmad and Lee, Joanna and Fonda, Aurora and Balaci, Ruxandra and Dyogot, Ekaterina and Khripun, Sergei and Tupitsyn, Victor and de Diego, Estrella and Weschler, Max and Madra, Beral and Rayevsky, Valentin and Rondeau, James and Viso, Olga M. and Lara, Cléver and Duque, Luis Ángel and Dalembert, Louis-Philippe and Tsong-zung, Chang and Kao, Chien-hui and Baumgarten, Lothar and Oguibe, Olu and Hassan, Salah and Brollo, Boris and Plessi, Fabrizio and Nelson, Mike and Anur. La Biennale di Venezia 49 : Esposizione Internazionale d’Arte. Venice, Italy: Edizioni La Biennale di Venezia; Naples, Italy: s.n., 2001.
Jones, Amelia and Artaud, Antonin and Bataille, Georges and Benthall, Jonathan and Beuys, Joseph and Bonami, Francesco and Brus, Günter and Butler, Judith and Chadwick, Helen and Chandler, John and Cheng, Meiling and Clark, Lygia and Deleuze, Gilles and Francblin, Catherine and Fried, Michael and Freud, Sigmund and Fusco, Coco and Goldberg, RoseLee and Haraway, Donna and Higgins, Dick and Horn, Rebecca and Jedlinski, Jaromir and Jones, Leslie C. and Junker, Howard and Kaprow, Allan and Kelly, Mary and Klein, Yves and Knízák, Milan and Kozloff, Max and Krauss, Rosalind and Kristeva, Julia and Kusama, Yayoi and Kuspit, Donald and Kwon, Miwon and Lacan, Jacques and La Frenas, Rob and Lebeer, Irmeline and Licht, Ira and Lippard, Lucy R. and Maciunas, George and Manzoni, Piero and Marcuse, Herbert and McEvilley, Thomas and Merleau-Ponty, Maurice and Molesworth, Helen and Morgan, Stuart and Morris, Robert and Mühl, Otto and Nemser, Cindy and Nitsch, Hermann and O'Dell, Kathy and Orenstein, Gloria Feman and Phelan, Peggy and Pincus-Witten, Robert and Pluchart, François and Richard, Nelly and Rosenberg, Harold and Roth, Moira and Sarduy, Severo and Scarry, Elaine and Schneemann, Carolee and Schneider, Rebecca and Schwarzkogler, Rudof and Sedgwick, Eve Kosofsky and Sharp, Willoughby and Sontag, Susan and Stiles, Kristine and Sundell, Margaret and Tucker, Marcia and Ukeles, Mierle Laderman and Vergine, Lea and Virilio, Paul and Vostell, Wolf and Weibel, Peter and Wilke, Hannah and Yoshihara, Jiro and Art & Language and Gilbert & George and Stelarc. The Artist's Body. London, England: Phaidon Press, 2000.
Meyer, James and Andre, Carl and Baer, Jo and Battcock, Gregory and Beveridge, Karl and Bochner, Mel and Bourdon, David and Burn, Ian and Chave, Anna C. and Chicago, Judy and Coplans, John and Crimp, Douglas and Di Suvero, Mark and Flavin, Dan and Foster, Hal and Fried, Michael and Greenberg, Clement and Gregor, Harold and Halley, Peter and Judd, Donald and Kramer, Hilton and Krauss, Rosalind and Leider, Philip and Lewitt, Sol and Lippard, Lucy R. and Mangold, Robert and McCracken, John and McShine, Kynaston and Merleau-Ponty, Maurice and Meyer, Ursula and Michelson, Annette and Morris, Robert and Rainer, Yvonne and Rose, Barbara and Rosenblum, Robert and Serra, Richard and Smithson, Robert and Sontag, Susan and Stella, Frank and Tillim, Sidney and Wagstaff, Samuel J.. Minimalism. London, England: Phaidon Press, 2000.
Foster, Hal and Buchloh, Benjamin H. D. and Michelson, Annette and Bois, Yve-Alain and Crimp, Douglas and Krauss, Rosalind. Richard Serra. Cambridge, MA: MIT Press, 2000.
Wallis, Brian and Alloway, Lawrence and Andre, Carl and Atkinson, Terry and Aycock, Alice and Baker, George and Baldessari, John and Baldwin, Michael and Ballard, J.g. and Bann, Stephen and Barrell, John and Baudrillard, Jean and Beardsley, John and Beaumont, Betty and Benjamin, Walter and Bloom, Doris and Brett, Guy and Brown, Julia and Burke, Edmund and Burnham, Jack and Carson, Rachel and Chin, Mel and Coplans, John and Debord, Guy and Demarco, Richard and De Maria, Walter and Denes, Agnes and Dibbets, Jan and Dion, Mark and Endo, Toshikatsu and Feigenbaum, Harriet and Fehr, Michael and Fend, Peter and Finlay, Ian Hamilton and Foucault, Michel and Freud, Sigmund and Fried, Michael and Friedman, Kenneth and Fulton, Hamish and Furlong, William and Geva, Avital and Golan, Smadar and Goldsworthy, Andy and Gould, Stephen Jay and Harkavy, Donna and Harrison, Helen Mayer and Harrison, Newton and Heiss, Alanna and Hickey, Dave and Holt, Nancy and Huebler, Douglas and Hutchinson, Peter and Jackson, John Brinckerhoff and Johanson, Patricia and Kentridge, William and Kerouac, Jack and Krauss, Rosalind and Kurtz, Bruce and Linker, Kate and Lippard, Lucy R. and Long, Richard and Lord, Chip and McEvilley, Thomas and Masheck, Joseph and Morris, Robert and Müller, Christian Philipp and Nanjo, Fumio and Ngo, Viet and Noguchi, Isamu and Oldenburg, Claes and Owens, Craig and Price, Uvedale and Rosenberg, Harold and Sauzeau-Boetti, Anne-Marie and Schama, Simon and Schum, Gerry and Serra, Richard and Sharp, Willoughby and Sherk, Bonnie and Shiraga, Fujiko and Simpson, Buster and Smithson, Robert and Sonfist, Alan and Soper, Kate and Spero, Nancy and Thoreau, Henry David and Tillim, Sidney and Tomkins, Jane and Tortosa, Guy and Turrell, James and Ukeles, Mierle Laderman and Waldman, Diane and Zaya, Octavio and Christo and Jeanne-Claude and Platform. Land And Environmental Art. London, England: Phaidon Press, 1998.
Krauss, Rosalind and Michelson, Annette and Bois, Yve-Alain and Buchloh, Benjamin H. D. and Foster, Hal and Hollier, Denis and Kolbowski, Silvia and Clark, Lygia and Clark, T. J. and Molesworth, Helen and Nixon, Mignon and Diawara, Manthia and Mudimbe, V. Y. and Bhabha, Homi K. and Negt, Oskar and Kluge, Alexander and Armstrong, Carol and Koch, Gertrud and Bersani, Leo and Borch-Jacobson, Mikkel and Buck-Morss, Susan and Crary, Jonathan and Deleuze, Gilles and Eisenmann, Peter and Group Material. October : The Second Decade, 1986-1996. Cambridge, MA: MIT Press, 1997.
Dorléac, Laurence Bertrand and Dorléac, Laurence Bertrand and Gervereau, Laurent and Gervereau, Laurent and Guilbaut, Serge and Guilbaut, Serge and Monnier, Gérard and Monnier, Gérard and Chimot, Jean-Philippe and Coli, Jorge and Debroise, Olivier and Medvedkova, Olga and Darragon, Éric and Daix, Pierre and Le Bot, Marc and Zerner, Henri and de Baecque, Antoine and Bernik, Stane and Delporte, Christian and Sherman, Tom and Alaoui, Brahim and Crosby, Marcia and Gagnon, Monika and Gagnon, François-Marc and Konate, Yacouba and Sylla, Abdou and Hennion, Antoine and Krauss, Rosalind and Leenhardt, Jacques and Menger, Pierre-Michel and Michaud, Yves and Crow, Thomas and Dubreuil-Blondin, Nicole and Fréchuret, Maurice and de Haas, Patrick and Hofmann, Werner and Allenov, Mikhaïl and Ryan, Maureen and Bouchard, Lucette and Bernier, Christine and Clayson, Hollis and de Duve, Thierry and Jaubert, Alain and Strasser, Catherine and Maubant, Jean-Louis and Morin, France and Sussman, Elisabeth and Thévoz, Michel and Tucker, Marcia and Ardenne, Paul and Dagen, Philippe and Foster, Hal and Kovalev, Andreï and Pernoud, Emmanuel and Poinsot, Jean-Marc and Restany, Pierre and Soutif, Daniel and Davallon, Jean and Vovelle, José and Salgas, Jean-Pierre and Lamoureux, Johanne and Pleynet, Marcelin and Agulhon, Maurice and Encrevé, Pierre and Girard, Xavier and Michel, Régis and Semin, Didier and Debailleux, Henri-François and Buchloh, Benjamin H.D. and Nuridsany, Michel. Où va l'histoire de l'art contemporain? : Objets, méthodes, territoires. Paris, France: L'image; s.l.: École nationale supérieure des Beaux-Arts, 1997.
Bernadac, Marie-Laure and Marcadé, Bernard and Acker, Kathy and McEvilley, Thomas and Lebel, Jean-Jacques and Ramirez, Julio Antonio and Taylor, Michael and Wilson, Sarah and Warner, Marina and Krauss, Rosalind and Hollier, Denis and Storr, Robert and Lascault, Gilbert and de Duve, Thierry and Pabst, Angelica and Curiger, Bice. Féminin/masculin : Le sexe de l'art. Paris, France: Centre Georges Pompidou; s.l.: Gallimard/Electa, 1995.
Grenier, Catherine and Ottinger, Didier and Krauss, Rosalind and Mitchell, W.j.t. and Rose, Barbara and Criqui, Jean-Pierre. Robert Morris. Paris, France: Éditions du Centre Pompidou, 1995.
Krauss, Rosalind and Berger, Maurice and Antin, David and Michelson, Annette and Criqui, Jean-Pierre and Paice, Kimberly and Mitchell W.J.T.. Robert Morris : The Mind/Body Problem. New York, NY: Solomon R. Guggenheim Museum, 1994.
Ottinger, Didier and Simon, Gérard and Bougnoux, Daniel and Guégan, Stéphane and Gette, Paul-Armand and Krauss, Rosalind and Lamarche-Vadel, Bernard and Goldberg, Itzhak and Le Stum, Philippe. Haptisch : La caresse de l'oeil. Les Sables d'Olonne, France: Musée de l'Abbaye Sainte-Croix, 1993.
Krauss, Rosalind. L'originalité de l'avant-garde et autres mythes modernistes. Paris, France: Macula, 1993.
De Wyzewa, Téodor and Signac, Paul and Gauguin, Paul and Freud, Sigmund and Weininger, Otto and Cézanne, Paul and Denis, Maurice and Meier-Graefe, Julius and de Chirico, Giorgio and Endell, August and Derain, André and Kirchner, Ernst Ludwig and Worringer, Wilhelm and Matisse, Henri and Fry, Roger and Kandinsky, Wassily and Marc, Franz and Macke, August and Nolde, Emil and Kokoschka, Oskar and Shevchenko, Alexander and Croce, Benedetto and Bell, Clive and Bahr, Hermann and Simmel, Georg and Weber, Max and Lenin, Vladimir Ilyich and Bergson, Henri and Blok, Alexander and Marinetti, Filippo Tommaso and Boccioni, Umberto and Delaunay, Robert and Lewis, Percy Wyndham and Marc, Franz and Léger, Fernand and Gaudier-Brzeska, Henri and Kraus, Karl and Malevich, Kasimir and Metzinger, Jean and Appolinaire, Guillaume and Rivière, Jacques and Gleizes, Albert and Metzinger, Jean and Léger, Fernand and Rozanova, Olga and Kahnweiler, Daniel-Henri and Braque, Georges and Spengler, Oswald and Carrà, Carlo and Rosenberg, Léonce and Jeanneret, Charles Edouard (Le Corbusier) and Ozenfant, Amédée and Derain, André and Lewis, Percy Wyndham and Gris, Juan and Ball, Hugo and Duchamp, Marcel and Tzara, Tristan and Hülsenbeck, Richard and Hausmann, Raoul and Blok, Alexander and Gropius, Walter and Beckmann, Max and Peichstein, Max and Grosz, George and Picabia, Francis and Ray, Man and Shklovsky, Viktor and van Doesburg, Theo and Mondrian, Piet and Gabo, Naum and Pevsner, Anton and Lissitsky, El and Tatlin, Vladimir and Popova, Lyubov and Punin, Nikolai and Rodchenko, Alexander and Stepanova, Varvara and Gan, Alexei and Lissitsky, El and Ehrenberg, Ilya and Brik, Osip and Klee, Paul and Crane, Hart and Hofmann, Hans and Strzeminski, Wladyslaw and Gabo, Naum and Hepworth, Barbara and Lassaw, Ibram and Nicholson, Ben and Siqueiros, David A. and Dix, Otto and Grosz, George and Rosenberg, Alfred and Lukacs, Georg and Rivera, Diego and Sironi, Mario and Zhdanov, Andrei and Davis, Stuart and Weinstock, Clarence and Wood, Grant and Klingender, Francis and Hitler, Adolf and Trotsky, Leon and Aragon, Louis and Breton, André and Herzfelde, Wieland and Brik, Osip and Tretyakov, Sergei and Kracauer, Siegfried and Volosinov, V.n. and Bataille, Georges and Dali, Salvador and Brecht, Bertolt and Léger, Fernand and Malevich, Kasimir and Read, Herbert and Schapiro, Meyer and Mukarovsky, Jan and Adorno, Theodor and Bloch, Ernst and Rosenberg, Harold and Pollock, Jackson and Gottlieb, Harold and Rothko, Mark and Newman, Barnett and Still, Clyfford and Sartre, Jean-Paul and Dubuffet, Jean and Artaud, Antonin and Beckett, Samuel and Duthuit, Georges and Lacan, Jacques and Atlan, Jean-Michel and Ponge, Francis and Camus, Albert and Tapié, Michel and Baselitz, George and Bacon, Francis and De Vlaminck, Maurice and Horkheimer, Max and Motherwell, Robert and Picasso, Pablo and Fontana, Lucio and Kemenov, Vladimir and Jorn, Asger and Fougeron, André and Dondero, George and Schlesinger, Arthur M. Jr. and Barr, Alfred H. Jr. and Shahn, Ben and Moore, Henry and Barthes, Roland and Debord, Guy and Alloway, Lawrence and Kaprow, Alan and Manzoni, Piero and Restany, Pierre and Williams, Raymond and Cage, John and Johns, Jasper and Hamilton, Richard and Oldenburg, Claes and Warhol, Andy and Lichtenstein, Roy and Kubler, George and McLuhan, Marshall and Smith, Tony and Robbe-Grillet, Alain and Smith, David and Merleau-Ponty, Maurice and Grennberg, Clement and Adorno, Theodor and Fried, Michel and Olitski, Jules and Cavell, Stanley and Tucker, William and Scott, Yim and Wollheim, Richard and Klein, Yves and Stella, Frank and Reinhardt, Ad and Judd, Donald and Morris, Robert and LeWitt, Sol and Barry, Robert and Kosuth, Joseph and Buren, Daniel and Mosset, Olivier and Parmentier, Michel and Toroni, Niele and Atkinson, Terry and Baldwin, Michael and Burn, Ian and Ramsden, Mel and Weiner, Lawrence and Burgin, Victor and Murphy, John A. and Celant, Germano and Lippard, Lucy and Beuys, Joseph and Haacke, Hans and Burn, Ian and Derrida, Jacques and Foucault, Michel and Althusser, Louis and Kuhn, Thomas and Smithson, Robert and Steinberg, Leo and Krauss, Rosalind and Baudrillard, Jean and Kristeva, Julia and Mulvey, Laura and Jameson, Fredric and Williams, Raymond and Bell, Daniel and Lyotard, Jean-François and Habermas, Jurgen and Judd, Donald and Richter, Gerhard and Owens, Craig and Foster, Hal and Levine, Sherrie and Kruger, Barbara and Halley, Peter and Steinbach, Haim and Koons, Jeff and Taaffe, Philip and Bickerton, Ashley and Said, Edward and Kelly, Mary and Wodiczko, Krzysztof and Rose, Jacqueline and Mitchell, W.j.t. and Schier, Flint and Spivak, Gayatri Chakravorti and Serra, Richard and Novembergruppe and Novembergruppe Opposition and De Stijl and UNOVIS and KOMFUT and Abstraction-Création and American Abstract Artists and AKhRR and Red Group and ARBKD and Central Committee for All-Union Communist Party and John Reed Club of New York and October and Constant and Art Workers' Coalition and Art & Language. Art in Theory 1900-1990 : An Anthology of Changing Ideas. Cambridge, MA: Blackwell Publishers, 1992.
De Duve, Thierry and Cameron, Eric and Naumann, Francis M. and Suquet, Jean and Young, H. Dennis and Camfield, William and Molderings, Herbert and James, Carol P. and Adcock, Craig and Nesbit, Molly and Gervais, André and Krauss, Rosalind and Blanken, Tamara and Allerdice, Jake and Mays, John Bentley and Bourguin, Aaron and Klein, John and Applegarth, Stewart and Krenkel, Vera and Barber, Bruce and Stephens, Doug and Anon.. The Definitively Unfinished Marcel Duchamp. Halifax, NS: NSCAD; Cambridge, MA: s.n., 1991.
Buchloh, Benjamin and Krauss, Rosalind and Lang, Luc and Nesbit, Molly and Pelzer, Brigit and Poggi, Christine and Poinsot, Jean-Marc and Schwarz, Dieter. Langage et modernité. Villeurbanne, France: Le Nouveau Musée, 1991.
Rubin, William and Feest, Christian F. and Peltier, Philippe and Paudrat, Jean-Louis and Varnedoe, Kirk and Flam, Jack D. and Geist, Sidney and Gordon, Donald E. and Bassani, Ezio and Wilkinson, Alan G. and Levin, Gail and Rosenstock, Laura and Laude, Jean and Krauss, Rosalind and Maurer, Evan. Le primitivisme dans l'art du 20e siècle : Les artistes modernes devant l'art tribal. Paris, France: Flammarion, 1991.
König, Kasper and Weibel, Peter and Ammann, Jean Christophe and Baudrillard, Jean and Buchloh, Benjamin H.D. and Cameron, Dan and Damish, Hubert and De Duve, Thierry and Groys, Boris and Krauss, Rosalind and Rötzer, Florian. The Picture after the Last Picture = Das Bild nach dem letzten Bild. Vienna, Austria: Galerie Metropol; Cologne, Germany: s.n., 1991.
Squiers, Carol and Krauss, Rosalind and Ritchin, Fred and Vance, Carole S. and Solomon-Godeau, Abigail and Grundberg, Andy and Deutsche, Rosalyn and Kolbowski, Silvia and Metz, Christian and Burgin, Victor and Watney, Simon and Myers, Kathy and Pollock, Griselda and Lukitsch, Joanne. The Critical Image : Essays on Contemporary Photography. Seattle, WA: Bay Press, 1990.
Krauss, Rosalind. Le Photographique : Pour une Théorie des Ecarts. Paris, France: Macula, 1990.
Bolton, Richard and Crimp, Douglas and Phillips, Christopher and Buchloh, Benjamin H.D. and Solomon-Godeau, Abigail and Lord, Catherine and Bright, Deborah and Stein, Sally and Grover, Jan Zita and Squiers, Carol and Parada, Esther and Krauss, Rosalind and Rosler, Martha and Sekula, Allan. The Contest of Meaning : Critical Histories of Photography. Cambridge, MA: MIT Press, 1989.
Bryson, Normal and Crary, Jonathan and Jay, Martin and Krauss, Rosalind and Rose, Jacqueline. Vision and Visuality. Seattle, WA: Bay Press, 1988.
Crow, Thomas and Rosler, Martha and Owens, Craig and Crimp, Douglas and Kruger, Barbara and Wodiczko, Krzysztof and Fried, Michael and Krauss, Rosalind and Buchloh, Benjamin H.D. and Graham, Dan and Rankin, Aimee and Kolbowski, Silvia and Clifford, James and Dominguez, Virginia and Minh-Ha, Trinh T. and Jardine, Alice and Feher, Michel. Discussions in contemporary culture. Seattle, WA: Bay Press, 1987.
Michelson, Annette and Krauss, Rosalind and Crimp, Douglas and Copjec, Joan and Didi-Huberman, Georges and Caillois, Roger and Buchloch, Benjamin H.D. and Eisenstein, Sergei and Macciocchi, Maria-Antonietta and Deutsche, Rosalyn and Ryan, Cara Gendel and Bois, Yve-Alain and Buren, Daniel and Phillips, Christopher and Bhabha, Homi and Doane, Mary Ann and Fineman, Joel and Handke, Peter and Bataille, Georges and Frampton, Hollis and Morris, Robert and Nadar. October : The First Decade, 1976-1986. Cambridge, MA: MIT Press, 1987.
Giménez, Carmen and Armstrong, Richard and Paz, Marga and Lippard, Lucy R. and Kozloff, Max and Muller, Gregoire and Wasserman, Emily and Morris, Robert and Rose, Barbara and Burton, Scott and Smithson, Robert and Serra, Richard and Leider, Phillip and Pincus-Witten, Robert and Baker, Kenneth and Kertess, Klaus and Krauss, Rosalind and Borden, Lizzie and Lubell, Ellen and Gilbert-Rolfe, Jeremy and Collins, James and Hess, Thomas. Entre la Geometria y el Gesto : Escultura Norteamericana, 1965-1975. Madrid, Spain: Ministerio de Cultura, 1986.
Bozo, Dominique and Rowell, Margit and Krauss, Rosalind and Buchloch, Benjamin H.D. and De Duve, Thierry and Rose, Barbara and Meyer, Franz and Criqui, Jean-Pierre and Poinsot, Jean-Marc. Qu'est-ce que la sculpture moderne? Paris, France: Musée national d'art moderne, Centre Georges Pompidou, 1986.
Benjamin, Walter and Brecht, Bertolt and Althusser, Louis and Enzensberger, Hans Magnus and Baudrillard, Jean and Antin, David and Ross, David and Krauss, Rosalind and Cavell, Stanley and Paik, Nam June and Youngblood, Gene and Ellis, John and Davis, Douglas. Video Culture : A critical Investigation. New York, NY: Visual Studies Workshop Press, 1986.
Krauss, Rosalind and Livingston, Jane and Ades, Dawn. Explosante-fixe : Photographie et surréalisme. Paris, France: Centre Georges Pompidou; s.l.: Éditions Hazan, 1985.
Krauss, Rosalind and Livingston, Jane and Ades, Dawn and Schiffman, Winifred. L'amour fou : Photography & Surrealism. Washington, DC: The Corcoran Gallery of Art; New York, NY: s.n., 1985.
Levin, Kim and Hafif, Marcia and Perreault, John and Nochlin, Linda and Henry, Gerrit and Rosenblum, Robert and Rose, Barbara and Marshall, Richard and Plagens, Peter and Kosuth, Joseph and Kuspit, Donald and Ricard, Rene and Geldzahler, Henry and Gilbert-Rolfe, Jeremy and Owens, Craig and Lawson, Thomas and Crimp, Douglas and Sekula, Allan and Brumfield, John and Labowitz, Leslie and Lacy, Suzanne and Foster, Hal and Buren, Daniel and Carrier, David and Lippard, Lucy and Krauss, Rosalind and Buchloh, Benjamin H.D. and Kaprow, Allan and Goldberg, RoseLee and Klein, Norman and Davis, Douglas and McEvilley, Thomas. Theories of Contemporary Art. Englewood Cliffs, NJ: Prentice-Hall, 1985.
Wallis, Brian and Acker, Kathy and Baudrillard, Jean and Borges, Jorge Luis and Crary, Jonathan and Foster, Hal and Hoberman, J. and Jameson, Fredric and Krauss, Rosalind and Lawson, Thomas and Lippard, Lucy R. and Owens, Craig and Rosler, Martha and Buchloh, Benjamin H.D. and Kuspit, Donald B. and Barthes, Roland and Mulvey, Laura and Penley, Constance and Linker, Kate and Foucault, Michel. Art After Modernism : Rethinking Representation. New York, NY: The New Museum of Contemporary Art; Boston, MA: s.n., 1984.
Habermas, Jürgen and Frampton, Kenneth and Krauss, Rosalind and Crimp, Douglas and Owens, Craig and Ulmer, Gregory L. and Jameson, Fredric and Baudrillard, Jean and Said, Edward W.. The Anti-Aesthetic : Essays on Postmodern Culture. Port Townsend, WA: Bay Press, 1983.
Bois, Yve-Alain and Krauss, Rosalind. Richard Serra. Paris, France: Centre Georges Pompidou, 1983.
. London, England: Institute of Contemporary Arts; s.l.: Namara Press
Armitage, Shelley and Tydeman, William E. and Szarkowski, John and Lyons, Nathan and Frampton, Hollis and Jenkins, William and Baltz, Lewis and Snyder, Joel and Allen, Neil Walsh and Schwartz, Sanford and Barfield, Owen and Krauss, Rosalind and Compton, Susan P. and Grady, Dennis P. and Lindley, Daniel A. and Janis, Eugenia Parry and Kaufmann, James C. and Hugunin, James and Chiarenza, Carl and Sischy, Ingrid and Grundberg, Andy. Reading into Photography : Selected Essays, 1959-1980. Albuquerque, NM: The University of New Mexico Press, 1982.
Kardon, Janet and Neff, John Hallmark and Krauss, Rosalind and Lorber, Richard and deAk, Edit and Perreault, John and Fox, Howard N. and Foote, Nancy. Drawings : The Pluralist Decade. Philadelphia, PA: Institute of Contemporary Art, 1980.
Krauss, Rosalind. Grids : Format and Image in 20th Century Art. New York, NY: The Pace Gallery, 1980.
DOSSIER: 360 - PACE GALLERY, The (New York, NY)
Krauss, Rosalind and Serota, Nicholas. Eva Hesse : Sculpture, 1936-1970. London England: Trustees of the Whitechapel Art Gallery, 1979.
Greenberg, Clement and Steinberg, Leo and Glaser, Bruce and Judd, Donald and Rose, Barbara and Morris, Robert and Bochner, Mel and Pincus-Witten, Robert and Krauss, Rosalind. Regards sur l'art américain des années soixante. Paris, France: Éditions Territoires, 1979.
Namuth, Hans and Pollock, Jackson and O'Connor, Francis V. and Clay, Jean and Krauss, Rosalind and Rose, Barbara and Carmean, E.A. Jr.. L'atelier de Jackson Pollock. Paris, France: Macula, 1978.
October.. Cambridge, MA: MIT Press
No 1 (1976 : spring) -- No 148 (2014 : Spring) -- No 151 (2015 : Winter) --
Les Cahiers du Musée national d'art moderne.: 27. s.l.: s.n.
Les Cahiers du Musée national d'art moderne.: 29. s.l.: s.n.