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Barthes, Roland and Habermas, Jürgen and Lippard, Lucy R. and McClure, Michael and McLuhan, Marshall and Padin, Clemente and Parisi, Valentina and Pettibon, Raymond and Phillpot, Clive and Rorimer, Anne. The Magazine. Cambridge, MA: MIT Press; London, England: Whitechapel Art Gallery, 2016.
Barthes, Roland and Gillick, Liam and Goldsmith, Kenneth and McCarthy, Tom. Artist Novels : The Book Lovers Publication. Berlin Allemagne: Sternberg Press; Kraków, Poland: Cricoteka, 2015.
Agamben, Giorgio and Azoulay, Ariella and Badiou, Alain and Barthes, Roland and Bishop, Claire and Bourriaud, Nicolas and Critchley, Simon and Easterling, Keller and Eleey, Peter and Graw, Isabelle and Huberman, Anthony and Kester, Grant and Lyotard, Jean-François and Rancière, Jacques and Sontag, Susan and Steyerl, Hito and Verwoert, Jan and Weizman, Eyal. Ethics. Cambridge, MA: MIT Press; London, England: Whitechapel Art Gallery, 2015.
Adorno, Theodor and Albers, Anni and Bâ, Amadou Hâmpaté and Babbage, Charles and Barthes, Roland and Branzi, Andrea and Britton, Alison and Cardoso, Rafael and Drucker, Johanna and Eames, Charles and Ferragamo, Salvatore and Frampton, Kenneth and Gell, Alfred and Gropius, Walter and Harrod, Tanya and Heidegger, Martin and Leach, Bernard and Leslie, Esther and Lethaby, W. R. and Lippard, Lucy and Loos, Adolf and Marx, Karl and Morris, William and Morris, Robert and Moholy Nagy, Laszlo and Muthesius, Stefan and Nakashima, George and Perry, Grayson and Richards, M. C. and Ruskin, John and Samuel, Raphael and Starr, Ellen Gates and De Tocqueville, Alexis and Ufan, Lee. The Craft Reader. Oxford, England: Berg Publishers, 2010.
Batchelor, David and Adorno, Theodor and Albers, Josef and Barthes, Roland and Baudelaire, Charles and Baudrillard, Jean and Benjamin, Walter and Blanc, Charles and Birren, Faber and Bochner, Mel and Brik, Osip and Brusatin, Manlio and Buren, Daniel and Dean, Tacita and Delaunay, Robert and Delaunay, Sonia and Denis, Maurice and Durham, Jimmie and de Duve, Thierry and Eco, Umberto and Frankenthaler, Helen and Gaugin, Paul and Halley, Peter and Huysmans, Joris-Karl and Itten, Johannes and Jeanneret, Charles Edouard (Le Corbusier) and Kandinsky, Wassily and Kelley, Mike and Klee, Paul and Klein, Yves and Kristeva, Julia and Levi-Strauss, Claude and Lichtenstein, Jacqueline and Malevich, Kazimir and Manzoni, Piero and Melville, Herman and Michaux, Henri and Mondrian, Piet and Newman, Barnett and Noland, Kenneth and Oiticica, Hélio and Olitski, Jules and Reinhardt, Ad and Richter, Gerhard and Riley, Bridget and Rilke, Rainer Maria and Rothko, Mark and Ruskin, John and Shonibare, Yinka and Signac, Paul and van Doesburg, Theo and Van Gogh, Vincent and Wittgenstein, Ludwig and Magnetic Fields and et alli. Colour. London, England: Whitechapel Art Gallery; Cambridge, MA: MIT Press, 2008.
Ribalta, Jorge and Buchloh, Benjamin H. D. and Aynsley, Jeremy and Pohlmann, Ulrich and Rocco, Vanessa and Mendelson, Jordana and Sandeen, Eric and Steichen, Edward and Barthes, Roland and Lissitzky, El. Public Photographic Spaces : Exhibitions of Propaganda, from Pressa to The Family of Man, 1928-55. Barcelona Spain: Museu d Art Contemporani de Barcelona, 2008.
Barthes, Roland and Baudrillard, Jean and Bellour, Raymond and Bragaglia, Anton Giulio and Burgin, Victor and Cartier-Bresson, Henri and Deleuze, Gilles and Durand, Régis and de Duve, Thierry and Eisenstein, Sergei and Figgis, Mike and Gaensheimer, Susanne and Goldin, Nan and Gunning, Tom and Metz, Christian and Mulvey, Laura and Moholy Nagy, Laszlo and Newhall, Beaumont and Orlow, Uriel and Pasolini, Pie and Penley, Constance and Prince, Richard and Reich, Steve and Rim, Carlo and Sontag, Susan and Stimson, Blake and Tarantino, Michael and Varda, Agnès and Wollen, Peter and Campany, David. The Cinematic. London, England: Whitechapel Art Gallery; Cambridge, MA: MIT Press, 2007.
Bishop, Claire and Eco, Umberto and Barthes, Roland and Bürger, Peter and Nancy, Jean-Luc and Glissant, Édouard and Guattari, Félix and Rancière, Jacques and Debord, Guy and Kaprow, Allan and Oiticica, Hélio and Clark, Lygia and Carnevale, Graciela and Piper, Adrian and Cufer, Eda and Höller, Christian and Deller, Jeremy and Tiravanija, Rirkrit and Hirschhorn, Thomas and Bourriaud, Nicolas and Larsen, Lars Bang and Nesbit, Molly and Obrist, Hans Ulrich and Foster, Hal. Participation. Cambridge, MA: MIT Press, 2006.
Wells, Liz and Barthes, Roland and Berger, John and Rosler, Martha and Sontag, Susan. The Photography Reader. New York, NY: Routledge, 2003.
Osborne, Peter and Duchamp, Marcel and Cage, John and Klein, Yves and Kaprow, Allan and Morris, Robert and Johns, Jasper and Maciunas, George and Beckett, Samuel and Ono, Yoko and Latham, John and Goodman, Nelson and Acconci, Vito and Piper, Adrian and Lewin, Curt and Kubler, George and Lewitt, Sol and Bochner, Mel and Burnham, Jack and Lippard, Lucy R. and Chandler, John and Atkinson, Terry and Kozlowski, Jaroslaw and Buchloh, Benjamin H. D. and Saussure, Ferdinand de and Wittgenstein, Ludwig and Kuhn, Thomas S. and Smithson, Robert and Barry, Robert and Huebler, Douglas and Kosuth, Joseph and Siegelaub, Seth and Weiner, Lawrence and Burn, Ian and Cutforth, Roger and Ramsden, Mel and Burgin, Victor and Drucker, Johanna and Debord, Guy and Goffman, Erving and Clark, Lygia and Metzger, Gustav and Ehrenzweig, Anton and Ukeles, Mierle Laderman and Graham, Dan and Wall, Jeff and Steveni, Barbara and Marx, Karl and Barthes, Roland and Costa, Eduardo and Escari, Raul and Jacoby, Roberto and Oiticica, Hélio and Marcuse, Herbert and Meireles, Cildo and Parker, Roszika and Kelly, Mary and Rosler, Martha and Alberro, Alexander and Adorno, Theodor W. and Horkheimer, Max and Malraux, André and Claura, Michel and Buren, Daniel and O'Doherty, Brian and Asher, Michael and Baudrillard, Jean and Foster, Hal and Newman, Michael and Art & Language. Conceptual Art. London, England: Phaidon Press, 2002.
Massin. La lettre et l'image : La figuration dans l'alphabet latin du VII siècle à nos jours. Édition modifiée. Paris, France: Gallimard, 1993.
De Wyzewa, Téodor and Signac, Paul and Gauguin, Paul and Freud, Sigmund and Weininger, Otto and Cézanne, Paul and Denis, Maurice and Meier-Graefe, Julius and de Chirico, Giorgio and Endell, August and Derain, André and Kirchner, Ernst Ludwig and Worringer, Wilhelm and Matisse, Henri and Fry, Roger and Kandinsky, Wassily and Marc, Franz and Macke, August and Nolde, Emil and Kokoschka, Oskar and Shevchenko, Alexander and Croce, Benedetto and Bell, Clive and Bahr, Hermann and Simmel, Georg and Weber, Max and Lenin, Vladimir Ilyich and Bergson, Henri and Blok, Alexander and Marinetti, Filippo Tommaso and Boccioni, Umberto and Delaunay, Robert and Lewis, Percy Wyndham and Marc, Franz and Léger, Fernand and Gaudier-Brzeska, Henri and Kraus, Karl and Malevich, Kasimir and Metzinger, Jean and Appolinaire, Guillaume and Rivière, Jacques and Gleizes, Albert and Metzinger, Jean and Léger, Fernand and Rozanova, Olga and Kahnweiler, Daniel-Henri and Braque, Georges and Spengler, Oswald and Carrà, Carlo and Rosenberg, Léonce and Jeanneret, Charles Edouard (Le Corbusier) and Ozenfant, Amédée and Derain, André and Lewis, Percy Wyndham and Gris, Juan and Ball, Hugo and Duchamp, Marcel and Tzara, Tristan and Hülsenbeck, Richard and Hausmann, Raoul and Blok, Alexander and Gropius, Walter and Beckmann, Max and Peichstein, Max and Grosz, George and Picabia, Francis and Ray, Man and Shklovsky, Viktor and van Doesburg, Theo and Mondrian, Piet and Gabo, Naum and Pevsner, Anton and Lissitsky, El and Tatlin, Vladimir and Popova, Lyubov and Punin, Nikolai and Rodchenko, Alexander and Stepanova, Varvara and Gan, Alexei and Lissitsky, El and Ehrenberg, Ilya and Brik, Osip and Klee, Paul and Crane, Hart and Hofmann, Hans and Strzeminski, Wladyslaw and Gabo, Naum and Hepworth, Barbara and Lassaw, Ibram and Nicholson, Ben and Siqueiros, David A. and Dix, Otto and Grosz, George and Rosenberg, Alfred and Lukacs, Georg and Rivera, Diego and Sironi, Mario and Zhdanov, Andrei and Davis, Stuart and Weinstock, Clarence and Wood, Grant and Klingender, Francis and Hitler, Adolf and Trotsky, Leon and Aragon, Louis and Breton, André and Herzfelde, Wieland and Brik, Osip and Tretyakov, Sergei and Kracauer, Siegfried and Volosinov, V.n. and Bataille, Georges and Dali, Salvador and Brecht, Bertolt and Léger, Fernand and Malevich, Kasimir and Read, Herbert and Schapiro, Meyer and Mukarovsky, Jan and Adorno, Theodor and Bloch, Ernst and Rosenberg, Harold and Pollock, Jackson and Gottlieb, Harold and Rothko, Mark and Newman, Barnett and Still, Clyfford and Sartre, Jean-Paul and Dubuffet, Jean and Artaud, Antonin and Beckett, Samuel and Duthuit, Georges and Lacan, Jacques and Atlan, Jean-Michel and Ponge, Francis and Camus, Albert and Tapié, Michel and Baselitz, George and Bacon, Francis and De Vlaminck, Maurice and Horkheimer, Max and Motherwell, Robert and Picasso, Pablo and Fontana, Lucio and Kemenov, Vladimir and Jorn, Asger and Fougeron, André and Dondero, George and Schlesinger, Arthur M. Jr. and Barr, Alfred H. Jr. and Shahn, Ben and Moore, Henry and Barthes, Roland and Debord, Guy and Alloway, Lawrence and Kaprow, Alan and Manzoni, Piero and Restany, Pierre and Williams, Raymond and Cage, John and Johns, Jasper and Hamilton, Richard and Oldenburg, Claes and Warhol, Andy and Lichtenstein, Roy and Kubler, George and McLuhan, Marshall and Smith, Tony and Robbe-Grillet, Alain and Smith, David and Merleau-Ponty, Maurice and Grennberg, Clement and Adorno, Theodor and Fried, Michel and Olitski, Jules and Cavell, Stanley and Tucker, William and Scott, Yim and Wollheim, Richard and Klein, Yves and Stella, Frank and Reinhardt, Ad and Judd, Donald and Morris, Robert and LeWitt, Sol and Barry, Robert and Kosuth, Joseph and Buren, Daniel and Mosset, Olivier and Parmentier, Michel and Toroni, Niele and Atkinson, Terry and Baldwin, Michael and Burn, Ian and Ramsden, Mel and Weiner, Lawrence and Burgin, Victor and Murphy, John A. and Celant, Germano and Lippard, Lucy and Beuys, Joseph and Haacke, Hans and Burn, Ian and Derrida, Jacques and Foucault, Michel and Althusser, Louis and Kuhn, Thomas and Smithson, Robert and Steinberg, Leo and Krauss, Rosalind and Baudrillard, Jean and Kristeva, Julia and Mulvey, Laura and Jameson, Fredric and Williams, Raymond and Bell, Daniel and Lyotard, Jean-François and Habermas, Jurgen and Judd, Donald and Richter, Gerhard and Owens, Craig and Foster, Hal and Levine, Sherrie and Kruger, Barbara and Halley, Peter and Steinbach, Haim and Koons, Jeff and Taaffe, Philip and Bickerton, Ashley and Said, Edward and Kelly, Mary and Wodiczko, Krzysztof and Rose, Jacqueline and Mitchell, W.j.t. and Schier, Flint and Spivak, Gayatri Chakravorti and Serra, Richard and Novembergruppe and Novembergruppe Opposition and De Stijl and UNOVIS and KOMFUT and Abstraction-Création and American Abstract Artists and AKhRR and Red Group and ARBKD and Central Committee for All-Union Communist Party and John Reed Club of New York and October and Constant and Art Workers' Coalition and Art & Language. Art in Theory 1900-1990 : An Anthology of Changing Ideas. Cambridge, MA: Blackwell Publishers, 1992.
Hamon, Philippe and Hamon, Philippe and D'Halicarnasse, Denys and Vida, M.g. and Boileau-Despréaux, Nicolas and Gibert, Balthasar and Fontanier, Pierre and Carpentier, L.j.m. and Bullet, Pierre and De Buffon, Georges-Louis and Daubenton, Louis J. Marie and Mestre, Père and Vessiot, Alexandre and Lanson, Gustave and Albalat, Antoine and Marmontel, Jean-François and Sulzer, Jean-Georges and De Saint-Lambert, Jean-François and Blair, Hugh and De Piis, Pierre-Antoine and De Chateaubriand, François-René and Michaud, Joseph and Pivert De Senancour, Étienne and Nodier, Charles and Nisard, Désiré and Larousse, Pierre and Tatius, Achille and Rimbaud, Arthur and De Ronsard, Pierre and Diderot, Denis and Delacroix, Eugène and Sainte-Beuve, Charles-Augustin and De Balzac, Honoré and Gautier, Théophile and Villiers de l'Isle-Adam, Jean-Marie and Verne, Jules and Thulié, Henri and Flaubert, Gustave and De Goncourt, Edmond and De Goncourt, Jules and Zola, Émile and Bourget, Paul and Rodenbach, Georges and Valéry, Paul and Breton, André and Gracq, Julien and Ponge, Francis and Sartre, Jean-Paul and Robbe-Grillet, Alain and Simon, Claude and Perec, Georges and Coypel, Charles-Antoine and Lessing, Gotthold Ephraïm and Lanson, Gustave and Lukacs, Georg and Jakobson, Roman and Lotman, Iouri and Auerbach, Erich and Barthes, Roland and Foucault, Michel and Genette, Gérard and Quintilien and Aphtonius and Goyer-Linguet and Longus and Philostrate and Champfleury. La description littéraire : De l'Antiquité à Roland Barthes : Anthologie de textes théoriques et critiques. Paris, France: Macula, 1991.
Thompson, James M. and Tolstoy, Leo and Collingwood, R.g. and Fry, Roger and Bell, Clive and Greenberg, Clement and Freud, Sigmund and Jung, Carl Gustav and Arnheim, Rudolf and Marx, Karl and Hauser, Arnold and Hadjinicolaou, Nicos and Vazquez, Adolfo Sanchez and Clark, T.j. and Cassirer, Ernst and Thompson, J.m. and De Saussure, Ferdinand and Lévi-Strauss, Claude and Barthes, Roland and Heidegger, Martin and Merleau-Ponty, Maurice and Kristeva, Julia and Derrida, Jacques. 20th Century Theories of Art. Ottawa, Ont.: Carleton University Press, 1990.
Mara, Gilles and Mara, Gilles and Bauret, Gabriel and Wahl, François and Gontier, Thierry and Ortel, Philippe and Arrouye, Jean and Esders, Viviane and Fleig, Alain and Leenhardt, Jacques. Roland Barthes et la photo : Le pire des signes. Paris, France: Contrejour; Laplume, France: s.n., 1990.
Bouillon, François and LeWitt, Sol and Dewasne, Jean and Barthes, Roland and Xuriguera. Acquisitions 1985-1986 : L'énergie du dessin. Amiens, France: FRAC Picardie, 1987.
Barthes, Roland. Camera Lucida : Reflections on Photography. 5th ed. New York, NY: Hill and Wang, 1985.
Wallis, Brian and Acker, Kathy and Baudrillard, Jean and Borges, Jorge Luis and Crary, Jonathan and Foster, Hal and Hoberman, J. and Jameson, Fredric and Krauss, Rosalind and Lawson, Thomas and Lippard, Lucy R. and Owens, Craig and Rosler, Martha and Buchloh, Benjamin H.D. and Kuspit, Donald B. and Barthes, Roland and Mulvey, Laura and Penley, Constance and Linker, Kate and Foucault, Michel. Art After Modernism : Rethinking Representation. New York, NY: The New Museum of Contemporary Art; Boston, MA: s.n., 1984.
Barthes, Roland. L'obvie et l'obtus : Essais Critiques III. Paris, France: Seuil, 1982.
Barthes, Roland. Roland Barthes : Le grain de la voix : Entretiens 1962-1980. Paris, France: Seuil, 1981.
Caughie, John and Buscombe, Edward and Sarris, Andrew and Marcorelles, Louis and Anderson, Lindsay and Wollen, Peter and Cormolli, Jean-Louis and Narboni, Jean and Eckert, Charles and Henderson, Brian and Oudart, Jean-Pierre and Barthes, Roland and Heath, Stephen and Metz, Christian and Nowell-Smith, Geoffrey and Flitterman, Sandy and Brown, Nick and Cook, Pam and Foucault, Michel. Theories of Authorship : A Reader. London, England: Routledge & Kegan Paul; s.l.: British Film Institute, 1981.
Barthes, Roland. La chambre claire : Note sur la photographie. Paris, France: Cahiers du cinéma; s.l.: Gallimard; s.l.: Seuil, 1980.
Barthes, Roland and Menzio, Eva and Lublin, Lea. 2 Artemisia : mot pour mot = word for word. Paris, France: Yvon Lambert, 1979.
Barthes, Roland. Mythologies. Paris, France: Seuil, 1957.